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Music, madness, and the unworking of language
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Music, madness, and the unworking of language
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A language for German opera
the development of forms and formulas for recitative and aria in seventeenth-century German libretti -
The persistence of voice
instrumental music and romantic orality -
Text and tune
on the association of music and lyrics in sung verse -
The music of reason
Rousseau, Nietzsche, Plato -
Hans Werner Henze
Musik und Sprache -
A language for German opera
the development of forms and formulas for recitative and aria in seventeenth-century German libretti -
Modal subjectivities
self-fashioning in the Italian madrigal -
Music, madness, and the unworking of language
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Conductus and contrafacta
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Music, madness, and the unworking of language
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Music, madness, and the unworking of language
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Music, madness, and the unworking of language
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Music, madness, and the unworking of language
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Music and the origins of language
theories from the French Enlightenment -
Virtuosity of the nineteenth century
performing music and language in Heine, Liszt, and Baudelaire