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  1. The staircase wit or The poetic idiomaticity of Herta Müller's prose
    Autor*in: Castore, Antonio
    Erschienen: 11.09.2023

    'The Staircase Wit; or, The Poetic Idiomaticity of Herta Müller's Prose' explores idioms and 'Sprachbilder' as poetic views of the mother tongue. This exploration involves a special focus on Müller's Nobel lecture, considered as both a compendium and... mehr

     

    'The Staircase Wit; or, The Poetic Idiomaticity of Herta Müller's Prose' explores idioms and 'Sprachbilder' as poetic views of the mother tongue. This exploration involves a special focus on Müller's Nobel lecture, considered as both a compendium and an enactment of her meditations on language, on the nature of writing, and on the creative process. While Müller frequently employs idioms in her articles, lectures, and novel titles, she never uses them in a superficial way or as a mere reproduction of common or daily speech. Rather, as this essay argues, idioms in Müller's prose are indicative of her attitude toward language and toward the mother tongue in general. In the Nobel lecture as well as elsewhere, idioms serve a dual, occasionally conflicting purpose, combining the need for the 'singularity' of aesthetic experience with the search for a new kind of 'conventionality'.

     
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    Hinweise zum Inhalt: kostenfrei
    Quelle: GiNDok
    Sprache: Englisch
    Medientyp: Teil eines Buches (Kapitel); bookPart
    Format: Online
    ISBN: 978-3-96558-050-3; 978-3-96558-051-0; 978-3-96558-049-7
    DDC Klassifikation: Literatur und Rhetorik (800); Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Sammlung: ICI Berlin
    Schlagworte: Müller, Herta; Sprache; Muttersprache; Phraseologie
    Lizenz:

    creativecommons.org/licenses/by-sa/4.0/deed.de

    ;

    info:eu-repo/semantics/openAccess
  2. Gestural communities : lyric and the suspension of action
    Autor*in: Giusti, Francesco
    Erschienen: 09.12.2024

    Memorability, shareability, and repeatability are interrelated characteristics often ascribed to lyric poetry in current theory, sometimes with an emphasis on the transnational potential of its circulation. This article approaches this question of... mehr

     

    Memorability, shareability, and repeatability are interrelated characteristics often ascribed to lyric poetry in current theory, sometimes with an emphasis on the transnational potential of its circulation. This article approaches this question of shareability not in terms of diction or form, as is usually the case, but of gesture. Drawing on Bertolt Brecht, Walter Benjamin, and Giorgio Agamben, gesture is defined as both historically situated and transferable to different contexts, but whether or not to re-enact a particular gesture in one's own context is a political decision. After examining how a sonnet by Andrea Zanzotto addresses the lyric gesture of exhortation offered by a Petrarch sonnet, the article goes on to explore the potentiality opened up for the formation of gestural communities by the suspension of action in the lyric.

     
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