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  1. Everyday aesthetics and the practice of historical reenactment : revisiting Cavell's Emerson
    Autor*in: Wagner, Ulrike
    Erschienen: 14.04.2022

    Throughout his career, Stanley Cavell's subject has been the ordinary: what Ralph Waldo Emerson would call 'the near, the low, the common'. Cavell provides compelling insights into Emerson's efforts to locate philosophy within the flow of everyday... mehr

     

    Throughout his career, Stanley Cavell's subject has been the ordinary: what Ralph Waldo Emerson would call 'the near, the low, the common'. Cavell provides compelling insights into Emerson's efforts to locate philosophy within the flow of everyday life. He examines how Emerson renews common thinking, citations, and fragments from the works of others by means of his 'aversive thinking': his technique of turning writing back upon itself. While taking Cavell's Emerson readings as its point of departure, this essay switches Cavell's philosophical angle for a philological one. I suggest that Emerson's engagement with contemporary debates concerning the historical reading of sacred and secular literature (the Bible, Homer, Shakespeare) formed his own practice of reworking literatures of various origins and recasting aesthetics in major ways.

     
    Export in Literaturverwaltung
    Hinweise zum Inhalt: kostenfrei
    Quelle: GiNDok
    Sprache: Englisch
    Medientyp: Teil eines Buches (Kapitel); bookPart
    Format: Online
    ISBN: 978-3-96558-029-9; 978-3-96558-028-2
    DDC Klassifikation: Philosophie und Psychologie (100); Literatur und Rhetorik (800); Amerikanische Literatur in in Englisch (810)
    Sammlung: ICI Berlin
    Schlagworte: Emerson, Ralph Waldo; Cavell, Stanley; Historische Kritik
    Lizenz:

    creativecommons.org/licenses/by-sa/4.0/

    ;

    info:eu-repo/semantics/openAccess
  2. Speculative writing : unfilmed scripts and premediation events
    Autor*in: Gonçalo, Pablo
    Erschienen: 14.04.2022

    This article investigates and proposes the concept of speculative writing, which is a disruptive sort of dramaturgy mediated by artificial intelligence. What are the kinds of events created by speculative writing? What might its history and genealogy... mehr

     

    This article investigates and proposes the concept of speculative writing, which is a disruptive sort of dramaturgy mediated by artificial intelligence. What are the kinds of events created by speculative writing? What might its history and genealogy be? What might the duration of an alphanumeric reenactment be? Guided by these questions, the article details its search for speculative writing in unfilmed script history as well as in premediation events. According to these concepts, this essay concludes that speculative writing will enact potential, abstract, and premediated events, which have never become material media.

     
    Export in Literaturverwaltung
    Hinweise zum Inhalt: kostenfrei
    Quelle: GiNDok
    Sprache: Englisch
    Medientyp: Teil eines Buches (Kapitel); bookPart
    Format: Online
    ISBN: 978-3-96558-029-9; 978-3-96558-028-2
    DDC Klassifikation: Literatur und Rhetorik (800)
    Sammlung: ICI Berlin
    Schlagworte: Spekulativer Realismus; Schreiben; Drehbuch; Archiv
    Lizenz:

    creativecommons.org/licenses/by-sa/4.0/

    ;

    info:eu-repo/semantics/openAccess
  3. Reenactment in theatre : some reflections on the philosophical status of restaging
    Autor*in: Sacco, Daniela
    Erschienen: 14.04.2022

    Theatre, because of its ability to represent through restaging, would seem to be the quintessential platform for reenactment. The "Orestea (una commedia organica?)" by R. Castelluci and Socìetas Raffaello Sanzio, restaged at the Paris Automne... mehr

     

    Theatre, because of its ability to represent through restaging, would seem to be the quintessential platform for reenactment. The "Orestea (una commedia organica?)" by R. Castelluci and Socìetas Raffaello Sanzio, restaged at the Paris Automne Festival in 2015, twenty years after its 1995 world premiere in Prato, is the starting point for a reflection on the status of restaging in theatre. This case study is the occasion to apply Walter Benjamin's philosophical concept of the 'Jetztzeit' to a theatrical context, and to consider also the 'citational' value of theatrical reenactment. These concepts are useful to study not only the reenactment of theatrical gesture and acting but also to consider the practice of restaging related to the theatrical event conceived in its entirety.

     
    Export in Literaturverwaltung
    Hinweise zum Inhalt: kostenfrei
    Quelle: GiNDok
    Sprache: Englisch
    Medientyp: Teil eines Buches (Kapitel); bookPart
    Format: Online
    ISBN: 978-3-96558-029-9; 978-3-96558-028-2
    DDC Klassifikation: Bühnenkunst (792); Literatur und Rhetorik (800)
    Sammlung: ICI Berlin
    Schlagworte: Aeschylus; Orestia; Inszenierung; Castellucci, Romeo; Societas Raffaello Sanzio; Aufführung; Paris; Geschichte 2015; Reenactment
    Lizenz:

    creativecommons.org/licenses/by-sa/4.0/

    ;

    info:eu-repo/semantics/openAccess
  4. Re-search, re-enactment, re-design, re-programmed art
    Autor*in: Cangiano, Serena ; Fornari, Davide ; Seratoni, Azalea
    Erschienen: 14.04.2022

    Kinetic and programmed art has been a trend of contemporary arts that flourished in the 1950s and 1960s. Kinetic artworks often incorporated technology, at that time still immature, and involved the audience in the production of visual, sound, and... mehr

     

    Kinetic and programmed art has been a trend of contemporary arts that flourished in the 1950s and 1960s. Kinetic artworks often incorporated technology, at that time still immature, and involved the audience in the production of visual, sound, and somatic effects. Gruppo T was the pioneering group at the forefront of this groundbreaking vision of art as reproducible, participatory, and interactive. Through an action research project and the methodological tool of reenactment, a group of researchers, designers, and artists has proposed an alternative way to conserve Gruppo T artworks. The project 'Re-programmed Art: An Open Manifesto' originated from the ephemeral and experimental features, as well as fragility, of the works by Gruppo T - that is, from the difficulties of practice, conservation, technology, and market that have confined them for far too long to the margins of mainstream art history. We conceive reenactment not just a mere restaging but as re-designing, re-thinking, updating, and reprogramming a series of works by Gruppo T.

     
    Export in Literaturverwaltung
    Hinweise zum Inhalt: kostenfrei
    Quelle: GiNDok
    Sprache: Englisch
    Medientyp: Teil eines Buches (Kapitel); bookPart
    Format: Online
    ISBN: 978-3-96558-029-9; 978-3-96558-028-2
    DDC Klassifikation: Künste; Bildende und angewandte Kunst (700); Literatur und Rhetorik (800)
    Sammlung: ICI Berlin
    Schlagworte: Gruppe T; Kinetische Kunst; Reenactment; Konservierung
    Lizenz:

    creativecommons.org/licenses/by-sa/4.0/

    ;

    info:eu-repo/semantics/openAccess
  5. In the beginning there is an end : approaching Gina Pane, approaching "Discours mou et mat"
    Autor*in: Arnell, Malin
    Erschienen: 14.04.2022

    In this fifteen-minute lecture-performance, Malin Arnell presents her dialogue with the work of French-Italian artist Gina Pane (1939–1990). Oriented around textual and visual traces of Pane and Arnell's historical intra-action, this ongoing dialogue... mehr

     

    In this fifteen-minute lecture-performance, Malin Arnell presents her dialogue with the work of French-Italian artist Gina Pane (1939–1990). Oriented around textual and visual traces of Pane and Arnell's historical intra-action, this ongoing dialogue explores performance art documentation and historical narratives. The project interrogates the operations of archives, asking: 'How do queer feminist performance archives make you vulnerable, how do they make you feel, act, react?' 'Whose bodies remain present, and which bodies are lost?' The framework of the work - its repetition with variations and its artistic and queer feminist methodologies - enables an exploration of history, documentation, and bodily epistemology as an attempt to take responsibility for what is not known by doing, through action - through performance.

     
    Export in Literaturverwaltung
    Hinweise zum Inhalt: kostenfrei
    Quelle: GiNDok
    Sprache: Englisch
    Medientyp: Teil eines Buches (Kapitel); bookPart
    Format: Online
    ISBN: 978-3-96558-029-9; 978-3-96558-028-2
    DDC Klassifikation: Freizeitgestaltung, darstellende Künste, Sport (790); Literatur und Rhetorik (800)
    Sammlung: ICI Berlin
    Schlagworte: Pane, Gina; Performance <Künste>; Reenactment; Künstlerische Forschung
    Lizenz:

    creativecommons.org/licenses/by-sa/4.0/

    ;

    info:eu-repo/semantics/openAccess