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Writing the revolution
the literary representation of the German student movement as counter-culture -
Aesthetics of (self-)destruction
Melville's "Moby Dick", Brecht's "The measures taken" and the Red Army Faction -
Writing by Germany's Jewish minority
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Pop literature in the Berlin Republic
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Representations of the Nazi past I
perpetrators -
German literature in the Berlin Republic
writing by women -
"West German writing" in the Berlin Republic
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Literary reflections on '68
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Representations of the Nazi past II
German wartime suffering -
The romance of emancipation
Henriette Herz ; a Jewish goddess -
The salons of modernism
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The salon in exile
Salka Viertel ; the salon at the other end of the world -
Uwe Timm
outline biography -
Bibliography
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"A perfectly ordinary childhood"
Uwe Timm's "Am Beispiel meines Bruders" -
Memorialization and personal memory
Uwe Timm's "Der Freund und der Fremde" -
Connection, dysfunction, generation
Uwe Timm's "Nicht morgen, nicht gestern" and "Rot" -
Holding fast to ruins
the air war in Brecht's "Kriegsfibel" -
"Das war nicht mehr wie vor Ilion"
servicemen, civilians and the air war in Gerd Gaiser's "Die sterbende Jagd" -
Memory cultures
the Imperial War Museum North and W. G. Sebald's "Natural history of destruction" -
No way out
Heinrich von Kleist's "Erdbeben in Chile" -
Children's literature as an arena for religious conflicts in Austria (1780-1830)
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Catholic and protestant children's literature and the process of modernisation in Switzerland and Germany in the 19th century
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Religion, German Jewish children's and youth literature and modernity
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Protestantism and modernisation in German children's literature of the late 18th century