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Der Text im musikalischen Werk
Editionsprobleme aus musikwissenschaftlicher und literaturwissenschaftlicher Sicht -
Emily Dickinson's open folios
scenes of reading, surfaces of writing -
Scholarly editing in the computer age
theory and practice -
Print culture in Renaissance Italy
the editor and the vernacular text, 1470 - 1600 -
Editing texts from the age of Erasmus
papers given at the Thirtieth Annual Conference on Editorial Problems, University of Toronto, 4 - 5 November 1994 -
Unediting the Renaissance
Shakespeare, Marlowe, Milton -
The Oxford guide to style
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The text as evidence
revising editorial principles -
Representing modernist texts
editing as interpretation -
Textual criticism and editorial technique
applicable to greek and latin texts -
Spinoza's Ethica from manuscript to print
studies on text, form and related topics -
The book unbound
editing and reading medieval manuscripts and texts -
Palimpsest
editorial theory in the humanities -
Editing Shakespeare
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Shakespeare and the editorial tradition
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Representing modernist texts
editing as interpretation -
Emily Dickinson's open folios
scenes of reading, surfaces of writing -
Spinoza's Ethica from manuscript to print
studies on text, form and related topics -
Editing texts from the age of Erasmus
papers given at the Thirtieth Annual Conference on Editorial Problems, University of Toronto, 4 - 5 November 1994 -
Unediting the Renaissance
Shakespeare, Marlowe, Milton -
Textual criticism and editorial technique
applicable to greek and latin texts -
Palimpsest
editorial theory in the humanities -
The text as evidence
revising editorial principles -
Der Text im musikalischen Werk
Editionsprobleme aus musikwissenschaftlicher und literaturwissenschaftlicher Sicht -
The Book of Judges
the art of editing