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  1. Sense knowledge and the challenge of Italian Renaissance art
    El Greco, Vélazquez, Rembrandt
    Autor*in: Knox, Giles
    Erschienen: [2019]
    Verlag:  Amsterdam University Press, Amsterdam

    Giles Knox examines how El Greco, Velázquez, and Rembrandt, though a disparate group of artists, were connected by a new self-consciousness with respect to artistic tradition. In particular, Knox considers the relationship of these artists to the art... mehr

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signatur:
    ::8:2019:6244:
    Fernleihe:
    keine Fernleihe
    Link zum Verbundkatalog:
    Gemeinsamer Bibliotheksverbund (GBV)

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    10 A 89671
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Gemeinsamer Bibliotheksverbund (GBV)

    Standort:
    Universitätsbibliothek Heidelberg
    Signatur:
    2019 C 3430
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Südwestdeutscher Bibliotheksverbund (SWB)

    Standort:
    Herzog August Bibliothek Wolfenbüttel
    Signatur:
    70.2181
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Gemeinsamer Bibliotheksverbund (GBV)

     

    Giles Knox examines how El Greco, Velázquez, and Rembrandt, though a disparate group of artists, were connected by a new self-consciousness with respect to artistic tradition. In particular, Knox considers the relationship of these artists to the art of Renaissance Italy, and sets aside nationalist art histories in order to see the period as one of fruitful exchange. Across Europe during the seventeenth century, artists read Italian-inspired writings on art, and these texts informed how they contemplated their practice. Knox demonstrates how these three artists engaged dynamically with these writings, incorporating or rejecting the theoretical premises to which they were exposed. Additionally, this study significantly expands our understanding of how paintings can activate the sense of touch. Knox discusses how Velázquez and Rembrandt, though in quite different ways, sought to conjure for viewers thoughts about touching that resonated directly with the subject matter they depicted

     
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    Hinweise zum Inhalt
    Quelle: Herzog August Bibliothek Wolfenbüttel
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9789463725712; 9463725717
    Schriftenreihe: Visual and material culture, 1300-1700 ; 17
    Schlagworte: Painting, Renaissance; Senses and sensation in art
    Umfang: 233 Seiten, 8 ungezählte Seiten Bildtafeln, Illustrationen, 24 cm
    Bemerkung(en):

    Enthält bibliographische Angaben und einen Index
  2. Interruptions and transitions
    essays on the senses in medieval and early modern visual culture
    Autor*in: Baert, Barbara
    Erschienen: [2019]
    Verlag:  Brill, Leiden

    Interruptions and Transitions: Essays on the Senses in Medieval and Early Modern Visual Culture' is an anthology of the most recent works by Barbara Baert, discussing the connection between the experiences of the senses in the medieval and early... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    10 A 61576
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Gemeinsamer Bibliotheksverbund (GBV)

    Standort:
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    Signatur:
    DBA-He 100
    Fernleihe:
    keine Fernleihe
    Link zum Verbundkatalog:
    Gemeinsamer Bibliotheksverbund (GBV)

    Standort:
    Herzog August Bibliothek Wolfenbüttel
    Signatur:
    70.1244
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Gemeinsamer Bibliotheksverbund (GBV)

     

    Interruptions and Transitions: Essays on the Senses in Medieval and Early Modern Visual Culture' is an anthology of the most recent works by Barbara Baert, discussing the connection between the experiences of the senses in the medieval and early modern visual culture, the hermeneutics of imagery, and the limits and possibilities of contemporary Art Sciences.0The six chapters include Pentecost, Noli me tangere, the woman with an issue of blood, the Johannesschussel, the dancing Salome, and the role of the wind.0The reader is shown a medieval and early modern visual culture as a history of artistic solutions, as the fascinating approach between biblical texts, plastic imagination, and the art-scientific metier. This makes him a privileged guest in a unique in-between space where humans and their artistic expression can meet existentially Pentecost and the senses : a hermeneutical contribution to the visual medium and the sensorium in early medieval manuscript tradition -- An odour, a taste, a touch : impossible to describe : Noli me tangere and the senses -- "Who touched me and my clothes?" The healing of the woman with the haemorrhage in early medieval visual culture -- The Johannesschussel as Andachtsbild : the gaze, the medium, and the senses -- "When the daughter came in and danced :" revisiting Salome's dance in medieval and early modern iconology -- Wild is the wind : pathosformel and iconology of a quintessence

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Herzog August Bibliothek Wolfenbüttel
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9789004390140; 9004390146
    Schriftenreihe: Art and material culture in medieval and renaissance Europe ; Volume 14
    Schlagworte: Christian art and symbolism; Christian art and symbolism; Senses and sensation in art; Art and society
    Umfang: xv, 316 Seiten, Illustrationen, 24 cm
    Bemerkung(en):

    Includes bibliographical references and index