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Difficulty as an aesthetic principle
realism and unreadability in Stifter, Melville, and Flaubert -
Soliciting darkness
Pindar, obscurity, and the classical tradition -
Obscure language, unclear literature
theory and practice from Quintilian to the Enlightenment -
Soliciting darkness
Pindar, obscurity, and the classical tradition -
Difficulty as an aesthetic principle
realism and unreadability in Stifter, Melville, and Flaubert