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  1. The fall of the Berlin Wall transnational : images and stereotypes in Yadé Kara's "Selam Berlin" and Paul Beatty's "Slumberland"
    Autor*in: Zocco, Gianna
    Erschienen: 08.04.2024

    The fall of the Berlin Wall and its literary representations have often been described as a purely (white) German affair, as a discourse regarding (East/West) German identity. Taking on Leerssen's claim for a trans-/postnational imagology, this... mehr

     

    The fall of the Berlin Wall and its literary representations have often been described as a purely (white) German affair, as a discourse regarding (East/West) German identity. Taking on Leerssen's claim for a trans-/postnational imagology, this article provides an analysis of two novels depicting the fall of the Berlin Wall from transnational, not-(only)-German perspectives: Yadé Kara's "Selam Berlin" (2003) and Paul Beatty's "Slumberland" (2008). Comparing images and stereotypes used by both the Turkish-German narrator of Kara's and the African American narrator of Beatty's novel, it aims to undertake an exemplary case study of how imagology may be employed in contexts characterized by complex interferences of national, ethnic/racial, and urban ascriptions of belonging.

     
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  2. The myth of the Orient in Flaubert's "Voyage en Égypte" and Bachmann's "Das Buch Franza"
    Autor*in: Wagner, Walter
    Erschienen: 08.04.2024

    This study compares and analyses hetero-stereotypes in Flaubert's travelogue "Voyage en Égypte" and Bachmann's prose fictions "Wüstenbuch" and "Das Buch Franza" in order to find out to what extent Flaubert resorts to stereotypical representations of... mehr

     

    This study compares and analyses hetero-stereotypes in Flaubert's travelogue "Voyage en Égypte" and Bachmann's prose fictions "Wüstenbuch" and "Das Buch Franza" in order to find out to what extent Flaubert resorts to stereotypical representations of the colonial Orient, and Bachmann perpetuates, transforms, or revises Flaubert's imagological discourse in the age of postcolonialism. Whereas Flaubert's sexist and racist narrative posits white superiority, Bachmann's protagonists subvert the male hegemonic stance of her French predecessor, insisting on white and male inferiority, causing just another stereotypization of race and gender.

     
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  3. The act of reading in translation : on Wolfgang Iser's self-translatability
    Autor*in: Bodola, Ronja
    Erschienen: 17.06.2024

    This article takes the renowned study "Der Akt des Lesens" (1976) by Wolfgang Iser and its translation "The Act of Reading" (1978) as its starting point. The differences between the two texts are discussed in terms of Iser's own idea of... mehr

     

    This article takes the renowned study "Der Akt des Lesens" (1976) by Wolfgang Iser and its translation "The Act of Reading" (1978) as its starting point. The differences between the two texts are discussed in terms of Iser's own idea of translatability as a cultural practice that was outlined in the short text "On Translatability". This theoretical frame will shed light on the decisions made in his own translations, and will help to develop a conceptualization of self-translation as a practice inherent in cultural change. [...] I will propose a combination of two concepts, Iser's 'translatability' (in II.) and the notion of 'autocommunication' by Lotman (III.), to suggest a concept of self-translation that entails three interrelated aspects: a) translation as a rewriting of the text as such, b) translation as continued work on one's argument as well as c) the re-translation back to the original source as a manifestation of a change in one's thought structure - Änderungen der eigenen Denkstruktur, as one of Werner Heisenberg's papers is entitled, and to which I will come back in my conclusion (IV.). Hence, the focus is mainly systematic and conceptual, however, I will first comment on my example of self- and re-translation and start with a comparison of different versions of Iser's "Der Akt des Lesens" and the shorter texts that led to the actual monograph.

     
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    Quelle: GiNDok
    Sprache: Englisch
    Medientyp: Teil eines Buches (Kapitel); bookPart
    Format: Online
    ISBN: 978-3-86599-467-7
    DDC Klassifikation: Literatur und Rhetorik (800); Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Sammlung: Leibniz-Zentrum für Literatur- und Kulturforschung (ZfL)
    Schlagworte: Iser, Wolfgang; Übersetzung; Eigenübersetzung
    Lizenz:

    publikationen.ub.uni-frankfurt.de/home/index/help

    ;

    info:eu-repo/semantics/openAccess
  4. Rethinking Romanticism with Spinoza : encounter and individuation in Novalis, Ritter, and Baader
    Autor*in: Biareishyk, Siarhei
    Erschienen: 18.06.2024

    Siarhei Biareishyk setzt sich mit Berührung bei Novalis, Joachim Ritter und Franz Baader auseinander, bei denen er ein materialistisches Denken findet, das starke Parallelen zur Philosophie Spinozas zeigt. Mit Novalis erweist sich Berührung - und... mehr

     

    Siarhei Biareishyk setzt sich mit Berührung bei Novalis, Joachim Ritter und Franz Baader auseinander, bei denen er ein materialistisches Denken findet, das starke Parallelen zur Philosophie Spinozas zeigt. Mit Novalis erweist sich Berührung - und nicht 'Begegnung' wie etwa bei Gilles Deleuze - als eine zentrale Denkfigur für Individuierungsprozesse und Konzepte der Transindividualität. Der um Novalis angesiedelte Kreis der 'Freiberger Romantik' bildet so ein interessantes Scharnier zwischen einem Denken von Berührung und aktuellen Debatten um einen neuen Materialismus.

     
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  5. Heinrich von Kleist's cosmopolitism and the openness of the sea
    Autor*in: Jakob, Rafael
    Erschienen: 26.11.2024

    Heinrich von Kleist, the Prussian, a cosmopolitan? His plays and novellas written with moral-worldly intent? He was indeed restless, lived briefly in Paris and Switzerland, created literature about the revolution in Haiti and the earthquake in... mehr

     

    Heinrich von Kleist, the Prussian, a cosmopolitan? His plays and novellas written with moral-worldly intent? He was indeed restless, lived briefly in Paris and Switzerland, created literature about the revolution in Haiti and the earthquake in Santiago de Chile (although he may really have been thinking of the Lisbon earthquake). And repeatedly, he placed the personae of his novellas in strong relationship to the wider world. [...] Scenes of shipwreck and threatened demise furnish the paradigm for an event-ethic: an ethic, taking narrative form, that Kleist articulated against the backdrop of a state intervention increasingly rendering impossible the cosmopolitanism of Kantian stamp. Instead of the universality of world-citizenship, Kleist presents us with the event's impersonality; instead of a logic of progress, of general moral self-formation, the event's insistent repetition. This is the context for Kleist's editorial reworking of Achim von Arnim's and Clemens Brentano's critique, written for the "Abendblätter", of Caspar David Friedrich's painting now known as "The Monk by the Sea" (1808–1810). Kleist here defines Friedrich's paintings as capturing a relationship to the world grounded in this different ethics; in his reworking, precisely at the point where Kleist decisively moves away from the version submitted by the two Romantic authors, he tellingly speaks of a "sad and uncomfortable position in the world."

     
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