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Breaking boundaries
a new generation of poets in the GDR -
Shared creation
words and music in the Hofmannsthal-Strauss operas -
Marriage and divorce in the plays of Hermann Sudermann
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Walahfrid Strabo's Libellus de exordiis et incrementis quarundam in observationibus ecclesiasticis rerum
a translation and liturgical commentary -
"Singen möcht ich ..."
Hölderlin's echo in new music -
Paul Celan and the end of German literature
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History in fiction
Ingeborg Bachmann and the folktale tradition -
Fragmentary extravagance
modernist readings of Kierkegaard in Kafka, Rilke and Adorno -
Dark mirrors
fantastic elements in E. T. A. Hoffmann's "Die Serapionsbrüder" -
Force and love in the works of Rainer Maria Rilke
(Heroic life attitudes and the acceptanc of defeat and suffering as complementary parts) -
Towards a production of Goethe's Faust
a dramaturgical study of criticism and productions of Faust in English -
Crime narrative as social literature in nineteenth century Germany
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Gerhart Hauptmann
Germany through the eyes of the artist -
From hermaphrodite to amazon
the transformation of gender paradigms in Lessing, Goethe and Kleist -
Francois Hemsterhuis' Vereinigungsphilosophie in Friedrich Hölderlin's novel Hyperion
conceptual parallels and textual correspondences -
Points of connection among classical statuary, the grand tour, and stage performance in the age of Goethe
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Transgressions of the feminine
tragedy, enlightenment and the figure of woman in classical German drama -
The question of "cultural language" and interdialectal norm in 16th century Slovakia
a phonological analysis of 16th century Slovak administrative-legal texts -
Heinrich Schirmbeck and the two cultures
a post-war German writer's approach to science and literature -
Berlin Dada
Montage and the embodiment of modernity, 1916 - 1920 -
Women writers and social change in the former GDR after the Wende
Gabriele Stötzer, Christa Wolf and Sarah Kirsch -
Reactionary romanticism
the figure of Italy and the desire for social privilege in the writings of Goethe, Ludwig Tieck, and Dorothea Schlegel -
The philosophical implications of freemasonry in Thomas Mann's Der Zauberberg
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How one becomes what one is
romantic and post-romantic wanderings through the landscape of Trope and identity -
Performing at the bar
reconstructing the Nuremberg "Fastnachtspiel" of the fifteenth century