Direkt zur Hauptnavigation springen Direkt zum Inhalt springen
Letzte Suchanfragen

Ergebnisse für *

Es wurden 2 Ergebnisse gefunden.

Zeige Ergebnisse 1 bis 2 von 2.

Sortieren

  1. Monstrosity, disability, and the posthuman in the medieval and early modern world
    Autor*in:
    Erschienen: [2019]; © 2019
    Verlag:  Palgrave Macmillan, Cham, Switzerland

    Standort:
    Universitätsbibliothek Heidelberg
    Signatur:
    2019 A 13660
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Südwestdeutscher Bibliotheksverbund (SWB)

    Standort:
    Universitätsbibliothek Kiel, Zentralbibliothek
    Signatur:
    H 40 god 00
    Fernleihe:
    keine Fernleihe
    Link zum Verbundkatalog:
    Gemeinsamer Bibliotheksverbund (GBV)

    Standort:
    Herzog August Bibliothek Wolfenbüttel
    Signatur:
    70.1861
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Gemeinsamer Bibliotheksverbund (GBV)
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Herzog August Bibliothek Wolfenbüttel
    Beteiligt: Godden, Richard H. (HerausgeberIn); Mittman, Asa Simon (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Konferenzschrift
    Format: Druck
    ISBN: 9783030254575; 3030254577
    Körperschaften/Kongresse: International Congress on Medieval Studies, 50. (2015, Kalamazoo, Mich.)
    Schriftenreihe: The new Middle Ages
    Schlagworte: Literature, Medieval; Art, Medieval; Literature, Modern; Art, Renaissance; People with disabilities in literature; People with disabilities in art; Disabilities in literature; Monsters in literature; Monsters in art
    Umfang: xxvii, 352 Seiten, Illustrationen, 21 cm
    Bemerkung(en):

    Literaturverzeichnis: Seite 315 - 344

    "This book began with a panel organized by Asa Simon Mittman and Rick Godden for the Interantional Congress on Medieval Studies in 2015 entitled 'De/Coupling monstrosity and disability', on which I served as a respondent." (Foreword)
  2. Early modern theatre and the figure of disability
    Autor*in: Love, Genevieve
    Erschienen: [2019]; © 2019
    Verlag:  The Arden Shakespeare, London

    Introduction: disability and/as theatricality -- The work of standing and of standing-for: disability, movement, theatrical personation in The fair maid of the exchange -- The sound of prosthetic movement: transnational and temporal analogy in A... mehr

    Standort:
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Signatur:
    2018 A 10164
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Gemeinsamer Bibliotheksverbund (GBV)

    Standort:
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    Signatur:
    Jg 425 a
    Fernleihe:
    keine Fernleihe
    Link zum Verbundkatalog:
    Gemeinsamer Bibliotheksverbund (GBV)

    Standort:
    Universitätsbibliothek Heidelberg
    Signatur:
    2019 A 10751
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Südwestdeutscher Bibliotheksverbund (SWB)

    Standort:
    Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Südwestdeutscher Bibliotheksverbund (SWB)

    Standort:
    Herzog August Bibliothek Wolfenbüttel
    Signatur:
    69.3002
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Gemeinsamer Bibliotheksverbund (GBV)

     

    Introduction: disability and/as theatricality -- The work of standing and of standing-for: disability, movement, theatrical personation in The fair maid of the exchange -- The sound of prosthetic movement: transnational and temporal analogy in A larum for London -- "Faustus has his legge again": truncation and prosthesis, theatricality and bibliography in Doctor Faustus -- Richard's "giddy footing": degree of difference and cyclical movement in Shakespeare's Richard III "What work did physically disabled characters do for the early modern theatre? Through a consideration of a range of plays, including Doctor Faustus and Richard III, Genevieve Love argues that the figure of the physically disabled prosthetic body in early modern English theatre mediates a set of related 'likeness problems' that structure the theatrical, textual, and critical lives of the plays of Shakespeare and his contemporaries. The figure of disability stands for the relationship between actor and character: prosthetic disabled characters with names such as Cripple and Stump capture the simultaneous presence of the fictional and the material, embodied world of the theatre. When the figure of the disabled body exits the stage, it also mediates a second problem of likeness, between plays in their performed and textual forms. While supposedly imperfect textual versions of plays have been characterized as 'lame', the dynamic movement of prosthetic disabled characters in the theatre expands the figural role which disability performs in the relationship between plays on the stage and on the page. Early Modern Theatre and the Figure of Disability reveals how attention to physical disability enriches our understanding of early modern ideas about how theatre works, while illuminating in turn how theatre offers a reframing of disability as metaphor"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Herzog August Bibliothek Wolfenbüttel
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781350017207
    Weitere Identifier:
    9781350017207
    RVK Klassifikation: HI 1250
    Schriftenreihe: Arden studies in early modern drama
    Schlagworte: English drama; People with disabilities in literature; People with disabilities and the performing arts; Human body in literature; Theater; English drama; People with disabilities in literature; People with disabilities and the performing arts; Human body in literature; Theater
    Umfang: x, 212 Seiten, 20 cm
    Bemerkung(en):

    : Introduction: disability and/as theatricality

    : The work of standing and of standing-for: disability, movement, theatrical personation in The fair maid of the exchange

    : The sound of prosthetic movement: transnational and temporal analogy in A larum for London

    : "Faustus has his legge again": truncation and prosthesis, theatricality and bibliography in Doctor Faustus

    : Richard's "giddy footing": degree of difference and cyclical movement in Shakespeare's Richard III