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  1. Elias Canetti's counter-image of society
    crowds, power, transformation
    Autor*in: Árnason, Jóhann Páll
    Erschienen: 2004
    Verlag:  Camden House, Rochester, N.Y. ; JSTOR, New York, NY

    Zugang:

    Standort:
    Hessisches BibliotheksInformationsSystem HeBIS
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    keine Fernleihe
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    Hessisches BibliotheksInformationsSystem (HeBIS)
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Beteiligt: Roberts, David
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571136367; 1571136363
    Schriftenreihe: Studies in German literature, linguistics, and culture
    Umfang: 1 Online-Ressource (vii, 166 pages)
    Bemerkung(en):

    Includes bibliographical references (pages 150-157) and index
  2. Elias Canetti's counter-image of society
    crowds, power, transformation
    Autor*in: Árnason, Jóhann Pall
    Erschienen: 2004
    Verlag:  Boydell & Brewer, Suffolk

    The award of the Nobel Prize for literature in 1981 has seemingly assured Elias Canetti's place in literary history. But his significance as a cultural critic has not been adequately recognized. The present study redresses this situation in two ways:... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Gemeinsamer Bibliotheksverbund (GBV)

     

    The award of the Nobel Prize for literature in 1981 has seemingly assured Elias Canetti's place in literary history. But his significance as a cultural critic has not been adequately recognized. The present study redresses this situation in two ways: by mapping the counter-image of human existence, history, and society that informs Canetti's critique of the modern world and its sciences; and by opening up Canetti's hermetic oeuvre by tracing his cryptic and often concealed dialogue with major figures within the Western tradition such as Hobbes, Durkheim, and Freud and contemporaries such as Adorno, Arendt, and Elias. The authors ask how Canetti's alternative vision of man and society relates to important themes of twentieth-century social and civilizational thought even as it calls into question fundamental assumptions of the social and human sciences. In analyses of 'Auto da Fé, Crowds and Power,' and the aphorisms, the authors elucidate key aspects of Canetti's interrogation of human existence and human history across five thematic complexes: individual and social psychology, totalitarian politics, religion and politics, theories of society, and power and culture. They thus trace the movement of Canetti's thought from an apocalyptic sense of crisis to his search for cultural resources to set against the holocaust of European civilization. Johann P. Arnason teaches sociology at La Trobe University, Melbourne and David Roberts is Emeritus Professor of German at Monash University, Melbourne The Auto-da-Fe of civilization -- The natural history of modernity -- Religion, crowds, and power -- Canetti's counter-image of society -- The subversive sources of power

     
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    Quelle: Verbundkataloge
    Beteiligt: Roberts, David (VerfasserIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571136367
    Schlagworte: Canetti, Elias ; 1905-1994 ; Criticism and interpretation; Canetti, Elias ; 1905-1994 ; Political and social views
    Weitere Schlagworte: Canetti, Elias (1905-1994); Canetti, Elias (1905-1994)
    Umfang: 1 Online-Ressource (vii, 166 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)
  3. Elias Canetti's counter-image of society
    crowds, power, transformation
    Autor*in: Árnason, Jóhann Pall
    Erschienen: 2004
    Verlag:  Boydell & Brewer, Suffolk

    The award of the Nobel Prize for literature in 1981 has seemingly assured Elias Canetti's place in literary history. But his significance as a cultural critic has not been adequately recognized. The present study redresses this situation in two ways:... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Fernleihe:
    keine Fernleihe
    Link zum Verbundkatalog:
    Gemeinsamer Bibliotheksverbund (GBV)

    Standort:
    Staats- und Universitätsbibliothek Bremen
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    keine Fernleihe
    Link zum Verbundkatalog:
    Gemeinsamer Bibliotheksverbund (GBV)

    Standort:
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    keine Fernleihe
    Link zum Verbundkatalog:
    Gemeinsamer Bibliotheksverbund (GBV)

    Standort:
    Universitätsbibliothek Rostock
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    keine Fernleihe
    Link zum Verbundkatalog:
    Gemeinsamer Bibliotheksverbund (GBV)

     

    The award of the Nobel Prize for literature in 1981 has seemingly assured Elias Canetti's place in literary history. But his significance as a cultural critic has not been adequately recognized. The present study redresses this situation in two ways: by mapping the counter-image of human existence, history, and society that informs Canetti's critique of the modern world and its sciences; and by opening up Canetti's hermetic oeuvre by tracing his cryptic and often concealed dialogue with major figures within the Western tradition such as Hobbes, Durkheim, and Freud and contemporaries such as Adorno, Arendt, and Elias. The authors ask how Canetti's alternative vision of man and society relates to important themes of twentieth-century social and civilizational thought even as it calls into question fundamental assumptions of the social and human sciences. In analyses of 'Auto da Fé, Crowds and Power,' and the aphorisms, the authors elucidate key aspects of Canetti's interrogation of human existence and human history across five thematic complexes: individual and social psychology, totalitarian politics, religion and politics, theories of society, and power and culture. They thus trace the movement of Canetti's thought from an apocalyptic sense of crisis to his search for cultural resources to set against the holocaust of European civilization. Johann P. Arnason teaches sociology at La Trobe University, Melbourne and David Roberts is Emeritus Professor of German at Monash University, Melbourne The Auto-da-Fe of civilization -- The natural history of modernity -- Religion, crowds, and power -- Canetti's counter-image of society -- The subversive sources of power

     
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Roberts, David (VerfasserIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571136367
    Schlagworte: Canetti, Elias ; 1905-1994 ; Criticism and interpretation; Canetti, Elias ; 1905-1994 ; Political and social views
    Weitere Schlagworte: Canetti, Elias (1905-1994); Canetti, Elias (1905-1994)
    Umfang: 1 Online-Ressource (vii, 166 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)
  4. Elias Canetti's counter-image of society
    crowds, power, transformation
    Autor*in: Árnason, Jóhann Páll
    Erschienen: 2004
    Verlag:  Camden House, Rochester, N.Y

    Standort:
    Hochschulbibliothek Friedensau
    Signatur:
    Online-Ressource
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    keine Fernleihe
    Link zum Verbundkatalog:
    Gemeinsamer Bibliotheksverbund (GBV)
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Roberts, David
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1571136363; 9781571136367
    Schriftenreihe: Studies in German literature, linguistics, and culture
    Weitere Schlagworte: Canetti, Elias (1905-1994); Canetti, Elias (1905-1994)
    Umfang: Online-Ressource (vii, 166 p)
    Bemerkung(en):

    Includes bibliographical references (p. [150]-157) and index

    The Auto-da-Fe of civilizationThe natural history of modernity -- Religion, crowds, and power -- Canetti's counter-image of society -- The subversive sources of power.
  5. Elias Canetti's counter-image of society
    crowds, power, transformation
    Autor*in: Jóhann Páll Árnason
    Erschienen: 2004
    Verlag:  Camden House, Rochester, NY

    Standort:
    Universitätsbibliothek Augsburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Bibliotheksverbund Bayern (BVB)
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Beteiligt: Roberts, David (Verfasser)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1571131604; 9781571136367
    RVK Klassifikation: GN 3722
    Auflage/Ausgabe: 1. publ.
    Schriftenreihe: Studies in German literature, linguistics, and culture
    Schlagworte: Maatschappijkritiek; Wereldbeeld; Gesellschaftsbild
    Weitere Schlagworte: Canetti, Elias <1905-1994>; Canetti, Elias <1905-1994>; Canetti, Elias (1905-1994)
    Umfang: 1 Online-Ressource (VII, 166 S.)
    Bemerkung(en):

    Includes bibliographical references and index
  6. Elias Canetti's counter-image of society
    crowds, power, transformation
    Autor*in: Jóhann Páll Árnason
    Erschienen: 2004
    Verlag:  Boydell & Brewer, Suffolk

    The award of the Nobel Prize for literature in 1981 has seemingly assured Elias Canetti's place in literary history. But his significance as a cultural critic has not been adequately recognized. The present study redresses this situation in two ways:... mehr

    Standort:
    Universitätsbibliothek Bamberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Bibliotheksverbund Bayern (BVB)

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Bibliotheksverbund Bayern (BVB)

    Standort:
    Universitätsbibliothek Passau
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Bibliotheksverbund Bayern (BVB)

     

    The award of the Nobel Prize for literature in 1981 has seemingly assured Elias Canetti's place in literary history. But his significance as a cultural critic has not been adequately recognized. The present study redresses this situation in two ways: by mapping the counter-image of human existence, history, and society that informs Canetti's critique of the modern world and its sciences; and by opening up Canetti's hermetic oeuvre by tracing his cryptic and often concealed dialogue with major figures within the Western tradition such as Hobbes, Durkheim, and Freud and contemporaries such as Adorno, Arendt, and Elias. The authors ask how Canetti's alternative vision of man and society relates to important themes of twentieth-century social and civilizational thought even as it calls into question fundamental assumptions of the social and human sciences. In analyses of 'Auto da Fé, Crowds and Power,' and the aphorisms, the authors elucidate key aspects of Canetti's interrogation of human existence and human history across five thematic complexes: individual and social psychology, totalitarian politics, religion and politics, theories of society, and power and culture. They thus trace the movement of Canetti's thought from an apocalyptic sense of crisis to his search for cultural resources to set against the holocaust of European civilization. Johann P. Arnason teaches sociology at La Trobe University, Melbourne and David Roberts is Emeritus Professor of German at Monash University, Melbourne

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Beteiligt: Roberts, David (Sonstige)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571136367; 9781571131607
    Weitere Schlagworte: Canetti, Elias / 1905-1994 / Criticism and interpretation; Canetti, Elias / 1905-1994 / Political and social views
    Umfang: 1 online resource (vii, 166 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    :
  7. Elias Canetti's counter-image of society
    crowds, power, transformation
    Autor*in: Jóhann Páll Árnason
    Erschienen: 2004
    Verlag:  Boydell & Brewer, Suffolk

    The award of the Nobel Prize for literature in 1981 has seemingly assured Elias Canetti's place in literary history. But his significance as a cultural critic has not been adequately recognized. The present study redresses this situation in two ways:... mehr

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Bibliotheksverbund Bayern (BVB)

    Standort:
    Universitätsbibliothek Passau
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Bibliotheksverbund Bayern (BVB)

     

    The award of the Nobel Prize for literature in 1981 has seemingly assured Elias Canetti's place in literary history. But his significance as a cultural critic has not been adequately recognized. The present study redresses this situation in two ways: by mapping the counter-image of human existence, history, and society that informs Canetti's critique of the modern world and its sciences; and by opening up Canetti's hermetic oeuvre by tracing his cryptic and often concealed dialogue with major figures within the Western tradition such as Hobbes, Durkheim, and Freud and contemporaries such as Adorno, Arendt, and Elias. The authors ask how Canetti's alternative vision of man and society relates to important themes of twentieth-century social and civilizational thought even as it calls into question fundamental assumptions of the social and human sciences. In analyses of 'Auto da Fé, Crowds and Power,' and the aphorisms, the authors elucidate key aspects of Canetti's interrogation of human existence and human history across five thematic complexes: individual and social psychology, totalitarian politics, religion and politics, theories of society, and power and culture. They thus trace the movement of Canetti's thought from an apocalyptic sense of crisis to his search for cultural resources to set against the holocaust of European civilization. Johann P. Arnason teaches sociology at La Trobe University, Melbourne and David Roberts is Emeritus Professor of German at Monash University, Melbourne

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Beteiligt: Roberts, David (Sonstige)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571136367; 9781571131607
    Weitere Schlagworte: Canetti, Elias / 1905-1994 / Criticism and interpretation; Canetti, Elias / 1905-1994 / Political and social views
    Umfang: 1 online resource (vii, 166 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    :
  8. Elias Canetti's counter-image of society
    crowds, power, transformation
    Autor*in: Árnason, Jóhann Pall
    Erschienen: 2004
    Verlag:  Boydell & Brewer, Suffolk ; Cambridge University Press, Cambridge, UK

    The award of the Nobel Prize for literature in 1981 has seemingly assured Elias Canetti's place in literary history. But his significance as a cultural critic has not been adequately recognized. The present study redresses this situation in two ways:... mehr

    Zugang:

    Standort:
    Hessisches BibliotheksInformationsSystem HeBIS
    Fernleihe:
    keine Fernleihe
    Standort:
    Hessisches BibliotheksInformationsSystem HeBIS
    Fernleihe:
    keine Fernleihe
    Link zum Verbundkatalog:
    Hessisches BibliotheksInformationsSystem (HeBIS)

    Standort:
    Universität Frankfurt, Elektronische Ressourcen
    Signatur:
    /
    Fernleihe:
    keine Fernleihe
    Link zum Verbundkatalog:
    Hessisches BibliotheksInformationsSystem (HeBIS)

     

    The award of the Nobel Prize for literature in 1981 has seemingly assured Elias Canetti's place in literary history. But his significance as a cultural critic has not been adequately recognized. The present study redresses this situation in two ways: by mapping the counter-image of human existence, history, and society that informs Canetti's critique of the modern world and its sciences; and by opening up Canetti's hermetic oeuvre by tracing his cryptic and often concealed dialogue with major figures within the Western tradition such as Hobbes, Durkheim, and Freud and contemporaries such as Adorno, Arendt, and Elias. The authors ask how Canetti's alternative vision of man and society relates to important themes of twentieth-century social and civilizational thought even as it calls into question fundamental assumptions of the social and human sciences. In analyses of 'Auto da Fé, Crowds and Power,' and the aphorisms, the authors elucidate key aspects of Canetti's interrogation of human existence and human history across five thematic complexes: individual and social psychology, totalitarian politics, religion and politics, theories of society, and power and culture. They thus trace the movement of Canetti's thought from an apocalyptic sense of crisis to his search for cultural resources to set against the holocaust of European civilization. Johann P. Arnason teaches sociology at La Trobe University, Melbourne and David Roberts is Emeritus Professor of German at Monash University, Melbourne.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Beteiligt: Roberts, David (Verfasser)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571136367
    Umfang: 1 Online-Ressource (vii, 166 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)