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  1. Multimodality as challenge
    YouTube data in linguistic corpora
    Autor*in: Schmidt, Axel
    Erschienen: [2019]; © 2019

    Standort:
    Leibniz-Institut für Deutsche Sprache (IDS), Bibliothek
    Fernleihe:
    keine Fernleihe
    Link zum Verbundkatalog:
    Südwestdeutscher Bibliotheksverbund (SWB)
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    Quelle: Leibniz-Institut für Deutsche Sprache, Bibliothek
    Beteiligt: Marx, Konstanze (VerfasserIn)
    Sprache: Englisch
    Medientyp: Aufsatz aus einem Sammelband
    Format: Druck
    Übergeordneter Titel: Enthalten in: Bremen Conference on Multimodality (3. : 2017 : Bremen); Multimodality; Berlin : De Gruyter Mouton, 2019; (2019), Seite [115]-143; VIII, 332 Seiten

    Schlagworte: Multimodalität; YouTube; Social Media
  2. Making let's play watchable
    an interactional approach to gaming visualizations
    Autor*in: Schmidt, Axel
    Erschienen: [2020]; © 2020

    Standort:
    Leibniz-Institut für Deutsche Sprache (IDS), Bibliothek
    Fernleihe:
    keine Fernleihe
    Link zum Verbundkatalog:
    Südwestdeutscher Bibliotheksverbund (SWB)
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    Quelle: Leibniz-Institut für Deutsche Sprache, Bibliothek
    Beteiligt: Marx, Konstanze (VerfasserIn)
    Sprache: Englisch
    Medientyp: Aufsatz aus einem Sammelband
    Format: Druck
    Übergeordneter Titel: Enthalten in: Visualizing digital discourse; Berlin : de Gruyter Mouton, 2020; (2020), Seite 131-150; XI, 273 Seiten

  3. Prefiguring the future
    projections and preparations within theatrical rhehearsals
    Autor*in: Schmidt, Axel
    Erschienen: [2018]; © 2018

    Standort:
    Leibniz-Institut für Deutsche Sprache (IDS), Bibliothek
    Fernleihe:
    keine Fernleihe
    Link zum Verbundkatalog:
    Südwestdeutscher Bibliotheksverbund (SWB)
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    Quelle: Leibniz-Institut für Deutsche Sprache, Bibliothek
    Sprache: Englisch
    Medientyp: Aufsatz aus einem Sammelband
    Format: Druck
    Übergeordneter Titel: Enthalten in: Time in embodied interaction; Amsterdam : John Benjamins Publishing Company, 2018; (2018), Seite [231]-260; VI, 354 Seiten

  4. Micro-sequential coordination in early responses
    Autor*in: Deppermann, Arnulf ; Schmidt, Axel
    Erschienen: 2021
    Verlag:  Taylor & Francis

    Our study deals with early bodily responses to directives (requests and instructions, i.e., second pair parts [SPPs]) produced before the first pair part (FPP) is complete. We show how early bodily SPPs build on the properties of an emerging FPP. Our... mehr

     

    Our study deals with early bodily responses to directives (requests and instructions, i.e., second pair parts [SPPs]) produced before the first pair part (FPP) is complete. We show how early bodily SPPs build on the properties of an emerging FPP. Our focus is on the successive incremental coordination of components of the FPP with components of the SPP. We show different kinds of micro-sequential relationships between FPP and SPP: successive specification of the SPP building on the resources that the FPP makes available, the readjustment or repair of the SPP in response to the emerging FPP, and reflexive micro sequential adaptions of the FPP to an early SPP. This article contributes to our understanding of the origins of projection in interaction and of the relationship between sequentially and simultaneity in interaction. Data are video-recordings from interaction in German.

     
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    Quelle: BASE Fachausschnitt Germanistik
    Sprache: Englisch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
    DDC Klassifikation: Sprache (400)
    Schlagworte: Anweisung; Aufforderung; Adjazenz; Projektion; Interaktionsanalyse; Interaktion; Konversationsanalyse; Kognitive Linguistik
    Lizenz:

    creativecommons.org/licenses/by-nc-nd/4.0/ ; info:eu-repo/semantics/openAccess
  5. Directing, negotiating and planning: 'Aus Spiel' ('for play') in children's pretend joint play
    Autor*in: Schmidt, Axel ; Zinken, Jörg
    Erschienen: 2021
    Verlag:  Göttingen : Verlag für Gesprächsforschung

    We are interested in how children organize joint pretend play. In this kind of play, children create an invented world by transforming matters of the real world into matters of a fictional world (e.g., pretending to be a 'giant' or treating a... mehr

     

    We are interested in how children organize joint pretend play. In this kind of play, children create an invented world by transforming matters of the real world into matters of a fictional world (e.g., pretending to be a 'giant' or treating a particular spatial area as a 'witch's kitchen'). Since there are no rules and no script, every next step in the game is an improvisation designed here and now. Children engaged in free play have equal rights to determine what should happen next. For that reason, they have to negotiate next steps. We are interested in a particular expression that children often use in joint play: aus Spaß/Spiel ('for fun' or 'for play', similar to 'let's pretend'). Based on a corpus of five hours of video recordings of two pairs of twins (the younger children are between 3 and 5 years old, the older ones are 8 years old), we show that children regularly use aus Spiel while playing as a method for shaping the activity. Inventing new events, children try to get their co-players to accept them and act accordingly. In that context, issues of (dis-)alignment and deontic rights become relevant. Here, we are interested in the interactional work that aus Spiel-('let's pretend')-turns do and how co-players respond. ; Im Fokus unseres Beitrags steht, wie Kinder gemeinsames, freies Fantasiespiel interaktiv organisieren. In Fantasiespielen kreieren Kinder erfundene Welten, indem sie 'Dinge' der realen Welt in 'Dinge' einer fiktiven Welt verwandeln (z.B.: vorgeben, ein "Riese" zu sein oder einen bestimmten Teil der gemeinsamen Umgebung als "Hexenküche" behandeln). Da keine Regeln und kein Drehbuch existieren, ist jeder nächste Schritt im Spiel eine im Hier und Jetzt entworfene Improvisation. Kinder, die frei spielen, haben grundsätzlich das gleiche Recht zu bestimmen, was als Nächstes im Spiel passieren soll. Aus diesem Grund müssen die nächsten Schritte im Spiel verhandelt werden. Im Fokus unseres Beitrags steht ein bestimmter Ausdruck, den Kinder im gemeinsamen Spiel verwenden: aus Spaß/Spiel. Auf der ...

     
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    Quelle: BASE Fachausschnitt Germanistik
    Sprache: Englisch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
    DDC Klassifikation: Sprache (400)
    Schlagworte: Fantasiespiel; Kinderspiel; Improvisation; Kind; Verhandlung; Anpassung; Reaktion; Spielregel
    Lizenz:

    rightsstatements.org/page/InC/1.0/ ; info:eu-repo/semantics/openAccess
  6. How shared meanings and uses emerge over an interactional history: wabi sabi in a series of theater rehearsals
    Autor*in: Deppermann, Arnulf ; Schmidt, Axel
    Erschienen: 2021
    Verlag:  Taylor & Francis

    Taking the use of the esthetic term wabi sabi (Japanese compound noun) in a series of German- and English-language theater rehearsals as an example, this article studies the emergence of shared meanings and uses of an expression over an interactional... mehr

     

    Taking the use of the esthetic term wabi sabi (Japanese compound noun) in a series of German- and English-language theater rehearsals as an example, this article studies the emergence of shared meanings and uses of an expression over an interactional history. We track how shared understandings and uses of wabi sabi develop over the course of a series of theater rehearsals. We focus on the practices by which understandings of wabi sabi are displayed, adopted, and negotiated. We discuss complexities and intransparencies of the manifestation of common ground in multiparty interactions and its relationship to the emergence of routine uses of the expression. Data are in English and German with English translation.

     
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    Quelle: BASE Fachausschnitt Germanistik
    Sprache: Englisch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
    DDC Klassifikation: Sprache (400)
    Schlagworte: Interaktion; Theaterprobe; Theater; Deutsch; Englisch; Semantik; Semasiologie
    Lizenz:

    creativecommons.org/licenses/by-nc-nd/4.0/ ; info:eu-repo/semantics/openAccess
  7. Showing and telling — How directors combine embodied demonstrations and verbal descriptions to instruct in theater rehearsals
    Autor*in: Schmidt, Axel ; Deppermann, Arnulf
    Erschienen: 2023
    Verlag:  Lausanne : Frontiers Media SA ; Mannheim : Leibniz-Institut für Deutsche Sprache (IDS)

    In theater as a bodily-spatial art form, much emphasis is placed on the way actors perform movements in space as an important multimodal resource for creating meaning. In theater rehearsals, movements are created in series of directors' instructions... mehr

     

    In theater as a bodily-spatial art form, much emphasis is placed on the way actors perform movements in space as an important multimodal resource for creating meaning. In theater rehearsals, movements are created in series of directors' instructions and actors' implementations. Directors' instructions on how to conduct a movement often draw on embodied demonstrations in contrast to verbal descriptions. For instance, to instruct an actress to act like a school girl a director can use depictive (he demonstrates the expected behavior) instead of descriptive (“can you act like a school girl”) means. Drawing on a corpus of 400 h video recordings of rehearsal interactions in three German professional theater productions, from which we selected 265 cases, we examine ways to instruct movement-based actions in theater rehearsals. Using a multimodally extended ethnomethodological-conversation analytical approach, we focus on the multimodal details that constitute demonstrations as complex action types. For the present article, we have chosen nine instances, through which we aim to illuminate (1) The difference in using embodied demonstrations versus verbal descriptions to instruct; (2) typical ways directors combine verbal descriptions with embodied demonstrations in their instructions. First, we ask what constitutes a demonstration and what it achieves in comparison to verbal descriptions. Using a typical case, we illustrate four characteristics of demonstrations that all of the cases we studied share. Demonstrations (1) are embedded in instructional activities; (2) show and do not tell; (3) are responded to by emulating what was shown; (4) are rhetorically shaped to convey the instruction's focus. However, none of the 265 demonstrations we investigated were produced without verbal descriptions. In a second step we therefore ask in which typical ways verbal descriptions accompany embodied demonstrations when directors instruct actors how to play a scene. We distinguish four basic types. Verbal descriptions can be used ...

     
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    Quelle: BASE Fachausschnitt Germanistik
    Sprache: Englisch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
    DDC Klassifikation: Sprache (400)
    Schlagworte: Instruktion; Theaterprobe; Theater; Videoaufzeichnung; Interaktion; Deutsch; Ethnomethodologie; Konversationsanalyse; Multimodalität; Beschreibung; Vormachen
    Lizenz:

    creativecommons.org/licenses/by/4.0/ ; info:eu-repo/semantics/openAccess
  8. On the emergence of routines. An interactional micro-history of rehearsing a scene
    Autor*in: Schmidt, Axel ; Deppermann, Arnulf
    Erschienen: 2023
    Verlag:  Berlin : Springer Nature ; Mannheim : Leibniz-Institut für Deutsche Sprache (IDS)

    In workplace settings, skilled participants cooperate on the basis of shared routines in smooth and often implicit ways. Our study shows how interactional histories provide the basis for routine coordination. We draw on theater rehearsals as a... mehr

     

    In workplace settings, skilled participants cooperate on the basis of shared routines in smooth and often implicit ways. Our study shows how interactional histories provide the basis for routine coordination. We draw on theater rehearsals as a perspicuous setting for tracking interactional histories. In theater rehearsals, the process of building performing routines is in focus. Our study builds on collections of consecutive performances of the same instructional task coming from a corpus of video-recordings of 30 h of theater rehearsals of professional actors in German. Over time, instructions and their implementations are routinely coordinated by virtue of accumulated shared interactional experience: Instructions become shorter, the timing of responses becomes increasingly compacted and long negotiations are reduced to a two-part sequence of instruction and implementation. Overall, a routine of how to perform the scene emerges. Over interactional histories, patterns of projection of next actions emanating from instructions become reliable and can be used by respondents as sources for anticipating and performing relevant next actions. The study contributes to our understanding of how shared knowledge and routines accumulate over shared interactional experiences in publicly performed and reciprocally perceived ways and how this impinges on the efficiency of joint action.

     
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    Quelle: BASE Fachausschnitt Germanistik
    Sprache: Englisch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
    DDC Klassifikation: Sprache (400)
    Schlagworte: Studie; Koordination; Routinearbeit; Interaktion; Theaterprobe
    Lizenz:

    creativecommons.org/licenses/by/4.0/ ; info:eu-repo/semantics/openAccess
  9. Editorial: Social interaction and the theater rehearsal
    Autor*in: Schmidt, Axel ; Deppermann, Arnulf
    Erschienen: 2023
    Verlag:  Berlin : Springer ; Mannheim : Leibniz-Institut für Deutsche Sprache (IDS)

    Editorial on the research topic "Social Interaction and the Theater Rehearsal" mehr

     

    Editorial on the research topic "Social Interaction and the Theater Rehearsal"

     
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    Quelle: BASE Fachausschnitt Germanistik
    Sprache: Englisch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
    DDC Klassifikation: Sprache (400)
    Schlagworte: Theater; Gesellschaftsleben; Interaktion; Auftritt
    Lizenz:

    creativecommons.org/licenses/by/4.0/ ; info:eu-repo/semantics/openAccess
  10. Special Issue: Social interaction and the theatre rehearsal
    Autor*in: Schmidt, Axel ; Deppermann, Arnulf
    Erschienen: 2023
    Verlag:  Berlin : Springer ; Mannheim : Leibniz-Institut für Deutsche Sprache (IDS)

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    Quelle: BASE Fachausschnitt Germanistik
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Online
    DDC Klassifikation: Sprache (400)
    Schlagworte: Theater; Interaktion; Körpersprache; Szene; Auftritt
    Lizenz:

    creativecommons.org/licenses/by/4.0/ ; info:eu-repo/semantics/openAccess
  11. Knowledge accumulation in theatre rehearsals: The emergence of a gesture as a solution for embodying a certain aesthetic concept
    Autor*in: Norrthon, Stefan ; Schmidt, Axel
    Erschienen: 2023
    Verlag:  Berlin : Springer ; Mannheim : Leibniz-Institut für Deutsche Sprache (IDS)

    Theater rehearsals are (usually) confronted with the problem of having to transform a written text into an audio-visual, situated and temporal performance. Our contribution focuses on the emergence and stabilization of a gestural form as a solution... mehr

     

    Theater rehearsals are (usually) confronted with the problem of having to transform a written text into an audio-visual, situated and temporal performance. Our contribution focuses on the emergence and stabilization of a gestural form as a solution for embodying a certain aesthetic concept which is derived from the script. This process involves instructions and negotiations, making the process of stabilization publicly and thus intersubjectively accessible. As scenes are repeatedly rehearsed, rehearsals are perspicuous settings for tracking interactional histories. Based on videotaped professional theatre interactions in Germany, we focus on consecutive instances of rehearsing the same scene and trace the interactional history of a particular gesture. This gesture is used by the director to instruct the actors to play a particular aspect of a scene adopting a certain aesthetic concept. Stabilization requires the emergence of shared knowledge. We will show the practices by which shared knowledge is established over time during the rehearsal process and, in turn, how the accumulation of knowledge contributes to a change in the interactional practices themselves. Specifically, we show how a gesture emerges in the process of developing and embodying an aesthetic concept, and how this gesture eventually becomes a sign that refers to and evokes accumulated knowledge. At the same time, we show how this accumulated knowledge changes the instructional activities in the rehearsal process. Our study contributes to the overall understanding of knowledge accumulation in interaction in general and in theater rehearsals in particular. At the same time, it is devoted to the central importance of gestures in theater, which are both a means and a product of theatrical staging.

     
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    Quelle: BASE Fachausschnitt Germanistik
    Sprache: Englisch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
    DDC Klassifikation: Sprache (400)
    Schlagworte: Theater; Geste; Probe; Interaktion; Arbeitsstudie
    Lizenz:

    creativecommons.org/licenses/by/4.0/ ; info:eu-repo/semantics/openAccess
  12. On the emergence of routines: an interactional micro-history of rehearsing a scene
    Autor*in: Schmidt, Axel ; Deppermann, Arnulf
    Erschienen: 2023
    Verlag:  Berlin : Springer Nature ; Mannheim : Leibniz-Institut für Deutsche Sprache (IDS)

    In workplace settings, skilled participants cooperate on the basis of shared routines in smooth and often implicit ways. Our study shows how interactional histories provide the basis for routine coordination. We draw on theater rehearsals as a... mehr

     

    In workplace settings, skilled participants cooperate on the basis of shared routines in smooth and often implicit ways. Our study shows how interactional histories provide the basis for routine coordination. We draw on theater rehearsals as a perspicuous setting for tracking interactional histories. In theater rehearsals, the process of building performing routines is in focus. Our study builds on collections of consecutive performances of the same instructional task coming from a corpus of video-recordings of 30 h of theater rehearsals of professional actors in German. Over time, instructions and their implementations are routinely coordinated by virtue of accumulated shared interactional experience: Instructions become shorter, the timing of responses becomes increasingly compacted and long negotiations are reduced to a two-part sequence of instruction and implementation. Overall, a routine of how to perform the scene emerges. Over interactional histories, patterns of projection of next actions emanating from instructions become reliable and can be used by respondents as sources for anticipating and performing relevant next actions. The study contributes to our understanding of how shared knowledge and routines accumulate over shared interactional experiences in publicly performed and reciprocally perceived ways and how this impinges on the efficiency of joint action.

     
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    Quelle: BASE Fachausschnitt Germanistik
    Sprache: Englisch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
    DDC Klassifikation: Sprache (400)
    Schlagworte: Interaktion; Theaterprobe; Instruktion; Deutsch; Arbeitsplatz; Multimodalität; Routinearbeit
    Lizenz:

    creativecommons.org/licenses/by/4.0/ ; info:eu-repo/semantics/openAccess
  13. Doing Wabi Sabi. How theater producers introduce and use aesthetic concepts
    Autor*in: Schmidt, Axel
    Erschienen: 2023
    Verlag:  Münster : Waxmann ; Mannheim : Leibniz-Institut für Deutsche Sprache (IDS) [Zweitveröffentlichung]

    The idea of this article is to take the immaterial and somehow ethereal nature of aesthetic concepts seriously by asking how aesthetic concepts are negotiated and thus formed in communication. My examples come from theatrical production where... mehr

     

    The idea of this article is to take the immaterial and somehow ethereal nature of aesthetic concepts seriously by asking how aesthetic concepts are negotiated and thus formed in communication. My examples come from theatrical production where aesthetic decisions naturally play a major role. In the given case, an aesthetic concept is introduced with which only the director, but none of the actors is familiar in the beginning of the rehearsals. The concept, Wabi Sabi, comes from Japanese culture. As the whole rehearsal process was video recorded, it is possible to track the process of how the concept is negotiated and acquired over time. So, instead of defining criteria what Wabi Sabi as an aesthetic concept “consists of,” this article seeks to show how the concept is introduced, explained and “used” within a practical context, in this case a theater rehearsal. In contrast to conventional models of aesthetic experience, I am interested in the ways in which an aesthetic concept is configured in and through socially organized interaction, and — vice versa — how that interaction contributes to the situational accomplishment of the same concept. In short: I am interested in the “doing” of aesthetic concepts, especially in “doing Wabi Sabi.”

     
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    Quelle: BASE Fachausschnitt Germanistik
    Sprache: Englisch
    Medientyp: Aufsatz aus einem Sammelband
    Format: Online
    DDC Klassifikation: Sprache (400)
    Schlagworte: Theater; Ästhetik; Kommunikation; Theaterspiel; Theaterprobe; Interaktion
    Lizenz:

    rightsstatements.org/page/InC/1.0/ ; info:eu-repo/semantics/openAccess
  14. Disrespecting
    Autor*in: Deppermann, Arnulf ; Schmidt, Axel
    Erschienen: 2014
    Verlag:  Antwerpen : International Pragmatics Assoc.

  15. Multimodality as challenge. YouTube data in linguistic corpora
    Autor*in: Schmidt, Axel ; Marx, Konstanze
    Erschienen: 2019
    Verlag:  Berlin [u.a.] : De Gruyter Mouton

    A large database is a desirable basis for multimodal analysis. The devel­opment of more elaborate methods, data banks, and tools for a stronger empirical grounding of multimodal analysis is a prevailing topic within multimodality. Prereq- uisite for... mehr

     

    A large database is a desirable basis for multimodal analysis. The devel­opment of more elaborate methods, data banks, and tools for a stronger empirical grounding of multimodal analysis is a prevailing topic within multimodality. Prereq- uisite for this are corpora for multimodal data. Our contribution aims at developing a proposal for gathering and building multimodal corpora of audio-visual social media data, predominantly YouTube data.Our contribution has two parts: First we outline a participation framework which is able to represent the complexity of YouTube communication. To this end we ‘dissect’ the different communicative and multimodal layers YouTube consists of. Besides the Video performance YouTube also integrates comments, social media operators, commercials, and announcements for further YouTube Videos. The data consists of various media and modes and is interactively engaged in various discourses. Hence, it is rather difficult to decide what can be considered as a basic communicative unit (or a ‘turn’) and how it can be mapped. Another decision to be made is which elements are of higher priority than others, thus have to be integrated in an adequate transcription format. We illustrate our conceptual considerations on the example of so-called L e t’s Plays, which are supposed to present and comment Computer gaming processes.The second part is devoted to corpus building. Most previous studies either worked with ad hoc data samples or outlined data mining and data sampling strategies. Our main aim is to delineate in a systematic way and based on the conceptual outline in the first part necessary elements which should be part of a YouTube corpus. To this end we describe in a first Step which components (e.g., the Video itself, the comments, the metadata, etc.) should be captured. ln a second Step we outline why and which relations (e.g., screen appearances, hypertextual struc- tures, etc.) are worth to get part of the corpus. In sum, our contribution aims at outlining a proposal for gathering and ...

     
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    Quelle: BASE Fachausschnitt Germanistik
    Sprache: Englisch
    Medientyp: Aufsatz aus einem Sammelband
    Format: Online
    DDC Klassifikation: Sprache (400)
    Schlagworte: Multimodalität; YouTube; Kommunikation; Korpus; Soziale Software
    Lizenz:

    creativecommons.org/licenses/by-nc-nd/4.0/deed.de ; info:eu-repo/semantics/openAccess
  16. Making let's play watchable. An interactional approach to gaming visualization
    Autor*in: Schmidt, Axel ; Marx, Konstanze
    Erschienen: 2020
    Verlag:  Berlin [u.a.] : De Gruyter Mouton