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Changing perceptions of Thomas Mann's Doctor Faustus
criticism 1947 - 1992 -
To live with an instinctive resistance to language
Bachmann on Wittgenstein -
Stefan Zweig
the Jewish tragedy of an Nietzschean "free spirit" -
Faust
icon of modern culture -
Reading riddles
rhetorics of obscurity from romanticism to Freud -
Spinoza's modernity
Mendelssohn, Lessing, and Heine -
Converse in the spirit
William Blake, Jacob Boehme, and the creative spirit -
Goethe in the Vienna music scene of his era
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Goethe and the Czechs
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"Blumengruß" and "Blumenglöckchen"
Goethe's influence on Anton Webern -
Death in Florence
Thomas Mann and the ideologies of "Renaissancismus" at the Fin de Siècle -
Goethe im Vormärz
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The voice from the hereafter
E.T.A. Hoffmann's ideal of sound and its realization in early twentieth-century electronic music -
Schumann's piano cycles and the novels of Jean Paul
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Arthur Schnitzler and twentieth-century criticism
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Stages of reform
"Caroline Neubert"/"Die Neuberin" in the Third Reich -
Jesus' death in early christian memory
the poetics of the passion -
Luther zwischen den Kulturen
Zeitgenossenschaft, Weltwirkung -
German or European identity?
Luther and Erasmus in nineteenth- and twentieth-century German cultural history and historiography -
Nach der Bibel
= Après la bible = Approaches to the scriptures -
Brecht and Brecht's women on the 21st century American stage
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Samuel Pufendorf und die europäische Frühaufklärung
Werk und Einfluß eines deutschen Bürgers der Gelehrtenrepublik nach 300 Jahren (1694-1994) -
The new Arthurian encyclopedia
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Nietzsche's women: beyond the whip
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"Singen möcht ich ..."
Hölderlin's echo in new music