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  1. The image of the soldier in German culture, 1871-1933
    Autor*in: Fox, Paul
    Erschienen: 2018
    Verlag:  Bloomsbury Academic, London

    "This study examines the force of tradition in conservative German visual culture. It explores thematic continuities in the post-conflict representation of battlefield identities, from the 25th anniversary of the Franco-Prussian War in 1895 to the... mehr

    Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
    2018/698
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    C V 9505
    keine Fernleihe
    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
    2019/6878
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Thüringer Universitäts- und Landesbibliothek
    2018 A 273
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Deutsches Historisches Institut Paris, Bibliothek
    Cfea 550
    keine Fernleihe
    Deutsches Historisches Institut Washington, Bibliothek
    DD 101 .5 .F69 2018
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Klassik Stiftung Weimar / Herzogin Anna Amalia Bibliothek
    NK 7015 F793
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "This study examines the force of tradition in conservative German visual culture. It explores thematic continuities in the post-conflict representation of battlefield identities, from the 25th anniversary of the Franco-Prussian War in 1895 to the demise of the Weimar Republic in 1933. Using 40 carefully chosen images from both high and low culture, Paul Fox discusses complex and interdependent responses in German visual culture to a wide spectrum of operational military experience. These include regional conflict, total war, internal security operations and border skirmishes during the period. The book demonstrates how conservative artists, illustrators, photographers, and sculptors engaged in representing this full spectrum of conflict were preoccupied with the inequalities of battlefield encounters and the consequential quest for moral advantage. They furnished material that exemplified everything positive the ideal German male could hope to be when at war - even when the outcome was defeat. Their construction of an imagined martial masculinity based on an aggressive moral superiority was so deeply rooted that the continuities taken forward eventually provided a basis for a programmatic imagining of how Germany might again exert its political presence as a great military power in Central Europe after 1918. The Image of the Soldier in German Culture, 1871--1933 is an important volume for any historian interested in cultural history, the history of modern Germany or the First World War."--Provided by publisher Representing armed conflict in the industrial age -- Adolph Menzel and the rhetoric of command -- Combat and the politics of border landscapes : soldier-farmers -- Combat and the politics of landscape : trench warfare -- Combat and the politics of landscape : aerial photography, maps, and the cold gaze -- Technology and combat in the Franco-Prussian war -- Technology and combat in the First World War -- Conclusion

     

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    Quelle: Herzogin Anna Amalia Bibliothek
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781474226141
    RVK Klassifikation: NK 7030
    Schriftenreihe: A modern history of politics and violence
    Schlagworte: Soldiers in art; Soldiers; Franco-Prussian War, 1870-1871; World War, 1914-1918; Masculinity in art; Militarism
    Umfang: 224 Seiten, Illustrationen
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