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  1. A cardboard Dante : hell's metropolis revisited
    Autor*in: Rooy, Ronald de
    Erschienen: 30.10.2019

    The subject of this paper is a recent comic movie version of Dante's "Comedy": a 2007 puppet and toy theatre adaptation of the "Inferno" directed by Sean Meredith. It is certainly not the first time that Dante and his theatre of hell appear in this... mehr

     

    The subject of this paper is a recent comic movie version of Dante's "Comedy": a 2007 puppet and toy theatre adaptation of the "Inferno" directed by Sean Meredith. It is certainly not the first time that Dante and his theatre of hell appear in this kind of environment. Mickey Mouse has followed Dante's footsteps and very recently a weird bunch of prehistoric animals went a similar path: in part three of the blockbuster "Ice Age" (2009), a new, lippy guide character named Buck uses several Dante quotes and the whole strange voyage can be described as a Dantesque descent into dinosaur hell. In the following pages Ronald de Rooy argues that Meredith's version of Dante's "Inferno" is not only funny and entertaining, but that it is also surprisingly innovative if we compare it to other literature and movies which project Dante's hell or parts of it onto the modern metropolis.

     
    Export in Literaturverwaltung
    Hinweise zum Inhalt: kostenfrei
    Quelle: GiNDok
    Sprache: Englisch
    Medientyp: Teil eines Buches (Kapitel); bookPart
    Format: Online
    ISBN: 978-3-85132-617-8
    DDC Klassifikation: Öffentliche Darbietungen, Film, Rundfunk (791); Literatur und Rhetorik (800)
    Sammlung: ICI Berlin
    Schlagworte: Dante Alighieri; Inferno; Rezeption; Adaption <Literatur>; Animationsfilm; Parodie
    Lizenz:

    creativecommons.org/licenses/by-sa/3.0/de/deed.de

    ;

    info:eu-repo/semantics/openAccess
  2. A imaginação romântica como neurose? O debate freudiano sobre o animismo e a questão do olhar em E. T. A. Hoffmann
    Autor*in: Silva, Felipe Vale da ; Costa, Sabrine Ferreira da
    Erschienen: 13.06.2019

    O trabalho retoma a análise freudiana de "Der Sandmann", presente num ensaio de 1919 que se provou paradigmático para as interpretações futuras da obra de E. T. A. Hoffmann. No dito ensaio, o pai da psicanálise faz diversos juízos sobre a construção... mehr

     

    O trabalho retoma a análise freudiana de "Der Sandmann", presente num ensaio de 1919 que se provou paradigmático para as interpretações futuras da obra de E. T. A. Hoffmann. No dito ensaio, o pai da psicanálise faz diversos juízos sobre a construção argumentativa da novela romântica que, nos estudos literários, vêm sendo indevidamente atribuídos ao próprio Hoffmann. Seu programa estético supostamente seria aquele de um analista dos mecanismos psíquicos de suas personagens, revelando-o como um curioso conhecedor avant la lettre das teorias psicanalíticas. É como se a criação de um imaginário horripilante que caracteriza sua prosa servisse a um impulso interpretativo das áreas ocultas da psique a fim de detrair tendências irracionalistas e animistas de suas personagens. A crítica freudiana ao animismo é um dos aspectos mais contestados por estudiosos recentes como Bruno Latour e Isabelle Stengers e, por isso, retomaremos seus argumentos num segundo momento. Então, alguns de seus argumentos serão retomados em um segundo momento do artigo para que possamos voltar a Hoffmann e reinterpretar sua estética como uma defesa de certo tipo de animismo, para além dos paradigmas psicanalíticos que nunca cessaram de o ensombrar. This paper takes up Freud's analysis of "Der Sandmann" (1816), embodied in a 1919 article which proved itself paradigmatic to interpretations of E. T. A. Hoffmann's work. In this article, the father of psychoanalysis renders several judgments about the argumentative structure of the romantic novella which, in Literary Studies, have been improperly attributed to Hoffmann himself. His aesthetical program would namely be one of an analyst of psychical mechanisms of his characters, thus revealing the author as an odd pundit of psychoanalytic theories much before their inception. It is as if the setup of the horrifying fantasy which characterizes his prose should come along an interpretative urge of the hidden areas of the psyche, so as to discredit irrational and animist tendencies in his characters. Freud's critique of animism is one of the most contested by recent scholar such as Bruno Latour and Isabelle Stengers. Hence, some of their arguments will be recovered at a second moment of this article in order that we go back to Hoffmann and reinterpret his aesthetics as a defense of a certain type of animism, beyond the psychoanalytic paradigm that never ceased to overshadow it.

     
    Export in Literaturverwaltung
    Hinweise zum Inhalt: kostenfrei
    Quelle: GiNDok
    Sprache: Portugiesisch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schlagworte: Freud, Sigmund; Hoffmann, E. T. A.; Romantik; Animismus; Das Unheimliche; Fetischismus
    Lizenz:

    creativecommons.org/licenses/by-nc/4.0/

    ;

    info:eu-repo/semantics/openAccess
  3. A internacionalidade da literatura alemã
    Autor*in: Soethe, Paulo Astor
    Erschienen: 22.02.2019

    Rezension zu Richter, Sandra. Eine Weltgeschichte der deutschsprachigen Literatur. Munique: C. Bertelsmann, 2017. 728 p. mehr

     

    Rezension zu Richter, Sandra. Eine Weltgeschichte der deutschsprachigen Literatur. Munique: C. Bertelsmann, 2017. 728 p.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt: kostenfrei
    Quelle: GiNDok
    Sprache: Portugiesisch
    Medientyp: Rezension
    Format: Online
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schlagworte: Deutsch; Literatur; Geschichte; Interkulturalität
    Lizenz:

    creativecommons.org/licenses/by-nc/4.0/

    ;

    info:eu-repo/semantics/openAccess
  4. A invenção da modernidade literária
    Autor*in: Silva, Rafael Guimarães Tavares da
    Erschienen: 22.02.2019

    Rezension zu Medeiros, Constantino Luz de. A invenção da modernidade literária: Friedrich Schlegel e o romantismo alemão. 1. ed. São Paulo: Editora Iluminuras, 2018. mehr

     

    Rezension zu Medeiros, Constantino Luz de. A invenção da modernidade literária: Friedrich Schlegel e o romantismo alemão. 1. ed. São Paulo: Editora Iluminuras, 2018.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt: kostenfrei
    Quelle: GiNDok
    Sprache: Portugiesisch
    Medientyp: Rezension
    Format: Online
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schlagworte: Schlegel, Friedrich von; Romantik
    Lizenz:

    creativecommons.org/licenses/by-nc/4.0/

    ;

    info:eu-repo/semantics/openAccess
  5. A one-way ticket to paradise? : Adapting the bible in Venedikt Erofeev’s 'Moskva-Petushki' (1973), Stephen Mulrine's 'Moscow Stations' (1993), and A.L. Kennedy's 'Paradise' (2004)
    Autor*in: Lusin, Caroline
    Erschienen: 10.01.2019

    In the early 21st century, scientists once more declared God a delusion and announced the end of faith, boosting the current critique of religious belief known as 'New Atheism'. Yet the contemporary British and Irish novel engage with religion in... mehr

     

    In the early 21st century, scientists once more declared God a delusion and announced the end of faith, boosting the current critique of religious belief known as 'New Atheism'. Yet the contemporary British and Irish novel engage with religion in various forms, and religion has indeed "returned", Andrew Tate argues, "to the study of literature". The Bible in particular proves a rich source for novelists as different as Colm Tóibín, Zadie Smith, and Philip Pullman among others. Where Colm Tóibín's 'The Testament of Mary' (2012) offers a fictional memoir by the mother of God, depicting the Virgin Mary as "a powerful, unsparing figure" ('Guardian'), Zadie Smith's 'NW' (2012) describes the lives of its two female protagonists against the backdrop of the stories of Mary and Elizabeth in the Gospel of Luke. And Philip Pullman's bestselling trilogy 'His Dark Materials' (1995- 2000) is a re-writing of Milton's 'Paradise Lost' (1667) that "only really makes sense" according to Tate "if the reader has a detailed knowledge of the biblical scriptures against which it writes". Despite being written from a very critical, ironic or atheist stance, all these novels rely on the Bible as an intertext in crucial ways. The Bible, in other words, is once more living up to its ancient reputation as "the Book of Books", "the Urtext of Western literature".

     
    Export in Literaturverwaltung
    Hinweise zum Inhalt: kostenfrei
    Quelle: GiNDok
    Sprache: Englisch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Literatur und Rhetorik (800)
    Schlagworte: Adaption <Literatur>; Bibel; Religion; Erofeev, Viktor; Moskva-Petuški; Mulrine, Stephen; Moscow stations; Kennedy, A. L.; Paradise
    Lizenz:

    publikationen.ub.uni-frankfurt.de/home/index/help

    ;

    info:eu-repo/semantics/openAccess