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Gluck and the opera
a study in musical history -
The rhetorical feminine
gender and orient on the German stage, 1647 - 1742 -
Operas in German
a dictionary -
Opera in the development of German critical thought
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Opera in the development of German critical thought
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Brecht at the opera
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The Wagner style
close readings and critical perspectives -
Literature as opera
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Romantic opera and literary form
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Richard Wagner: Tristan und Isolde
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Wagner and the erotic impulse
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Opera and modern culture
Wagner and Strauss -
Literature as opera
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Blacks in opera
an encyclopedia of people and companies, 1873-1993 -
Women opera composers
biographies from the 1500s to the 21st century -
Gluck
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London opera observed, 1711 - 1844
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Giovanni Battista Rubini and the bel canto tenors
history and technique -
Regina Mingotti
diva and impresario at the King's Theatre, London -
Wagner's Ring in 1848
new translations of The Nibelung myth and Siegfried's death -
The dead alive; a comic opera. In two acts. As it is performed at the Theatres in London and Dublin. By John O'Keeffe, Esq
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Sesostri, an opera; to be perform'd at the King's-Theatre in the Hay-Market
For the benefit of Signora Campolini, and Signor Guglielmi, composer to the opera. The music was composed on purpose for this benefit by the above Signor Guglielmi. The poetry taken from an old book, is quite alter'd and adapted to the present taste by Glovan Gualberto Bottarelli -
Il signor dottore, a comic opera: as perform'd at the King's Theatre in the Hay-Market
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Silvia; or, The country burial
An opera. As it is performed at the Theatre-Royal in Lincoln's-Inn Fields. With the musick prefix'd to each song -
Songs, &c. in the strangers at home
A comic opera, in three acts. As performed at the Theatre Royal in Drury-Lane