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The hybrid discourse of Lessing's "Erziehung des Menschengeschlechts"
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The cryptoclassicism of Goethe's "Faust"
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Proto-literary texts and the otherness of art
on Schiller's "Aesthetic letters", his preface to "Die Braut von Messina", and Nietzsche's "Die Geburt der Tragödie aus dem Geiste der Musik" -
"...den Prometheus schildern und weiter nichts"
Grillparzer and the drama of ideas -
The ever-shifting text
case studies from Viennese theatre of the 1830s and 1840s -
An unrelieved heart: Hegel, tragedy, and Schiller's "Wallenstein"
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Humboldt revisited: liberal education, university reform, and the opposition to the neoliberal university
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Shakespeare, Nietzsche's contemporary
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[Rezension von: Women's work, making dance in Europe before 1800, ed. by Lynn Matluck Brooks]
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[Rezension von: Nicholls, Angus James, Goethe's concept of the daemonic, after the ancients]
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[Rezension von: The unfamiliar Shelley, ed. by Alan M. Weinberg and Timothy Webb...]
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"Du wagst es, meine Worte zu deuten?"
unreliable evidence on Schiller's stage -
[Rezension von: Adieu divine Comtesse, Luise Gottsched, Charlotte Sophie Gräfin Bentinck und Johann Christoph Gottsched in ihren Briefen, hrsg. und eingel. von Katherine Goodman]
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"Wenn ich leben soll, so sei es mit dir!"
the relationship of father and son in Goethe's "Wilhelm Meisters Wanderjahre" -
Virtue and violence
naive, ironic, rationalizing, and critical presentations of this nexus in 18th-century European prose -
'Mannigfaltigkeit des Farbenspiels'
Goethe and Heinrich Meyer on harmony through colour variation -
[Rezension von: Strange sisters, literature and aesthetics in the nineteenth century, [Conference "Nineteenth-Century Literature and Aesthetics" which was held at the University of Milan in 2006], Francesca Orestano and Francesca Frigerio (eds.)]
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Between natural and human science
scientific method in Goethe's 'Noten und Abhandlungen zum West-östlichen Divan' -
Corporeality and emotion in Goethe's "Die Wahlverwandtschaften"
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Visions of an instrument
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Revolutionizing domesticity
potentialities of female self-definition in Dorothea Schlegel's "Florentin" (1801) -
"Make music, women, music!"
the amazonian power of music in Heinrich von Kleist's "Penthesilea" (1808) -
Monuments as Memento Mori in Goethe's "Elective Affinities"
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Reflections on a monument to be erected to the poet Goethe in his native city (1821)
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A precarious balance
Adorno and German Classicism