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  1. Koreferenzielle Pro-Formen im Deutschen und Italienischen : Analyse von Korpora gesprochener Sprache

    Gegenstand dieses Beitrags ist die vergleichende Untersuchung von deutschen und italienischen verweisenden Pronomen. Für das Deutsche wird die Alternanz zwischen der/die/ das (im Folgenden d-Pronomen; vgl. Ahrenholz 2007 und Wiltschko 1998) und... mehr

     

    Gegenstand dieses Beitrags ist die vergleichende Untersuchung von deutschen und italienischen verweisenden Pronomen. Für das Deutsche wird die Alternanz zwischen der/die/ das (im Folgenden d-Pronomen; vgl. Ahrenholz 2007 und Wiltschko 1998) und Personalpronomen betrachtet. Für das Italienische werden Demonstrativ- und Personalpronomen (freie und klitische) untersucht. In vorherigen Forschungsarbeiten wurde auf semantische, syntaktische und pragmatische Bedingungen hingewiesen, die das Vorkommen von d-Pronomen anstatt anderer Pronominalformen wie z.B. den Personalpronomen im Deutschen stark begünstigen (vgl. dazu Ravetto 2009). Ziel dieser Arbeit ist, zu überprüfen, ob in den zwei Vergleichssprachen ähnliche Tendenzen bzw. Bedingungen zu beobachten sind, die mit der Wahl der jeweiligen verweisenden Form verknüpft sind.

     

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    Sprache: Deutsch
    Medientyp: Teil eines Buches (Kapitel); bookPart
    Format: Online
    ISBN: 3-8253-5789-9
    DDC Klassifikation: Germanische Sprachen; Deutsch (430); Italienisch, Rumänisch, Rätoromanisch (450)
    Schlagworte: Deutsch; Italienisch
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  2. Textuelle und stilistische Aspekte von Reiseführern : ein deutsch-italienischer Vergleich
    Erschienen: 28.09.2017

    In diesem Beitrag werden anhand eines Korpus von Paralleltexten deutscher und italienischer Reiseführer jeweils kulturspezifische stilistische Aspekte dieser Textsorte dargestellt. Reiseführer können beschrieben werden als heterogene, weitgehend... mehr

     

    In diesem Beitrag werden anhand eines Korpus von Paralleltexten deutscher und italienischer Reiseführer jeweils kulturspezifische stilistische Aspekte dieser Textsorte dargestellt. Reiseführer können beschrieben werden als heterogene, weitgehend gering standardisierte Großtextsorte, die aus vier Subtextsorten besteht (Orientierungstexte, Ratgebertexte, Besichtigungstexte, Hintergrundtexte) und gleichzeitig mehrere Funktionen erfüllt (informieren, werben, bewerten, instruieren usw.) (Fandrych/Thurmair 2011). Der kulturellen Vermittlung des Reiseziels kommt dabei traditionell eine wichtige Rolle zu, wobei die Darstellung und Konstruktion des Reiseziels gewöhnlich nicht allein durch sprachliche Mittel erfolgt, sondern auch mittels Bilder, die kognitiv schneller und wirkungsstärker rezipiert werden (Stöckl 2011). Die im Reiseführer enthaltene Auswahl von Informationen und die Art der Darstellung (das 'was' und 'wie' im Sinne von Fix/Poethe/Yos 2003) folgt dabei kulturspezifischen Diskurstraditionen. Der Beitrag basiert auf einem funktional-pragmatischen Ansatz, der es erlaubt, die Text-Bild-Relation in die textstilistische Analyse einzubeziehen.

     

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    Sprache: Deutsch
    Medientyp: Wissenschaftlicher Artikel
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    ISBN: 978-3-7069-0869-6
    DDC Klassifikation: Germanische Sprachen; Deutsch (430); Italienisch, Rumänisch, Rätoromanisch (450)
    Sammlung: Praesens Verlag
    Schlagworte: Fachsprache; Deutsch; Stilistik; Italienisch; Reiseführer; Kontrastive Textlinguistik
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  3. Metaphern und Frames im deutschen und italienischen Migrationsdiskurs Metaphors and frames in the German and Italian (media)discourse on migration

    In diesem Beitrag wird korpusbasiert, qualitativ und aus kontrastiver Sicht anhand ausgewählter Einzelbeispiele untersucht, welchen Beitrag die Frame-Semantik bei der Analyse konzeptueller Metaphern im aktuellen Migrationsdiskurs in der deutschen und... mehr

     

    In diesem Beitrag wird korpusbasiert, qualitativ und aus kontrastiver Sicht anhand ausgewählter Einzelbeispiele untersucht, welchen Beitrag die Frame-Semantik bei der Analyse konzeptueller Metaphern im aktuellen Migrationsdiskurs in der deutschen und italienischen Presse leisten kann. Sie macht es möglich, unterschiedliche Perspektivierungen bei der Betrachtung des Phänomens herauszukristallisieren, da semantische Frames ein facettenreiches Angebot für den Blickwinkel der Betrachtung bereitstellen. Auch Metaphern selbst besitzen diese Eigenschaft der Perspektivierung, vor allem auch solche, die charakteristisch für einen kulturspezifischen Kontext stehen. Zu den Möglichkeiten, die der Einsatz von Metaphern bietet, zählt vor allem der "Highlighting und Hiding"-Effekt (LAKOFF/JOHNSON 1980), indem Metaphern bestimmte Aspekte betonen oder verdunkeln. Um welche es sich dabei im Einzelnen handelt, hängt von mehreren Faktoren ab, wie zum Beispiel der politischen Orientierung von Journalisten oder Politikern oder der wirtschaftlichen Lage eines Landes. This article presents a corpus-based, qualitative and contrastive analysis of the contribution that frame semantics can make in the analysis of conceptual metaphors within the current debate on migrant issues, with selected examples taken from the German and Italian press. The use of frame semantics makes it possible to observe any given phenomenon from a number of different perspectives, a characteristic that is also typical of metaphors, and especially of those rooted in the cultural context of a specific linguistic community. This is achieved through the so-called "Highlighting and Hiding" effect (LAKOFF/JOHNSON 1980) of metaphors, by means of which some features are placed in the spotlight while others remain in the dark. Factors that influence which elements will be highlighted and/or which will be hidden include the political orientation of the journalists or politicians involved or the political situation of the country as a whole.

     

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  4. Deutsch-rumänische Sprachinterferenzen bei Herta Müller und Balthasar Waitz

    Herta Müller’s leaning towards word for word transfer of Romanian set phrases in her texts can be explained by the environment in which she lived until her emigration to West Germany and this admittedly intensifies with the gradually increasing... mehr

     

    Herta Müller’s leaning towards word for word transfer of Romanian set phrases in her texts can be explained by the environment in which she lived until her emigration to West Germany and this admittedly intensifies with the gradually increasing general interest in multi-lingualism. The fact that the authoress speaks of the German-Romanian transfer in her acceptance speech on the occasion of the Nobel Prize award proves the important role, which Hertha Müller ascribes to this procedure. Also at the centre of the latest books by Balthasar Waitz stands the multicultural region of the Banat. The author seems to be gripped by the plurilingualism of the immediate surroundings of his homeland. Different forms of Romanian, from slang to everyday speech, but occasionally also Hungarian, Slovak and Serbian phrases find their way into the texts of the Banat author. In this manner just as with Hertha Müller, language images come into being, new light. Thus literary multilingualism in both writers enables one to have a novel access to the relation between literature and reality.

     

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    DDC Klassifikation: Germanische Sprachen; Deutsch (430); Italienisch, Rumänisch, Rätoromanisch (450); Literaturen germanischer Sprachen; Deutsche Literatur (830)
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  5. Die Schwarze Kirche als Topos der kollektiven Identitätskonstruktion in der deutschen, rumänischen und ungarischen Lyrik der Zwischenkriegszeit
    Erschienen: 01.06.2019

    The Black Church, the largest sacral building in Transylvania, has been given a central role in the local identity narratives. As a historical place of remembrance, it mediates and mobilizes elements of historical knowledge, and at the same time... mehr

     

    The Black Church, the largest sacral building in Transylvania, has been given a central role in the local identity narratives. As a historical place of remembrance, it mediates and mobilizes elements of historical knowledge, and at the same time constructs a myth.The article examines how the Black Church in Brasov, one of the most important symbols of the Transylvanian Saxons, is poetically constructed as a place of cultural memory in the German, Romanian and Hungarian poems of the interwar period, how the concrete place is reinterpreted as a space for creating identity, while the ethnic dimension should not be ignored. It examines the question of what symbolic value it has for the German, Romanian and Hungarian populations and how this can be seen from the lyrical texts of the time.

     

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    DDC Klassifikation: Germanische Sprachen; Deutsch (430); Italienisch, Rumänisch, Rätoromanisch (450); Andere Sprachen (490)
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  6. Vornamenwahl in einem deutsch-rumänischen Umfeld zwischen regionalen Gepflogenheiten und europäischen Trends
    Erschienen: 01.06.2019

    An essential factor for the naming practice lies in the language(s) spoken by that certain family. In the nowadays very common multilingual families in Transylvania, the so called ‚mixed marriages’, the linguistic contact also becomes manifest in the... mehr

     

    An essential factor for the naming practice lies in the language(s) spoken by that certain family. In the nowadays very common multilingual families in Transylvania, the so called ‚mixed marriages’, the linguistic contact also becomes manifest in the field of onomatology. Out of the vast subject matter, four aspects will be approached: the decline of the tradition of naming a child after a parent; naming practices following ethnic reasons in order to denote a certain identity; naming preferences for international names in mixed families; the increasing diversification and inter-culturality of name-giving due to globalization and the impact of social media. Concrete examples – based on bap tis mal registers of the local Lutheran Church – illustrate the monitored trends.

     

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  7. Aspekte der Mehrsprachigkeit in Christian Hallers Roman "Die verschluckte Musik"
    Erschienen: 01.12.2019

    This study analyses the role of the Romanian language in Christian Hallers novel Die verschluckte Musik (2008). The Romanian words are linked to the content and symbolical context, and also to intimacy or strangeness. Single words and expressions are... mehr

     

    This study analyses the role of the Romanian language in Christian Hallers novel Die verschluckte Musik (2008). The Romanian words are linked to the content and symbolical context, and also to intimacy or strangeness. Single words and expressions are connected to memories and rituals. For the family residing in Bucharest they are everyday elements. By migration they become cultural artefacts, are included in family stories. In the new home country Switzerland, the Romanian language is an element of intimacy. The language is also a method of exclusion and dissociation. Ruth, the first-person narratorʼs mother, is excluded in Bucharest until she learns the national language. In the Swiss environment the already familiar Romanian language is for Ruth a method of dissociation. For the first-person narrator, the few Romanian words are details connected to gastronomic culture which distinguish him from the Swiss environment. While travelling through Bucharest, the Romanian language becomes a method of exclusion, it is connected to an area that was not attainable for a long period. His journey updates the language for him.

     

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  8. Toponyme im siebenbürgischen Unterwald / Terra ante Silvanum
    Erschienen: 01.12.2019

    The aim of the present paper is to analyse the trilingual Transylvanian toponyms (German, Hungarian an d Romanian) from the Terra ante Silvanum (The Realm Beneath the Forest) and to reconstruct and explain them. When the Saxons arrived in... mehr

     

    The aim of the present paper is to analyse the trilingual Transylvanian toponyms (German, Hungarian an d Romanian) from the Terra ante Silvanum (The Realm Beneath the Forest) and to reconstruct and explain them. When the Saxons arrived in Transylvania, in the 12th Century, they met Szekler, Hungarian and Romanian ethnic groups. The Realm Beneath the Forest represents, from a historical point of view, the Western border of the Transylvanian territory inhabited by the Saxons, which was not a compact area and which was divided into three districts (Sibiu, Brașov, and Bistrița) and two ‘seats’ (Mediaș and Șeica). The Realm Beneath the Forest included three ‘seats’ (Lat. sedes, judicial and administrative forums): Orăștie, Sebeș and Miercurea Sibiului. All the areas of the Realm Beneath the Forest, both those inhabited by German and/or Hungarian and Romanian populations and those inhabited only by Romanian people, have corresponding toponyms in all three languages. The toponyms Orăștie, Romos, Aurel Vlaicu, Pianul de Jos, Petrești, Sebeș, Câlnic, Reciu, Gârbova, Dobârca, Miercurea Sibiului, Apoldu de Sus, Amnaș that are analysed in the paper can be classified according to the following criteria: according to their founder, to the river that flows through the area, to the local toponyms, to their origin and their way of formation. A series of toponyms contributed to the apparition of some autochthonous family names such as Broser, Hamlescher, Kellinger, Mühlbächer, Polder, Rätscher, Urbiger.

     

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  9. Das Gebot der Kürze und die Verlockungen der Ausführlichkeit : zu den rumänisch-deutschen Kulturkontakten in Siebenbürgen (19. Jahrhundert) ; Bericht über eine Abhandlung
  10. Wirtschaftssprache im Augenmerk: Strukturen mit Präpositionen und ihre Übersetzung ins Rumänische, am Beispiel von Texten der Handelskorrespondez (!)

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  11. "Das Ganze ist mehr als die Summe seiner Teile" : Verbesserungsvorschläge für die zweisprachige phraseografische Praxis des Sprachenpaars Deutsch/Rumänisch
    Autor*in: Sava, Doris

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  12. Hand und Fuß im interkulturellen Vergleich : eine kontrastive Untersuchung von Redewendungen im Deutschen und Rumänischen

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  13. Die Problematik der intertextuellen Bezüge zur Bibel in Goethes "Faust" und ihrer Übertragung : ein Blick auf die rumänischen Übersetzungen von Lucian Blaga und Ştefan Augustin Lucian Blaga und Ştefan Augustin Doinaş
  14. Dependenzgrammatik und Übersetzungspraxis : Betrachtungen an einem Fachtext in der Gegenüberstellung Deutsch-Rumänisch

    Gramatica dependenţială, aşa cum a fost elaborată în spaţiul de limbă germană, în special de Ulrich Engel, a fost receptată în lingvistica românească cu mare întârziere. Lucrarea de faţă se concentrează asupra unui fenomen lingvistic specific, fraza... mehr

     

    Gramatica dependenţială, aşa cum a fost elaborată în spaţiul de limbă germană, în special de Ulrich Engel, a fost receptată în lingvistica românească cu mare întârziere.

    Lucrarea de faţă se concentrează asupra unui fenomen lingvistic specific, fraza nominală, şi analizează un text subsumabil limbajului juridic din perspectiva nucleelor nominale formate de cuvinte compuse în limba germană. Pornind de la conceptul de valenţă se analizează din perspectivă contrastivă varianta textului în limba germană şi traducerea în limba română.

    Se evidenţiază diferenţele structurale dintre cele două limbi la nivelul sintactic şi semantic, diferenţe care, dacă nu sunt sesizate şi interpretate corect, au drept repercusiuni traduceri deficitare. The dependential grammar, as it was elaborated within the German space, especially by Ulrich Engel, has been accepted by Romanian linguistics after a long period.

    This paper focuses on a specific linguistic phenomenon, the nominal phrase, and analyses, from the nominal nuclei perspective, a text subordinated to the law register, formed by compound words in German. Starting from the valence concept, the German text version and its Romanian translation are analysed from the contrastive perspective.

    The structural differences between the two languages are distinguished at a syntactic and semantic level. If these differences are not observed and correctly interpreted, they have adverse translations as a result.

     

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  15. Effizienz- und Qualitätsmuster im rumänisch-deutschen Übersetzungsprozess

    Analizând contactul intercultural româno-german iniţiat pe calea traducerilor, prezentând momente istorice, biografice şi estetice de vârf, se supun analizei criteriile ce permit stabilirea unor paradigme calitative de structură, proces şi eficienţă.... mehr

     

    Analizând contactul intercultural româno-german iniţiat pe calea traducerilor, prezentând momente istorice, biografice şi estetice de vârf, se supun analizei criteriile ce permit stabilirea unor paradigme calitative de structură, proces şi eficienţă. La începutul traducerilor din literatura cultă pare-se că a stat şi Mihail Kogălniceanu cu a sa traducere din Asachi (“Odă către Italia”, apărută în 1837 la Berlin). Traduceri mult mai sistematice şi cu o mai largă răspândire în spaţiul european şi un ecou deosebit se datorează unor traducători ca Josef Marlin, Carmen Sylva, Hermann Roth, Alfred Margul-Sperber, Oskar Pastior, Dieter Roth, Werner Söllner, ale căror motivaţii, preferinţe, teoretizări şi rang se recontextualizează exemplificându-se astfel diferite stadii în istoria propagării literaturii române culte şi populare, subliniindu-se situaţia sociologică actuală de unicitate, datorităfaptului că în prezent trăiesc foarte mulţi potenţiali traducători de literatură română în spaţiul lingvistic german. Cel mai notabil succes de mijlocire literară se datorează în prezent lui Gerhardt Csejka din Frankfurt pe Main, care (traducând şi pentru reviste româneşti online) a devenit traducătorul fidel al autorului Mircea Cărtărescu. Analysing the Romanian-German intercultural contact initiated through translations, presenting important historical, biographical and esthetical moments, the criteria that allow the determination of some qualitative structural paradigms as well as of some efficiency paradigms are being analyzed.

    At the beginnings of the translations of high literature seems to have been Mihail Kogalniceanu as well, with his translation of Asachi (“Odă către Italia”, which appeared in Berlin in 1837). Much more systematic translations which had a broader spread in Europe and a great echo come from translators such as Josef Marlin, Carmen Sylva, Hermann Roth, Alfred Margul-Sperber, Oskar Pastior, Dieter Roth, Werner Söllner, whose motivations, preferences, theoretizations and rank are recontextualising themselves, thus different stages in the history of high and popular Romanian literature propagation being analyzed, whereas the actual present sociological situation is being delineated, because a lot of potential translators of Romanian literature live in the German linguistic space at present. The most notable success of literary translation comes from Gerhardt Csejka from Frankfurt on the Main who (translating for online Romanian journals as well) has become the loyal translator of the Romanian poet Mircea Cărtărescu.

     

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  16. Goethes "Faust" in rumänischer Übertragung – ein Blick auf die Übersetzungsvarianten der Szene "Nacht" bei Lucian Blaga und Ştefan Augustin Doinaş

    Lucrarea doreşte să realizeze o analiză succintă a diferenţelor dintre două traduceri reprezentative ale operei Faust de Johann Wolfgang Goethe în limba română, cea a lui Lucian Blaga şi cea a lui Ştefan Augustin Doinaş, luând ca „mostră” de text... mehr

     

    Lucrarea doreşte să realizeze o analiză succintă a diferenţelor dintre două traduceri reprezentative ale operei Faust de Johann Wolfgang Goethe în limba română, cea a lui Lucian Blaga şi cea a lui Ştefan Augustin Doinaş, luând ca „mostră” de text scena Noaptea din partea întâia a tragediei. Dat fiind că scena conţine o aglomerare relativ mare de noţiuni cu o încărcătură semantică semnificativă, lucrarea de faţă analizează elementele lexicale esenţiale la nivelul semantic al textului, verificând echivalenţa din versiunile în limba română. The article offers a brief analysis of the differences between the two representative translations of Johann Wolfgang Goethe’s Faust into Romanian, that of Lucian Blaga and that of Ştefan Augustin Doinaş, using the example of the scene Night of the First Part of the Tragedy. Considering that the scene comprises a relatively great number of notions with suggestive semantic charge, the present paper analyses the fundamental lexical units at the semantic level of the text, by checking the equivalence between the Romanian translations and the German original.

     

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  17. Defizite der rumänischen bilingualen Phraseografie mit Deutsch
    Autor*in: Sava, Doris

    The adequate assessment of lexicographical approaches to phraseologisms requires certain evaluation criteria. Among the aspects to be assessed are, besides the arrangement of the front, middle and back matter and the selection of material, the... mehr

     

    The adequate assessment of lexicographical approaches to phraseologisms requires certain evaluation criteria. Among the aspects to be assessed are, besides the arrangement of the front, middle and back matter and the selection of material, the macrostructural organization and the quality of the microstructural components. The present article focuses on the lexicographical standards set for phraseological dictionaries by metalexicographical researchers in the field of German Studies, while it critically examines the macro- and microstructural profile of special phraseological dictionaries developed in Romania with German as a target and source language. This examination has revealed serious shortcomings regarding both the conceptual orientation and the construction of dictionary entries. These shortcomings may influence the use of dictionaries by translators and non-native speakers as well, who represent the actual target group.

     

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  18. Strukturen der Steigerung und Intensivierung im Vergleich : am Beispiel des Adjektivs im Deutschen und Rumänischen

    Gradation and intensification can be subject to different linguistic procedures. The present paper focuses on aspects of intensification and gradation by means of word formation in adjectives. The argument is that German and Romanian, as languages... mehr

     

    Gradation and intensification can be subject to different linguistic procedures. The present paper focuses on aspects of intensification and gradation by means of word formation in adjectives. The argument is that German and Romanian, as languages belonging to different language families, operate with different means to express high intensity in adjectives. The critical analysis on dictionary items (German-Romanian) aims at disclosing how mental representations are being formally structured at language level. It argues that correct equivalence in translation work can be achieved only if the deep structure level is properly understood by the translator.

     

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  19. Kultur und (Rechts)Sprache
    Autor*in: Marin, Simona

    The content of the present paper can be outlined as follows: 1) Law is an integrative part of culture. 2) Legal terminology is system-bound. Thus, within one and the same language there are as many legal languages as there are legal orders that use... mehr

     

    The content of the present paper can be outlined as follows:

    1) Law is an integrative part of culture.

    2) Legal terminology is system-bound. Thus, within one and the same language there are as many legal languages as there are legal orders that use that particular language as their legal language.

    3) The representation of culture in legal texts is encountered both on word and on text level: on the one hand legal terms have often been referred to as culturemes, as they are informed by the respective legal order; on the other hand texts are being regarded as cultural products as they depend on the particular legal order.

     

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  20. Beispiel, Erfahrung, Theorie : Übersetzungswissenschaftliche Anmerkungen von Hermine Pilder-Klein

    The present article concentrates on the activity of Hermine Pilder-Klein as theoretician and translation critic. (Hermine Pilder-Klein: translator from Romanian to German of the second half of the 20th century carried out 80 translations from this... mehr

     

    The present article concentrates on the activity of Hermine Pilder-Klein as theoretician and translation critic. (Hermine Pilder-Klein: translator from Romanian to German of the second half of the 20th century carried out 80 translations from this cultural space in the period 1933-1972. Horst Schuller makes reference to 2 articles that are kept in the archive of the Museum of Gundelsheim: 1. a review of the volume Siebenbürgisch Sächsisches Wörterbuch (Transylvanian Saxon Dictionary) published in Bucharest. The review was published in the No. 4/1972 of the periodical Vierteljahresblätter in München; 2. a critical presentation of the volume Rumänische Volksmärchen (Romanian Folk Tales) edited by Ovidiu Bârlea and Felix Karlinger (the volume was published in 1969 in Düsseldorf/Köln: Eugen Diederichs Verlag), the work bearing the title Übersetzung-Schlüssel und Brücke (Translation – Key and Bridge) (1977), remained unpublished and was taken over by Horst Schuller in the present article.

     

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  21. „Warum Rumänisch unwichtig wird, wenn die Latinos sich vermehren”

    In the present article Bernhard Schwaiger, a Latin language teacher at a school in Thüringen, treats some aspects of the greater or lesser importance of some objects of study, in this case of the foreign languages, importance that is usually... mehr

     

    In the present article Bernhard Schwaiger, a Latin language teacher at a school in Thüringen, treats some aspects of the greater or lesser importance of some objects of study, in this case of the foreign languages, importance that is usually determined aleatorily. The article becomes a pleading for the study of the Romanian language as one of the most interesting Romance languages, the Romanian culture being complex and the tourist landscape from Romania very interesting as well. The conclusion of the article is that it is very important for pupils on their way to identity construction to know all the cultural components of Europe, to submit to a critical analysis any object defined „from the outside” as important, because the European continent consists not solely of important countries and languages (such as France, Spain, England, Italy) but also of a multitude of other languages and cultures.

     

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    DDC Klassifikation: Bildung und Erziehung (370); Italienisch, Rumänisch, Rätoromanisch (450)
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  22. „Man soll den Teufel nicht an die Wand malen" : zum Facettenreichtum des Teufelbildes in deutschen und rumänischen Sprichwörtern und sprichwörtlichen Redensarten

    The paper focuses on aspects of comparative phraseology and paremioloy between two languages, German and Romanian and aims at disclosing differences and similarities in connection with proverbs and idioms on “the devil”. 112 items circling around... mehr

     

    The paper focuses on aspects of comparative phraseology and paremioloy between two languages, German and Romanian and aims at disclosing differences and similarities in connection with proverbs and idioms on “the devil”. 112 items circling around “the devil” and its synonyms are being analyzed as to the life experience, world perspective and superstitions reflected in the proverbs, by drawing parallels between the equivalent structures functioning in the two languages, their form and content.

     

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  23. "Hoch soll er leben!" : Routineformeln als Forschungsaufgabe der phraseologischen Kontrastivik
    Autor*in: Sava, Doris

    Phraseological issues are of great interest to researchers in the field of German studies outside German-speaking countries as well. If one looks back upon the achievements and insights of phraseological research elsewhere, it becomes obvious that... mehr

     

    Phraseological issues are of great interest to researchers in the field of German studies outside German-speaking countries as well. If one looks back upon the achievements and insights of phraseological research elsewhere, it becomes obvious that there are lots of areas of investigation still to be expanded, as far as the German and the Romanian languages are concerned. The research approaches suggested here are meant to highlight more specific aspects of linguistic phraseological material.

     

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  24. „Bragia/per nos plaids/e lur melodia” („Weine für unser Lied/und seine Weise”) : Romanische Minoritäten-Sprachvarianten in der Schweiz, am Beispiel der Lyrik von Tresa Rüthers-Seeli

    In this work we aim to analyze the statute of the Romansh language and of its idioms in the Grison/Graubűnden Canton (Switzerland), from the Sursilvan lyrics perspective of Tresa Rűther-Seeli and her contemporary, Linard Candreia. Because of the... mehr

     

    In this work we aim to analyze the statute of the Romansh language and of its idioms in the Grison/Graubűnden Canton (Switzerland), from the Sursilvan lyrics perspective of Tresa Rűther-Seeli and her contemporary, Linard Candreia. Because of the massive split of the five Romanic idioms with own writing, of the fact that none of them had developed into a standard literary language, as well as of the massive decrease in the population who speaks them, the situation of these idioms becomes dramatic, in spite of and because of the intervention of the political factor to impose a standard official language – Romansh.

     

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    DDC Klassifikation: Italienisch, Rumänisch, Rätoromanisch (450); Italienische, rumänische, rätoromanische Literaturen (850)
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  25. Transkulturelle Problemaspekte im rumänisch-deutschen Übersetzungsprozess

    Presenting the actual theoretical debates (of Göhlich, Welsch, de Nancy, Bachmann-Medick) with respect to the concept of transculturality, underlining the related aspects such as hybridity, intertextuality, globalisation, the author traces the... mehr

     

    Presenting the actual theoretical debates (of Göhlich, Welsch, de Nancy, Bachmann-Medick) with respect to the concept of transculturality, underlining the related aspects such as hybridity, intertextuality, globalisation, the author traces the aspects of transculturality in the process of the translations from Romanian to German. The success of the literary transfer is conditioned by the intra- and intercultural competence, by the knowledge of the identity factors, of the specific operational frame and of the key texts (translations or originals) from the literatures that come into contact with it. As in other countries, where there are specific basic cultural notions with a certain symbolic charge like „birch” in Russia, „hut” in the Czech republic, the traditional cultural universe affirmatively or polemically resorts to cultural words such as „plai” (poetic realm), „codru” (forest), „mioritic” (mioritical). Tracing by means of rich examples the history of translations, the author distinguishes the stages of translations motivated by philological, ethnographic, political interests and lastly and parallel to it, by aesthetical interests. These translations contribute to the identitary image of the Romanians, being normally recorded with an increased attention and sensibility. Concretely applying the discussed theoretical concepts on a text, the author presents the German translation of an essayistic text by Andrei Pleşu, arguing the possible interest of the German public for the writer, emphasizing the ironical hybrid and ludic signs that are important for the translation, with all untranslatabilities of the word games, in order to find at least an adequate, if not equivalent, transfer. The annotations and the translation (starting with the analysis of the title) constitute a demonstration of transculturality applied live.

     

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