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  1. „Die deutsch-rumänische Freundschaft trägt offensichtlich Früchte”. Fremd- und Selbstbilder im Film "Offset"
    Autor*in: Karlstedt, Ana

    Film is a wonderful means of reflecting upon the identity of the self and the other. A movie like Didi Danquart’s Offset (2006), which deals with intercultural conflicts, even more so. The clash of the Romanian and German cultures depicted in this... mehr

     

    Film is a wonderful means of reflecting upon the identity of the self and the other. A movie like Didi Danquart’s Offset (2006), which deals with intercultural conflicts, even more so. The clash of the Romanian and German cultures depicted in this movie illustrates how the construction of identity – of the self and the other – works.

     
    Export in Literaturverwaltung
    Hinweise zum Inhalt: kostenfrei
    Quelle: GiNDok
    Sprache: Deutsch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Öffentliche Darbietungen, Film, Rundfunk (791); Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Lizenz:

    publikationen.ub.uni-frankfurt.de/home/index/help

    ;

    info:eu-repo/semantics/openAccess
  2. Fremdheitskonstruktionen in Karin Gündischs Roman "COSMIN. Von einem der auszog, das Leben zu lernen"
    Autor*in: Karlstedt, Ana

    Cosmin, a twelve-year-old Roma boy from Transylvania, only goes to school for a short while. For his mother, it is more important, that he, the only male of a household with many mouths to feed, help her with work. But Cosmin’s teacher does not give... mehr

     

    Cosmin, a twelve-year-old Roma boy from Transylvania, only goes to school for a short while. For his mother, it is more important, that he, the only male of a household with many mouths to feed, help her with work. But Cosmin’s teacher does not give up and proposes a bargain: If Cosmin’s mother lets her children go to school, she will get electricity from the school to be able to watch TV. Due to this arrangement, Cosmin returns to school for a few days, becomes a little thief and embarks on a journey that can become an opportunity for him. A kind of a bildungsroman, a coming of age novel focused on the ups and downs between two worlds on Romanian soil, that could not be more different from one another: the Romanian majority and the Roma minority. This article sets out to document life at the brink of society, with all of its facets.

     
    Export in Literaturverwaltung
    Hinweise zum Inhalt: kostenfrei
    Quelle: GiNDok
    Sprache: Deutsch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Lizenz:

    publikationen.ub.uni-frankfurt.de/home/index/help

    ;

    info:eu-repo/semantics/openAccess
  3. "Erzähl mir was, Großvater!" : Geschichten über das Schicksal der Siebenbürger Sachsen nach dem Zweiten Weltkrieg anhand des Romans von Karin Gündisch "Weit, hinter den Wäldern"
    Autor*in: Karlstedt, Ana
    Erschienen: 11.10.2024

    It is with the words „Denkst du, das Leben besteht aus Geschichten?“2 that Peterʼs grandfather answers to Peterʼs request to be told yet another story. They say that a collective memory is only imaginable and perceivable in its manifestations of... mehr

     

    It is with the words „Denkst du, das Leben besteht aus Geschichten?“2 that Peterʼs grandfather answers to Peterʼs request to be told yet another story. They say that a collective memory is only imaginable and perceivable in its manifestations of individuals. This is the ace up Karin Gündischs sleeve that she uses in her novel Weit, hinter den Wäldern. A relatively unknown, yet valuable author, she manages to envision the post World War II world in a Saxonian village in a very authentic way. Filtered through the gaze of young Peter, 12, the author tells the stories of the deprivations and humiliations that Saxonians had to endure after World War II in Russian imprisonment. The novel also talks about guilt on both ends. At first, the stories are entertaining for the children, but they soon discover they are listening to stories about survival in dire times. Many storytellers get to tell their stories throughout the novel, as the book abounds in Scheherezade-like stories that soften the blow of the hard day to day life in Transylvania. This article aims at answering the question as to what roles storytelling plays in a context of atrocity. Roger Willemsen warns about the tough process of dealing with a difficult past, which Karin Gündisch, in her book for children and teenagers, but also for adults excels at: “There is no easy way to talk about the horrendous.“

     
    Export in Literaturverwaltung
    Hinweise zum Inhalt: kostenfrei
    Quelle: GiNDok
    Sprache: Deutsch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Lizenz:

    publikationen.ub.uni-frankfurt.de/home/index/help

    ;

    info:eu-repo/semantics/openAccess