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Klio <Berlin>
98.2016 -
Die Archäologische Sammlung der Universität Wien
ihre Geschichte, Entwicklung und Bedeutung von der Gründung 1869 bis zur Mitte des 20. Jahrhunderts auf Basis der Schriftquellen -
"Ovre londe"/"Irlonde"
appropriating Irish saints in the aftermath of conquest -
Middle English Ferumbras romances and the reign of Richard II
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"Here taketh the makere of this book his leve"
the "Retraction" and Chaucer's works in Tudor England -
The contemplative cosmos
John Lyly's "Endymion" and the shape of early modern space -
The functions of forgetfulness in "1 Henry IV"
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The ring's the thing
Elizabeth I's virgin knot and "All's well that ends well" -
The imagination's arts
poetry and natural philosophy in Bacon and Shakespeare -
The "reason" of radical evil
Shakespeare, Milton, and the ethical philosophers -
Incarnational "apophatic"
rethinking divine accomodation in John Milton's "Paradise lost" -
The natural history of the Houyhnhnms
noble horses in "Gulliver's travels" -
Embodying the invisible
materiality and subjectivity in Cavendish, Manley, and Haywood -
Extreme empiricism
John Howard, poetry, and the thermometrics of reform -
"What we want in Elegance, we gain in Copiousness"
eighteenth-century English and its empire of tongues -
The role of drawing in the evolution of garden design
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Anti-Jewish polemics and the texts on Friday fasts
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Circulations of labor, bodies of work
a japanese migrant in meiji Hawai'i -
The boys on the beach
children's games and baptismal grace in medieval thought -
Democritus junior as reader of auctoritates
Robert Burton's method and "The anatomy of melancholy" -
John Punch, Scotist holy war, and the Irish Catholic revolutionary tradition in the seventeenth century
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Pufendorf on passions and sociability
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Free will, predestination, and the fate of the Ottoman Empire
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Can a woman deserve the name of enemy?
gender, war and law in Katherine Philips's Corneille translations -
Katherine Philips's French translations
between mediation and appropriation