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  1. Working conditions : world literary criticism and the material of Arvind Krishna Mehrotra
    Erschienen: 07.05.2021

    To what extent does cultural distance interfere with or limit literary experience? What kind of intimacy is needed to make a text into a work? This essay seeks to answer these questions by focusing on the writings of Arvind Krishna Mehrotra. In doing... mehr

     

    To what extent does cultural distance interfere with or limit literary experience? What kind of intimacy is needed to make a text into a work? This essay seeks to answer these questions by focusing on the writings of Arvind Krishna Mehrotra. In doing so, it suggests that the challenges of cultural distance may be most acute when dealing with texts from homo-linguistic literary environments, and that we might overcome these challenges by undertaking a world literary criticism that attends to localized fields and materials without forgetting the charge of particular works.

     

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    Hinweise zum Inhalt: kostenfrei
    Quelle: GiNDok
    Sprache: Englisch
    Medientyp: Teil eines Buches (Kapitel); bookPart
    Format: Online
    ISBN: 978-3-96558-013-8; 978-3-96558-022-0
    DDC Klassifikation: Literatur und Rhetorik (800); Englische, altenglische Literaturen (820); Literaturen anderer Sprachen (890)
    Sammlung: ICI Berlin
    Schlagworte: Übersetzung; Kabir; Beatgeneration; Indien; Literatur; Erfahrung; Literarisches Leben; Adorno, Theodor W.
    Lizenz:

    creativecommons.org/licenses/by-sa/4.0/

    ;

    info:eu-repo/semantics/openAccess

  2. Afterword : towards a theory of reparative translation
    Autor*in: Apter, Emily
    Erschienen: 07.05.2021

    The 'work' of world literature, as this volume underscores in its title, and as Derek Attridge lays out in his case for translation as 'creative labour', points to theories of translational praxis that challenge the status of a nationally fortressed... mehr

     

    The 'work' of world literature, as this volume underscores in its title, and as Derek Attridge lays out in his case for translation as 'creative labour', points to theories of translational praxis that challenge the status of a nationally fortressed standard language.

     

    Export in Literaturverwaltung
    Hinweise zum Inhalt: kostenfrei
    Quelle: GiNDok
    Sprache: Englisch
    Medientyp: Teil eines Buches (Kapitel); bookPart
    Format: Online
    ISBN: 978-3-96558-013-8; 978-3-96558-022-0
    DDC Klassifikation: Literatur und Rhetorik (800)
    Sammlung: ICI Berlin
    Schlagworte: Übersetzung; Weltliteratur; Sprachpolitik; Mundart
    Lizenz:

    creativecommons.org/licenses/by-sa/4.0/

    ;

    info:eu-repo/semantics/openAccess

  3. Including the excluded : strategies of opening up in late medieval religious writing
    Erschienen: 27.06.2022

    Practices of rewriting and mouvance are central to medieval culture, but have been neglected by contemporary scholarship. This paper highlights how collaborative forms of writing such as religious song engage with complex theological thought, opening... mehr

     

    Practices of rewriting and mouvance are central to medieval culture, but have been neglected by contemporary scholarship. This paper highlights how collaborative forms of writing such as religious song engage with complex theological thought, opening up a discourse from which the laity had previously been excluded. Using forms which defy conventional author-based aesthetic norms, these songs explore poetic practices which are both collective and inclusive.

     

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  4. Incomplete and self-dismantling structures : the built space, the text, the body
    Erschienen: 10.10.2022

    The present essay engages with the short story 'The Burrow', written by Franz Kafka between 1923 and 1924, a few months before his death. The ambiguity of the original title, 'Der Bau', which defies translation by pointing at the same time at a... mehr

     

    The present essay engages with the short story 'The Burrow', written by Franz Kafka between 1923 and 1924, a few months before his death. The ambiguity of the original title, 'Der Bau', which defies translation by pointing at the same time at a construction and an excavation work, anticipates the multilayered image of the burrow itself. While both nature and function of the burrow are hard to pinpoint (is it a dwelling, a shelter, a fortress, a labyrinth, a ruin?), the initially reported success of its construction is revealed as illusory, thus prompting the ongoing first-person narration of the incessant builder's work. Similarly unsuccessful is any attempt of the reader to attain metaphorical closure. In the light of other impossible, i.e., unfinished, bound-to-fail, ruinous, or selfdismantling structures portrayed by Kafka, as well as on the background of coeval texts by Paul Valéry and Georg Simmel, the essay investigates the wide and deep significance of the burrow’s countering the classical ideal of architectural wholeness.

     

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  5. Dante's "Inferno" and Walter Benjamin's cities : considerations of place, experience, and media
    Erschienen: 30.10.2019

    When Walter Benjamin wrote his main texts, the theme of the city as hell was extremely popular. Some of his German contemporaries, such as Brecht or Döblin, also used it. Benjamin was aware of these examples, as well as of examples outside Germany,... mehr

     

    When Walter Benjamin wrote his main texts, the theme of the city as hell was extremely popular. Some of his German contemporaries, such as Brecht or Döblin, also used it. Benjamin was aware of these examples, as well as of examples outside Germany, including Joyce's "Ulysses" and Baudelaire's "poetry". And he was - at least in some way - familiar with Dante's "Inferno" and used it, and in particular Dante's conception of hell, for his own purposes. Benjamin's appropriation of the topos of the Inferno has been seen as a critique of capitalism and as a general critique of modernism by means of allegory. In the following analysis, Angela Merte-Rankin takes a slightly different approach and, despite Benjamin's status as an expert on allegory, considers hell in its literal sense as a place and examines the issues of implacement that might follow from this standpoint.

     

    Export in Literaturverwaltung
    Hinweise zum Inhalt: kostenfrei
    Quelle: GiNDok
    Sprache: Englisch
    Medientyp: Teil eines Buches (Kapitel); bookPart
    Format: Online
    ISBN: 978-3-85132-617-8
    DDC Klassifikation: Literatur und Rhetorik (800); Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Sammlung: ICI Berlin
    Schlagworte: Dante Alighieri; Inferno; Rezeption; Benjamin, Walter; Hölle <Motiv>; Stadt <Motiv>; Topografie
    Lizenz:

    creativecommons.org/licenses/by-sa/3.0/de/deed.de

    ;

    info:eu-repo/semantics/openAccess