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Introduction
scriptural authority in word and image -
Prayerful artifice
the fine style as Marian devotion in Hieronymus Wierix's "Maria" of ca. 1611 -
Venus/Venius
on the artistic identity of Otto van Veen and his doctrine of the image -
Jesuit image theory
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Shaping the Netherlandish canon
Karel van Mander's Schilder-boeck -
Personification
embodying meaning and emotion -
Ut pictura amor
the reflexive imagery of love in artistic theory and practice, 1500-1700 -
The Ten Commandments in medieval and early modern culture
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The anthropomorphic lens
anthropomorphism, microcosmism and analogy in early modern thought and visual arts -
Jesuit image theory
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Imago exegetica
visual images as exegetical instruments, 1400 - 1700 -
"Conspicitur prior usque fulgor"
on the functions of landscape in Benito Arias Montanos's "Humanae salutis monumenta" (1571) -
Image and Incarnation
the early modern doctrine of the pictorial image -
Introduction
the Jesuit Engagement with the Status and Functions of the Visual Image -
Libellus piarum precum (1575)
Iterations of the Five Holy Wounds in an Early Jesuit Prayerbook -
Through a glass darkly
allegory & faith in Netherlandish prints from Lucas van Leyden to Rembrandt -
Introduction
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Convent and Cubiculum Cordis
the incarnational thematic of materiality in the Cistercian prayerbook of Martin Boschmann (1610) -
Parabolic analogy and spiritual discernment in Jerónimo Nadal's Adnotationes et meditationes in evangelica of 1595
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Quid est secretum?
visual representation of secrets in early modern Europe, 1500-1700 -
1500-1700
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Emblemata solitariae Passionis
Jan David, S.J., on the solitary passion of christ -
Image and imagination of the religious self in late medieval and early modern Europe
Emory University, Lovis Corinth Colloquia I -
Quid est sacramentum?
visual representation of sacred mysteries in early modern Europe, 1400-1700 -
"In sensus cadentem imaginem"
varieties of the spiritual image in Theodoor Gallet's Life of blessed father Ignatius of Loyola of 1610