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28. Resistance I

    Autor*in: Proctor, Hannah

    Erschienen: 22.01.2020

    In an essay on Peter Weiss, W. G. Sebald remarked that 'the grotesque deformities of our inner lives have their background and origin in collective social history'. Weiss's works explore the relationships between writing and action, aesthetics and... mehr

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    Volltext:	http://publikationen.ub.uni-frankfurt.de/files/52825/proctor_resistance-i.pdf
    Zitierfähiger Link:	https://nbn-resolving.org/urn:nbn:de:hebis:30:3-528252 https://doi.org/10.25620/ci-15_14

    In an essay on Peter Weiss, W. G. Sebald remarked that 'the grotesque deformities of our inner lives have their background and origin in collective social history'. Weiss's works explore the relationships between writing and action, aesthetics and politics. This short essay discusses some fragments of texts by Weiss, asking how subjects formed and (grotesquely) deformed by history can continue to resist or intervene to alter its course.

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    Quelle:	GiNDok
    Sprache:	Englisch
    Medientyp:	Teil eines Buches (Kapitel); bookPart
    Format:	Online
    ISBN:	978-3-96558-001-5; 978-3-96558-002-2
    DDC Klassifikation:	Literatur und Rhetorik (800); Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Sammlung:	ICI Berlin
    Schlagworte:	Weiss, Peter; Die Ästhetik des Widerstands; Widerstand; Sebald, W. G.
    Lizenz:	creativecommons.org/licenses/by-sa/3.0/de/deed.de ; info:eu-repo/semantics/openAccess

29. Reversion: lyric time(s) II

    Autor*in: Giusti, Francesco

    Erschienen: 27.01.2020

    Is a 'history' of the lyric even conceivable? What would a 'lyric' temporality look like? With a focus on Rainer Maria Rilke's decision not to translate, but rather to rewrite Dante's "Vita nova" (1293–1295) in the first of his "Duineser Elegien"... mehr

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    Volltext:	http://publikationen.ub.uni-frankfurt.de/files/52841/giusti_reversion.pdf
    Zitierfähiger Link:	https://nbn-resolving.org/urn:nbn:de:hebis:30:3-528411 https://doi.org/10.25620/ci-15_19

    Is a 'history' of the lyric even conceivable? What would a 'lyric' temporality look like? With a focus on Rainer Maria Rilke's decision not to translate, but rather to rewrite Dante's "Vita nova" (1293–1295) in the first of his "Duineser Elegien" (1912), the essay deploys 'reversion' (as turning back, return, coming around again), alongside 're-citation', as a keyword that can unlock the transhistorical operations of the lyric as the re-enactment of selected gestures under different circumstances.

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    Quelle:	GiNDok
    Sprache:	Englisch
    Medientyp:	Teil eines Buches (Kapitel); bookPart
    Format:	Online
    ISBN:	978-3-96558-001-5; 978-3-96558-002-2
    DDC Klassifikation:	Literatur und Rhetorik (800); Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Sammlung:	ICI Berlin
    Schlagworte:	Dante Alighieri; La vita nuova; Rezeption; Rilke, Rainer Maria; Duineser Elegien; Lyrik; Zeitlichkeit
    Lizenz:	creativecommons.org/licenses/by-sa/3.0/de/deed.de ; info:eu-repo/semantics/openAccess