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  1. Shell Shock Cinema
    Weimar Culture and the Wounds of War
    Autor*in: Kaes, Anton
    Erschienen: [2009]; © 2009
    Verlag:  Princeton University Press, Princeton, NJ

    Shell Shock Cinema explores how the classical German cinema of the Weimar Republic was haunted by the horrors of World War I and the the devastating effects of the nation's defeat. In this exciting new book, Anton Kaes argues that masterworks such as... mehr

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Shell Shock Cinema explores how the classical German cinema of the Weimar Republic was haunted by the horrors of World War I and the the devastating effects of the nation's defeat. In this exciting new book, Anton Kaes argues that masterworks such as The Cabinet of Dr. Caligari, Nosferatu, The Nibelungen, and Metropolis, even though they do not depict battle scenes or soldiers in combat, engaged the war and registered its tragic aftermath. These films reveal a wounded nation in post-traumatic shock, reeling from a devastating defeat that it never officially acknowledged, let alone accepted. Kaes uses the term "shell shock"--coined during World War I to describe soldiers suffering from nervous breakdowns--as a metaphor for the psychological wounds that found expression in Weimar cinema. Directors like Robert Wiene, F. W. Murnau, and Fritz Lang portrayed paranoia, panic, and fear of invasion in films peopled with serial killers, mad scientists, and troubled young men. Combining original close textual analysis with extensive archival research, Kaes shows how this post-traumatic cinema of shell shock transformed extreme psychological states into visual expression; how it pushed the limits of cinematic representation with its fragmented story lines, distorted perspectives, and stark lighting; and how it helped create a modernist film language that anticipated film noir and remains incredibly influential today. A compelling contribution to the cultural history of trauma, Shell Shock Cinema exposes how German film gave expression to the loss and acute grief that lay behind Weimar's sleek façade

     

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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781400831197
    Weitere Identifier:
    Auflage/Ausgabe: Course Book
    Schlagworte: Motion pictures; Silent films; World War, 1914-1918; World War, 1914-1918; Psychisches Trauma <Motiv>; Weltkrieg <1914-1918>; Psychisches Trauma; Weimarer Republik; Rezeption; Weltkrieg <1914-1918, Motiv>; Film
    Umfang: 1 online resource
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Nov 2018)

  2. Shell Shock Cinema
    Weimar Culture and the Wounds of War
    Autor*in: Kaes, Anton
    Erschienen: 2009
    Verlag:  Princeton University Press, [Erscheinungsort nicht ermittelbar] ; JSTOR, [New York]

    Zugang:
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781400831197
    Schlagworte: Weltkrieg <1914-1918>; Psychisches Trauma; Rezeption; Film; Weimarer Republik; Weltkrieg <1914-1918, Motiv>; Psychisches Trauma <Motiv>
    Umfang: 1 Online-Ressource
  3. Family Occupation
    Children of the War and the Memory of World War II in Dutch Literature of the 1980s
    Erschienen: 2009
    Verlag:  Amsterdam University Press, Amsterdam ; ProQuest, Ann Arbor, Michigan

    First English-language introduction to a strangely popular theme in contemporary Dutch literature. mehr

    Hessisches BibliotheksInformationsSystem HeBIS
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    Universität Frankfurt, Elektronische Ressourcen
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    keine Fernleihe

     

    First English-language introduction to a strangely popular theme in contemporary Dutch literature.

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789048512539
    Schlagworte: Niederländisch; Weltkrieg <1939-1945>; Literatur; Rezeption
    Umfang: 1 Online-Ressource (221 pages)
    Bemerkung(en):

    Description based on publisher supplied metadata and other sources

  4. Shell Shock Cinema
    Weimar Culture and the Wounds of War
    Autor*in: Kaes, Anton
    Erschienen: [2009]; © 2009
    Verlag:  Princeton University Press, Princeton, NJ

    Shell Shock Cinema explores how the classical German cinema of the Weimar Republic was haunted by the horrors of World War I and the the devastating effects of the nation's defeat. In this exciting new book, Anton Kaes argues that masterworks such as... mehr

    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek Amberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Hochschule Augsburg, Bibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Bamberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Hochschule Coburg, Zentralbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Hochschule Kempten, Hochschulbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek der LMU München
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Passau
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Shell Shock Cinema explores how the classical German cinema of the Weimar Republic was haunted by the horrors of World War I and the the devastating effects of the nation's defeat. In this exciting new book, Anton Kaes argues that masterworks such as The Cabinet of Dr. Caligari, Nosferatu, The Nibelungen, and Metropolis, even though they do not depict battle scenes or soldiers in combat, engaged the war and registered its tragic aftermath. These films reveal a wounded nation in post-traumatic shock, reeling from a devastating defeat that it never officially acknowledged, let alone accepted. Kaes uses the term "shell shock"--coined during World War I to describe soldiers suffering from nervous breakdowns--as a metaphor for the psychological wounds that found expression in Weimar cinema. Directors like Robert Wiene, F. W. Murnau, and Fritz Lang portrayed paranoia, panic, and fear of invasion in films peopled with serial killers, mad scientists, and troubled young men. Combining original close textual analysis with extensive archival research, Kaes shows how this post-traumatic cinema of shell shock transformed extreme psychological states into visual expression; how it pushed the limits of cinematic representation with its fragmented story lines, distorted perspectives, and stark lighting; and how it helped create a modernist film language that anticipated film noir and remains incredibly influential today. A compelling contribution to the cultural history of trauma, Shell Shock Cinema exposes how German film gave expression to the loss and acute grief that lay behind Weimar's sleek façade

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781400831197
    Weitere Identifier:
    Auflage/Ausgabe: Course Book
    Schlagworte: Motion pictures; Silent films; World War, 1914-1918; World War, 1914-1918; Psychisches Trauma <Motiv>; Weltkrieg <1914-1918>; Psychisches Trauma; Weimarer Republik; Rezeption; Weltkrieg <1914-1918, Motiv>; Film
    Umfang: 1 online resource
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Nov 2018)

  5. Germans as victims in the literary fiction of the Berlin Republic
    Autor*in:
    Erschienen: 2009
    Verlag:  Boydell & Brewer, Suffolk ; Cambridge University Press, Cambridge, UK

    In recent years it has become much more accepted in Germany to consider aspects of the Second World War in which Germans were not perpetrators, but victims: the Allied bombing campaign, expulsions of 'ethnic' Germans, mass rapes of German women, and... mehr

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    Hessisches BibliotheksInformationsSystem HeBIS
    keine Fernleihe
    Universität Frankfurt, Elektronische Ressourcen
    /
    keine Fernleihe

     

    In recent years it has become much more accepted in Germany to consider aspects of the Second World War in which Germans were not perpetrators, but victims: the Allied bombing campaign, expulsions of 'ethnic' Germans, mass rapes of German women, and postwar internment and persecution. An explosion of literary fiction on these topics has accompanied this trend. Sebald's 'The Air War and Literature' and Grass's 'Crabwalk' are key texts, but there are many others; the great majority seek not to revise German responsibility for the Holocaust but to balance German victimhood and German perpetration. This book of essays is the first in English to examine closely the variety of these texts. An opening section on the 1950s - a decade of intense literary engagement with German victimhood before the focus shifted to German perpetration - provides context, drawing parallels but also noting differences between the immediate postwar period and today. The second section focuses on key texts written since the mid-1990s shifts in perspectives on the Nazi past, on perpetration and victimhood, on 'ordinary Germans,' and on the balance between historical empathy and condemnation. Contributors: Karina Berger, Elizabeth Boa, Stephen Brockmann, David Clarke, Mary Cosgrove, Rick Crownshaw, Helen Finch, Frank Finlay, Katharina Hall, Colette Lawson, Caroline Schaumann, Helmut Schmitz, Kathrin Schödel, and Stuart Taberner. Stuart Taberner is professor of contemporary German literature, culture, and society, and Karina Berger, B.A., M.St., is a Ph.D. candidate, both at the University of Leeds, UK.

     

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    Quelle: Verbundkataloge
    Beteiligt: Taberner, Stuart (Herausgeber); Berger, Karina (Herausgeber)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571137364
    RVK Klassifikation: GN 1701 ; GO 16015 ; GO 16025
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schlagworte: Deutsch; Literatur; Opfer <Religion, Motiv>; Vergangenheitsbewältigung <Motiv>; Weltkrieg <1939-1945, Motiv>
    Umfang: 1 Online-Ressource (vi, 259 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

  6. Family Occupation
    Children of the War and the Memory of World War II in Dutch Literature of the 1980s
    Erschienen: 2009
    Verlag:  Amsterdam University Press, Amsterdam ; ProQuest, Ann Arbor, Michigan

    First English-language introduction to a strangely popular theme in contemporary Dutch literature. mehr

    Universität Frankfurt, Elektronische Ressourcen
    /
    keine Fernleihe

     

    First English-language introduction to a strangely popular theme in contemporary Dutch literature.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Fachkatalog Germanistik
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789048512539
    Schlagworte: Niederländisch; Weltkrieg <1939-1945>; Literatur; Rezeption
    Umfang: 1 Online-Ressource (221 pages)
    Bemerkung(en):

    Description based on publisher supplied metadata and other sources