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The Cambridge companion to the modern German novel
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Three genres
the writing of poetry, fiction, and drama -
Fielding, Wieland, Goethe and the rise of the novel
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Interactive fictions
scenes of storytelling in the novel -
Heroism and friendship in the novels of Erich Maria Remarque
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Novel practices
classic modern fiction -
Friedrich Spielhagen
novelist of Germany's False Dawn -
History, memory, fiction after the Second World War
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The "critical" novel in the GDR
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The postmodern German novel
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The Cambridge companion to the modern German novel
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The German novel in the long twentieth century
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Contexts of the novel
society, politics and culture in German-speaking Europe, 1870 to the present -
The novel in Wilhelmine Germany
from realism to satire -
The German novel during the Third Reich
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Schumann's piano cycles and the novels of Jean Paul
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The novel as a disguised lyric
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Entering history
feminist dialogues in Irmtraud Morgner's prose -
The irresponsible self
on laughter and the novel -
Novels, almost novels and not novels
fiction, history, European colonial expansion and after -
Travelling on the S-Bahn
German border crossings before and after Unification -
The critical reception of Alfred Döblin's major novels
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The Nazi abduction of Ganymede
representations of male homosexuality in postwar German literature -
Genre of the novel in contemporary world literature
a leap or a standstill? = El género novelístico en la literatura universal contemporánea = Das Genre des Romans in der Weltliteratur der Gegenwart -
Johann Beer
Schriftsteller, Komponist und Hofbeamter 1655 - 1700 ; Beiträge zum Internationalen Beer-Symposion in Weißenfels Oktober 2000