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  1. Storytelling in the works of Bunyan, Grimmelshausen, Defoe, and Schnabel
    Erschienen: 2004
    Verlag:  Boydell & Brewer, Suffolk

    The modern novel appeared during the period of secularization and intellectual change that took place between 1660 and 1740. This book examines John Bunyan's'Grace Abounding' and 'The Pilgrim's Progress,' Johann Grimmelshausen's 'Simplicissimus,'... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    The modern novel appeared during the period of secularization and intellectual change that took place between 1660 and 1740. This book examines John Bunyan's'Grace Abounding' and 'The Pilgrim's Progress,' Johann Grimmelshausen's 'Simplicissimus,' Daniel Defoe's 'Robinson Crusoe,' and J. G. Schnabel's 'Insel Felsenburg' as prose works that reflect the stages in this transition. The protagonists in these works try to learn to use language in a pure, uncorrupted way. Their attitudes towards language are founded on their understanding of the Bible, and when they tell their life stories, they follow the structure of the Bible, because they accept it as 'the' paradigmatic story. Thus the Bible becomes a tool to justify the value of telling 'any' story. The authors try to give their own texts some of Scripture's authority by imitating the biblical model, but this leads to problems with closure and other tensions. If Bunyan's explicitly religious works affirm the value of individual narratives as part of a single, universal story, Grimmelshausen's and Defoe's protagonists effectively replace the sacred text with their own powerful, authoritative stories. J. G. Schnabel illustrates the extent of the secularization process in 'Insel Felsenburg' when he defends the entertainment value of escapist fiction and uses the Bible as the fictional foundation of his utopian civilization: arguments about the moral value of narrative give way to the depiction of storytelling as an end in itself. But Bunyan, Grimmelshausen, Defoe, and Schnabel all use positive examples of the transfiguring effect of reading and telling stories, whether sacred or secular, to justify the value of their own works. Janet Bertsch teaches at Wolfson and Trinity College, Cambridge Bunyan's Grace abounding to the chief of sinners -- Bunyan's Pilgrim's progress -- Grimmelshausen's Der Abentheurliche simplicissimus Teutsch and Der seltzame Springinsfeld -- Introduction to the Robinsonade -- Defoe's Robinson Crusoe -- Schnabel's Wunderliche Fata einiger See-fahrer (Insel Felsenburg)

     

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    Sprache: Englisch
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    ISBN: 9781571136534
    RVK Klassifikation: HK 1575
    Schlagworte: German fiction; German fiction; Fiction; Fiction; Storytelling in literature; Storytelling in literature; German fiction ; Early modern, 1500-1700 ; History and criticism; German fiction ; 18th century ; History and criticism; Fiction ; 17th century ; History and criticism; Fiction ; 18th century ; History and criticism
    Umfang: 1 Online-Ressource (152 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

  2. Storytelling in the works of Bunyan, Grimmelshausen, Defoe, and Schnabel
    Erschienen: 2004
    Verlag:  Boydell & Brewer, Suffolk

    The modern novel appeared during the period of secularization and intellectual change that took place between 1660 and 1740. This book examines John Bunyan's'Grace Abounding' and 'The Pilgrim's Progress,' Johann Grimmelshausen's 'Simplicissimus,'... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    The modern novel appeared during the period of secularization and intellectual change that took place between 1660 and 1740. This book examines John Bunyan's'Grace Abounding' and 'The Pilgrim's Progress,' Johann Grimmelshausen's 'Simplicissimus,' Daniel Defoe's 'Robinson Crusoe,' and J. G. Schnabel's 'Insel Felsenburg' as prose works that reflect the stages in this transition. The protagonists in these works try to learn to use language in a pure, uncorrupted way. Their attitudes towards language are founded on their understanding of the Bible, and when they tell their life stories, they follow the structure of the Bible, because they accept it as 'the' paradigmatic story. Thus the Bible becomes a tool to justify the value of telling 'any' story. The authors try to give their own texts some of Scripture's authority by imitating the biblical model, but this leads to problems with closure and other tensions. If Bunyan's explicitly religious works affirm the value of individual narratives as part of a single, universal story, Grimmelshausen's and Defoe's protagonists effectively replace the sacred text with their own powerful, authoritative stories. J. G. Schnabel illustrates the extent of the secularization process in 'Insel Felsenburg' when he defends the entertainment value of escapist fiction and uses the Bible as the fictional foundation of his utopian civilization: arguments about the moral value of narrative give way to the depiction of storytelling as an end in itself. But Bunyan, Grimmelshausen, Defoe, and Schnabel all use positive examples of the transfiguring effect of reading and telling stories, whether sacred or secular, to justify the value of their own works. Janet Bertsch teaches at Wolfson and Trinity College, Cambridge Bunyan's Grace abounding to the chief of sinners -- Bunyan's Pilgrim's progress -- Grimmelshausen's Der Abentheurliche simplicissimus Teutsch and Der seltzame Springinsfeld -- Introduction to the Robinsonade -- Defoe's Robinson Crusoe -- Schnabel's Wunderliche Fata einiger See-fahrer (Insel Felsenburg)

     

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    ISBN: 9781571136534
    RVK Klassifikation: HK 1575
    Schlagworte: German fiction; German fiction; Fiction; Fiction; Storytelling in literature; Storytelling in literature; German fiction ; Early modern, 1500-1700 ; History and criticism; German fiction ; 18th century ; History and criticism; Fiction ; 17th century ; History and criticism; Fiction ; 18th century ; History and criticism
    Umfang: 1 Online-Ressource (152 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

  3. Storytelling in the works of Bunyan, Grimmelshausen, Defoe, and Schnabel
    Erschienen: 2004
    Verlag:  Camden House, Rochester, N.Y

    Hochschulbibliothek Friedensau
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    ISBN: 1571136533; 9781571136534
    Schriftenreihe: Studies in German literature, linguistics, and culture
    Schlagworte: Fiction; Storytelling in literature; Fiction; German fiction; German fiction
    Umfang: Online-Ressource (152 p)
    Bemerkung(en):

    Includes bibliographical references (p. [141]-145) and index

    Bunyan's Grace abounding to the chief of sinnersBunyan's Pilgrim's progress -- Grimmelshausen's Der Abentheurliche simplicissimus Teutsch and Der seltzame Springinsfeld -- Introduction to the Robinsonade -- Defoe's Robinson Crusoe -- Schnabel's Wunderliche Fata einiger See-fahrer (Insel Felsenburg).

  4. Disaster drawn
    visual witness, comics, and documentary form
    Erschienen: 2016
    Verlag:  The Belknap Press of Harvard University Press, Cambridge, Massachusetts ;

    Technische Universität Chemnitz, Universitätsbibliothek
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    Zentrale Hochschulbibliothek Flensburg
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    Sprache: Englisch
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    Format: Online
    ISBN: 9780674495647
    RVK Klassifikation: AP 88924 ; EC 7120
    Schlagworte: Comic books, strips, etc; Nonfiction comics; Graphic novels; Psychic trauma in literature; Storytelling in literature; Narration (Rhetoric); Electronic books
    Umfang: 1 online resource (372 pages)
  5. Storytelling in the works of Bunyan, Grimmelshausen, Defoe, and Schnabel
    Erschienen: 2004
    Verlag:  Boydell & Brewer, Suffolk

    The modern novel appeared during the period of secularization and intellectual change that took place between 1660 and 1740. This book examines John Bunyan's'Grace Abounding' and 'The Pilgrim's Progress,' Johann Grimmelshausen's 'Simplicissimus,'... mehr

    Universitätsbibliothek Bamberg
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek Passau
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    The modern novel appeared during the period of secularization and intellectual change that took place between 1660 and 1740. This book examines John Bunyan's'Grace Abounding' and 'The Pilgrim's Progress,' Johann Grimmelshausen's 'Simplicissimus,' Daniel Defoe's 'Robinson Crusoe,' and J. G. Schnabel's 'Insel Felsenburg' as prose works that reflect the stages in this transition. The protagonists in these works try to learn to use language in a pure, uncorrupted way. Their attitudes towards language are founded on their understanding of the Bible, and when they tell their life stories, they follow the structure of the Bible, because they accept it as 'the' paradigmatic story. Thus the Bible becomes a tool to justify the value of telling 'any' story. The authors try to give their own texts some of Scripture's authority by imitating the biblical model, but this leads to problems with closure and other tensions. If Bunyan's explicitly religious works affirm the value of individual narratives as part of a single, universal story, Grimmelshausen's and Defoe's protagonists effectively replace the sacred text with their own powerful, authoritative stories. J. G. Schnabel illustrates the extent of the secularization process in 'Insel Felsenburg' when he defends the entertainment value of escapist fiction and uses the Bible as the fictional foundation of his utopian civilization: arguments about the moral value of narrative give way to the depiction of storytelling as an end in itself. But Bunyan, Grimmelshausen, Defoe, and Schnabel all use positive examples of the transfiguring effect of reading and telling stories, whether sacred or secular, to justify the value of their own works. Janet Bertsch teaches at Wolfson and Trinity College, Cambridge

     

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    ISBN: 9781571136534; 9781571132994
    Schlagworte: Storytelling in literature; German fiction / Early modern, 1500-1700 / History and criticism; German fiction / 18th century / History and criticism; Fiction / 17th century / History and criticism; Fiction / 18th century / History and criticism
    Umfang: 1 online resource (152 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    :

  6. Storytelling in the works of Bunyan, Grimmelshausen, Defoe, and Schnabel
    Erschienen: 2004
    Verlag:  Boydell & Brewer, Suffolk

    The modern novel appeared during the period of secularization and intellectual change that took place between 1660 and 1740. This book examines John Bunyan's'Grace Abounding' and 'The Pilgrim's Progress,' Johann Grimmelshausen's 'Simplicissimus,'... mehr

    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Passau
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    The modern novel appeared during the period of secularization and intellectual change that took place between 1660 and 1740. This book examines John Bunyan's'Grace Abounding' and 'The Pilgrim's Progress,' Johann Grimmelshausen's 'Simplicissimus,' Daniel Defoe's 'Robinson Crusoe,' and J. G. Schnabel's 'Insel Felsenburg' as prose works that reflect the stages in this transition. The protagonists in these works try to learn to use language in a pure, uncorrupted way. Their attitudes towards language are founded on their understanding of the Bible, and when they tell their life stories, they follow the structure of the Bible, because they accept it as 'the' paradigmatic story. Thus the Bible becomes a tool to justify the value of telling 'any' story. The authors try to give their own texts some of Scripture's authority by imitating the biblical model, but this leads to problems with closure and other tensions. If Bunyan's explicitly religious works affirm the value of individual narratives as part of a single, universal story, Grimmelshausen's and Defoe's protagonists effectively replace the sacred text with their own powerful, authoritative stories. J. G. Schnabel illustrates the extent of the secularization process in 'Insel Felsenburg' when he defends the entertainment value of escapist fiction and uses the Bible as the fictional foundation of his utopian civilization: arguments about the moral value of narrative give way to the depiction of storytelling as an end in itself. But Bunyan, Grimmelshausen, Defoe, and Schnabel all use positive examples of the transfiguring effect of reading and telling stories, whether sacred or secular, to justify the value of their own works. Janet Bertsch teaches at Wolfson and Trinity College, Cambridge

     

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    Format: Online
    ISBN: 9781571136534; 9781571132994
    Schlagworte: Storytelling in literature; German fiction / Early modern, 1500-1700 / History and criticism; German fiction / 18th century / History and criticism; Fiction / 17th century / History and criticism; Fiction / 18th century / History and criticism
    Umfang: 1 online resource (152 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    :

  7. Dimensions of storytelling in German literature and beyond
    "For once, telling it all from the beginning"
    Autor*in:
    Erschienen: 2018
    Verlag:  Boydell & Brewer, Melton ; Camden House, Rochester, New York

    Explores the storytelling of Anna Seghers and other 20th-century writers who faced the tensions between aesthetics and politically conscious writing, between conformity and resistance Frontcover -- Contents -- Acknowledgments -- Introduction: The... mehr

    Hochschulbibliothek Friedensau
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    Saarländische Universitäts- und Landesbibliothek
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    Explores the storytelling of Anna Seghers and other 20th-century writers who faced the tensions between aesthetics and politically conscious writing, between conformity and resistance Frontcover -- Contents -- Acknowledgments -- Introduction: The Social, Political, and Personal Dimensions of Storytelling -- Part I. Anna Seghers: A Missing Piece in the Canon of Modernist Storytellers -- 1: Anna Seghers in Heidelberg: The Formative Years -- 2: Who Is the Narrator? Anna Seghers's "The Excursion of the Dead Girls": Narrative Mode and Cinematic Depiction -- 3: Anna Seghers's Rubble Literature, 1947-49 -- 4: Anna Seghers and the Struggle to Tell Stories about the Nazi Past in the Early German Democratic Republic -- 5: Aufbauzeit or flaue Zeit? Anna Seghers's GDR Novels -- 6: The Time of Decision in Anna Seghers -- 7: Filling the Void with Stories: Anna Seghers's Conceptual Metaphors -- Part II. Expressions of Modernity: Using Storytelling Unconventionally -- 8: Storytelling and Telling Stories in Heine's Prose Fiction -- 9: Modernist Haze: Topographical Textures in Paul Klee and Franz Kafka -- 10: Synthesis and Transtextuality: The Jewish Reinvention of Chinese Mythical Stories in "Shanghai Ghetto" -- 11: American Children Writing Yiddish: The Published Anthologies of the Chicago Sholem Aleichem Schools -- 12: A Literary Depiction of the Homeland of Jews in Czechoslovakia and East Germany after 1945 -- 13: Changed for the Better? Alternative Uses of the Transformative Cancer Trope in Thomas Mann's Die Betrogene and Nadine Gordimer's Get a Life -- Part III. The Personal Narrative: Storytelling in Acute Historical Moments -- 14: Problems and Effects of Autobiographical Storytelling: Als Pimpf in Polen: Erweiterte Kinderlandverschickung 1940-1945 (1993) and A Hitler Youth in Poland: The Nazis' Program for Evacuating Children during World War II (1998) -- 15: Too Near, Too Far: My GDR Story -- 16: Conflict without Resolution: Konrad Wolf and the Dilemma of Hatred 17: "Bleibt noch ein Lied zu singen": Autobiographical and Cultural Memory in Christa Wolf's Novel Kindheitsmuster -- 18: Narrating Germany's Past: A Story of Exile and the Return Home-A Translation of the Chapter "Above the Lake" from Ursula Krechel's Novel Landgericht -- 19: Storytelling in the GDR: An Interview with Eberhard Aurich and Christa Streiber-Aurich -- Notes on the Contributors -- Index

     

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    Quelle: Verbundkataloge
    Beteiligt: Boney, KristyR. (HerausgeberIn); William, Jennifer Marston (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781787444386
    RVK Klassifikation: GM 5686 ; GM 1411
    Schriftenreihe: Studies in German Literature Linguistics and Culture ; [volume 197
    Schlagworte: German literature; German literature; Storytelling in literature; 20th century; Storytelling in literature; History and criticism; Criticism, interpretation, etc; 1900-1999
    Umfang: 1 Online-Ressource (vii, 280 Seiten), Illustrationen
  8. Sinn stiften
    literarische Gedächtniskonstruktionen
    Autor*in:
    Erschienen: [2016]
    Verlag:  Universitätsverlag Rhein-Ruhr, Berlin

    Erinnern, Erfinden, Erzählen /Yvonne Delhey & Hannes Krauss --Erfundene Erinnerung : zu den Romanen Joachim Geils /Hannes Krauss --Deutsche Oper : Kudamm : Bad Ischl : mit Erinnerungen pflastern wir den Weg : die Erinnerungen der anderen sind auch... mehr

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    Hochschule Aalen, Bibliothek
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    Hochschule Offenburg, University of Applied Sciences, Bibliothek Campus Offenburg
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    Saarländische Universitäts- und Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    Erinnern, Erfinden, Erzählen /Yvonne Delhey & Hannes Krauss --Erfundene Erinnerung : zu den Romanen Joachim Geils /Hannes Krauss --Deutsche Oper : Kudamm : Bad Ischl : mit Erinnerungen pflastern wir den Weg : die Erinnerungen der anderen sind auch meine Erinnerungen /Joachim Geil --Erinnern, Wiederholen, Erzählen : Peter Handkes die Wiederholung und Friederike Kretzens Natascha, Véronique und Paul /Rolf Parr --Historiographische Chronik und literarisches Erzählen : W.G. Sebald /Anna Seidl --Das Dorf als Ort des Herkommens und als Erinnerungsort : Strategien der Erinnerung und der Erzählung in Christoph Peters' Stadt Land Fluss'und Katharina Hackers eine Dorfgeschichte /Susanne Scharnowski --Erinnerungsbilder bei Herta Müller /Tonia Marisescu --Die eigene Geschichte erzählen : Wolfgang Hegewalds Fegefeuernachmittag (2009) /Jeroen Hermsen --Erzählen als Akt kollektiver Selbstbehauptung : Exemplarische Überlegungen zur literarischen Erinnerung an die DDR : Ingo Schulzes Briefroman Neue Leben (2005) /Yvonne Delhey --Erzählend erinnern : Erzählstrategien bei Fritz Rudolf Fries /Janne Van der Loop --Erinnerungserzählungen in deutschsprachigen Geschichtscomics /Chiara Cerri --Theater des Lebens : die Raumzeit des Theaters in Karl Philipp Moritz' Anton Reiser /Kerstin Wilhelms --Poetik des Erinnerns : Erinnern als Motiv und Methode in Poetikvorlesungen /Barbara Bausch --Die Autorinnen und Autoren.

     

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    Quelle: Verbundkataloge
    Beteiligt: Krauss, Hannes (HerausgeberIn); Delhey, Yvonne (HerausgeberIn)
    Sprache: Deutsch
    Medientyp: Ebook
    Format: Online
    ISBN: 3956050282; 9783956050282
    Schriftenreihe: ESS-KuLtur ; Band 9
    Schlagworte: Memory in literature; Storytelling in literature; Narration (Rhetoric); German literature
    Umfang: 1 Online-Ressource (1 online resource)
    Bemerkung(en):

    International conference proceedings

    Includes bibliographical references

  9. Traum und Erzählen in Literatur, Film und Kunst
    Erschienen: 2014
    Verlag:  Wilhelm Fink Verlag, Paderborn

    Preliminary Material -- Dank -- Experimentelle Traumforschung und fiktive Welten -- Fazit: Merkmale und Typologie des Traumhaften fiktiver Welten -- Traum und Kunst oder Traum als Kunst? -- Traumhaftes Erzählen in den Künsten -- Zur (Un-)Möglichkeit... mehr

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    Preliminary Material -- Dank -- Experimentelle Traumforschung und fiktive Welten -- Fazit: Merkmale und Typologie des Traumhaften fiktiver Welten -- Traum und Kunst oder Traum als Kunst? -- Traumhaftes Erzählen in den Künsten -- Zur (Un-)Möglichkeit von Traumdarstellungen in der bildenden Kunst -- Erzählte Träume -- Filmische Traumwelten als Gegenwelten -- Fazit: Intermedialer Vergleich markierter Traumdarstellungen -- Irritierende Bildwelten -- Textwelten zwischen Träumen und Wachen -- Filmerzählungen zwischen Traum- und Wachwelten -- Fazit: Intermedialer Vergleich unsicherer Traumdarstellungen -- Wunderbare Traumbilder im Bild -- Traumhaft strukturierte erzählte Welten -- Mögliche filmische Traumwelten -- Fazit: Intermedialer Vergleich autonomer Traumdarstellungen -- Typologie und (Be-)Deutung traumhaften Erzählens -- Bibliographie -- Filmographie -- Abbildungsverzeichnis -- Register. Zwischen Traumwelten und künstlerischen Ausdrucksformen existieren vielfältige Analogien und Affinitäten. Träume faszinieren durch Bizarrheiten und die Intensität ihres Erlebens. Nach dem Erwachen sind sie jedoch nur schwer (be)greifbar und erfordern einen Transfer ins Wachbewusstsein. Ästhetische Traumdarstellungen sind aufgrund des synästhetischen Traumerlebens als besonders prägnante und kreative Übertragungen zu verstehen. Diese erste umfassende, transmediale Studie zu Traum und Traumhaftigkeit in fiktionaler Literatur, Spielfilm und bildender Kunst untersucht eindeutig markierte Traumdarstellungen, unsichere Grenzen zwischen Traum- und Wachwelten sowie traumaffine Darstellungen, die als Träume interpretierbar sind. Im Rahmen eines intermedial erweiterten Erzählverständnisses eröffnen exemplarische Analysen mediale Zugänge zum Traum(wissen) – von Bildern Boschs, Piranesis und Violas über Texte Tiecks, Hoffmanns, Büchners, Kafkas und Aichingers bis hin zu Filmen von Porter, Buñuel, Bergman und Lynch

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
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    Format: Online
    ISBN: 9783846756737
    Weitere Identifier:
    Schriftenreihe: Schöningh and Fink Literature and Culture Studies E-Books, Collection 2013-2017, ISBN: 9783657100064
    Schlagworte: Storytelling in art; Storytelling in literature
    Umfang: 1 Online-Ressource (1 online resource)