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  1. Enduring rain : on Vajiko Chachkhiani's "Living Dog Among Dead Lions"
    Erschienen: 04.11.2020

    Over the six months in which Vajiko Chachkhiani's "Living Dog Among Dead Lions" was exhibited at the Georgian Pavilion at the 57th Venice Biennale in 2017, heavy rain was pouring inside the installation. This artificially generated process provokes... mehr

     

    Over the six months in which Vajiko Chachkhiani's "Living Dog Among Dead Lions" was exhibited at the Georgian Pavilion at the 57th Venice Biennale in 2017, heavy rain was pouring inside the installation. This artificially generated process provokes thoughts on the nature of the here and now as well as of the afterlife and of the future appearance of the hut's water-sensitive insides. Eventually, the spaces and furniture exposed to rain and water stagnation will begin to rot and disintegrate, and mould and moss might grow over them. Its viewers feel caught between what they see and what they hope to see; between their perceptions and expectations, in an exceptional time zone where 'natural' weathering is being performed as a subject of meditative observation.

     

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    Hinweise zum Inhalt: kostenfrei
    Quelle: GiNDok
    Sprache: Englisch
    Medientyp: Teil eines Buches (Kapitel); bookPart
    Format: Online
    ISBN: 978-3-96558-009-1; 978-3-96558-010-7
    DDC Klassifikation: Künste; Bildende und angewandte Kunst (700); Literatur und Rhetorik (800)
    Sammlung: ICI Berlin
    Schlagworte: Chachkhiani, Vajiko; Kunst; Verwitterung; Regen; Wetter
    Lizenz:

    creativecommons.org/licenses/by-sa/3.0/de/deed.de

    ;

    info:eu-repo/semantics/openAccess

  2. Life never stops being violent : a conversation
    Erschienen: 04.11.2020

    The conversation focuses on the role of extreme weather conditions and the vulnerability to weathering in Vajiko Chachkhiani's work, especially in the piece "Living Dog Among Dead Lions", which was presented at the 57th Venice Biennale in 2017. mehr

     

    The conversation focuses on the role of extreme weather conditions and the vulnerability to weathering in Vajiko Chachkhiani's work, especially in the piece "Living Dog Among Dead Lions", which was presented at the 57th Venice Biennale in 2017.

     

    Export in Literaturverwaltung
    Hinweise zum Inhalt: kostenfrei
    Quelle: GiNDok
    Sprache: Englisch
    Medientyp: Teil eines Buches (Kapitel); bookPart
    Format: Online
    ISBN: 978-3-96558-009-1; 978-3-96558-010-7
    DDC Klassifikation: Künste; Bildende und angewandte Kunst (700); Literatur und Rhetorik (800)
    Sammlung: ICI Berlin
    Schlagworte: Chachkhiani, Vajiko; Kunst; Regen; Wetter; Verwitterung
    Lizenz:

    creativecommons.org/licenses/by-sa/3.0/de/deed.de

    ;

    info:eu-repo/semantics/openAccess

  3. Confined weathers : Graciela Iturbide and Mario Bellatin's "The Bathroom of Frida Kahlo/Demerol without Expiration Date"
    Erschienen: 04.11.2020

    What is the effect of weathering in a confined space? What if this space is the bathroom of the famous Mexican painter Frida Kahlo? Writer Mario Bellatin and photographer Graciela Iturbide venture into this once intimate room and through a series of... mehr

     

    What is the effect of weathering in a confined space? What if this space is the bathroom of the famous Mexican painter Frida Kahlo? Writer Mario Bellatin and photographer Graciela Iturbide venture into this once intimate room and through a series of artistic interventions breathe new life into it. The logic of the archive is their guiding principle: in order to preserve what has been locked away and stored, it must be exposed and put to new uses.

     

    Export in Literaturverwaltung
    Hinweise zum Inhalt: kostenfrei
    Quelle: GiNDok
    Sprache: Englisch
    Medientyp: Teil eines Buches (Kapitel); bookPart
    Format: Online
    ISBN: 978-3-96558-009-1; 978-3-96558-010-7
    DDC Klassifikation: Künste; Bildende und angewandte Kunst (700); Literatur und Rhetorik (800)
    Sammlung: ICI Berlin
    Schlagworte: Bellatín, Mario; Iturbide, Graciela; Kahlo, Frida; Rivera, Diego; Verwitterung; Badezimmer; Archiv
    Lizenz:

    creativecommons.org/licenses/by-sa/3.0/de/deed.de

    ;

    info:eu-repo/semantics/openAccess

  4. The work of world literature : introduction
    Erschienen: 03.05.2021

    The contentious discourse around world literature tends to stress the 'world' in the phrase. This volume, in contrast, asks what it means to approach world literature by inflecting the question of the literary. Debates for, against, and around 'world... mehr

     

    The contentious discourse around world literature tends to stress the 'world' in the phrase. This volume, in contrast, asks what it means to approach world literature by inflecting the question of the literary. Debates for, against, and around 'world literature' have brought renewed attention to the worldly aspects of the literary enterprise. Literature is studied with regard to its sociopolitical and cultural references, contexts and conditions of production, circulation, distribution, and translation. But what becomes of the literary when one speaks of world literature? Responding to Derek Attridge's theory of how literature 'works', the contributions in this volume explore in diverse ways and with attention to a variety of literary practices what it might mean to speak of 'the work of world literature'. The volume shows how attention to literariness complicates the ethical and political conundrums at the centre of debates about world literature.

     

    Export in Literaturverwaltung
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    Quelle: GiNDok
    Sprache: Englisch
    Medientyp: Teil eines Buches (Kapitel); bookPart
    Format: Online
    ISBN: 978-3-96558-013-8; 978-3-96558-022-0
    DDC Klassifikation: Literatur und Rhetorik (800)
    Sammlung: ICI Berlin
    Schlagworte: Weltliteratur; Attridge, Derek
    Lizenz:

    creativecommons.org/licenses/by-sa/4.0/

    ;

    info:eu-repo/semantics/openAccess

  5. Untranslatability and the challenge of world literature : a South African example
    Erschienen: 04.05.2021

    What are called 'natural languages' are artificial, often politically instituted and regulated, phenomena; a more accurate picture of speech practices around the globe is of a multidimensional continuum. This essay asks what the implications of this... mehr

     

    What are called 'natural languages' are artificial, often politically instituted and regulated, phenomena; a more accurate picture of speech practices around the globe is of a multidimensional continuum. This essay asks what the implications of this understanding of language are for translation, and focuses on the variety of Afrikaans known as Kaaps, which has traditionally been treated as a dialect rather than a language in its own right. An analysis of a poem in Kaaps by Nathan Trantraal reveals the challenges such a use of language constitutes for translation. A revised understanding of translation is proposed, relying less on the notion of transfer of meaning from one language to another and more on an active engagement with the experience of the reader.

     

    Export in Literaturverwaltung
    Hinweise zum Inhalt: kostenfrei
    Quelle: GiNDok
    Sprache: Englisch
    Medientyp: Teil eines Buches (Kapitel); bookPart
    Format: Online
    ISBN: 978-3-96558-013-8; 978-3-96558-022-0
    DDC Klassifikation: Sprache (400); Andere germanische Sprachen (439); Literatur und Rhetorik (800); Andere germanische Literaturen (839)
    Sammlung: ICI Berlin
    Schlagworte: Sprache; Mundart; Afrikaans; Mundart Afrikaans <Kapstadt, Region>; Übersetzung; Weltliteratur
    Lizenz:

    creativecommons.org/licenses/by-sa/4.0/

    ;

    info:eu-repo/semantics/openAccess