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  1. New directions in popular fiction
    genre, distribution, reproduction
    Autor*in:
    Erschienen: 2016
    Verlag:  Palgrave Macmillan UK, London

    This book brings together new contributions in Popular Fiction Studies, giving us a vivid sense of new directions in analysis and focus. It looks into the histories of popular genres such as the amatory novel, imperial romance, the western,... mehr

    Zugang:
    Resolving-System (Lizenzpflichtig)
    Max-Planck-Institut für ethnologische Forschung, Bibliothek
    keine Fernleihe
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    ebook
    keine Fernleihe
    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
    keine Fernleihe
    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
    keine Fernleihe
    Otto-von-Guericke-Universität, Universitätsbibliothek
    eBook Springer
    keine Fernleihe
    Otto-von-Guericke-Universität, Universitätsbibliothek, Medizinische Zentralbibliothek
    eBook Springer
    keine Fernleihe
    Universitätsbibliothek Mannheim
    keine Fernleihe
    Universitätsbibliothek Osnabrück
    keine Fernleihe

     

    This book brings together new contributions in Popular Fiction Studies, giving us a vivid sense of new directions in analysis and focus. It looks into the histories of popular genres such as the amatory novel, imperial romance, the western, Australian detective fiction, Whitechapel Gothic novels, the British spy thriller, Japanese mysteries, the 'new weird', fantasy, girl hero action novels and Québecois science fiction. It also examines the production, reproduction and distribution of popular fiction as it carves out space for itself in transnational marketplaces and across different media entertainment systems; and it discusses the careers of popular authors and the various investments in popular fiction by readers and fans. This book will be indispensable for anyone with a serious interest in this prolific but highly distinctive literary field Introduction: The Fields of Popular Fiction; Ken Gelder -- PART I: HISTORIES OF POPULAR GENRES -- 1. ‘Love in the Time of Finance: Eliza Haywood and the Rise of the Scenic Novel'; Joe Hughes -- 2. ‘Colonial Australian Detectives, Character Type and the Colonial Economy’; Ken Gelder and Rachael Weaver -- 3. ‘"The Floodgates of Inkland were Opened": Aestheticising the Whitechapel Murders’; Grace Moore -- 4. ‘Imperial Affairs: The British Empire and the Romantic Novel, 1890-1939’; Hsu-Ming Teo -- 5. ‘"The Future of our Delicate Network of Empire": The Riddle of the Sands and the Birth of the British Spy Thriller’; Merrick Burrow -- 6. ‘Did Indians Read Dime Novels?: Re-Indigenizing the Western at the Turn of the Twentieth Century’; Christine Bold -- 7. ‘Unno Jūza and the Uses of Science in Prewar Japanese Popular Fiction’; Seth Jacobowitz -- 8. ‘The New Weird’; Jeffrey Weinstock -- 9. ‘From Middle Earth to Westeros: Medievalism, Proliferation, and Paratextuality’; Kim Wilkins -- 10. ‘Denise Mina’s Garnethill Trilogy: Feminist Crime Fiction at the Millennium’; Sabine Vanacker -- 11. ‘Popular Literatures in Québec: National Identity and "American" Genres’; Amy J. Ransom -- 12. ‘Glass and Game: The Speculative Girl Hero’; Catherine Driscoll and Alexandra Heatwole -- PART II: AUTHORS, DISTRIBUTION, (RE)PRODUCTION -- 13. ‘Mediating Popular Fictions: From the Magic Lantern to the Cinematograph’; Helen Groth -- 14. ‘"The Power of Her Pen": Marie Corelli, Authorial Identity and Literary Value’; Kirsten MacLeod -- 15. ‘Popular Fiction in Performance: Gaskell, Collins and Stevenson on Stage’; Catherine Wynne -- 16. ‘Beyond the Antipodes: Australian Popular Fiction in Transnational Networks’; David Carter -- 17. ‘Adapting Ira Levin: A Case Study’; Imelda Whelehan -- 18. ‘An Assassin across Narratives: Reading Assassin's Creed from Videogame to Novel’; Souvik Mukherjee -- 19. ‘Fan Works and the Law’; Aaron Schwabach -- 20. ‘Readers of Popular Fiction and Emotion Online’; Beth Driscoll -- Select Bibliography -- Index --

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Gelder, Ken (Herausgeber)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781137523464
    Weitere Identifier:
    RVK Klassifikation: EC 6690 ; EC 6745 ; EC 6860
    Schriftenreihe: Springer eBook Collection
    Schlagworte: Literature; Literature; Literature, Modern; Literature, Modern; Fiction; Fiction.; Literature, Modern—20th century.; Literature, Modern—21st century.; Literature—History and criticism.
    Umfang: 1 Online-Ressource (XIII, 474 p)
  2. Joseph Conrad Among the Anarchists
    Nineteenth Century Terrorism and The Secret Agent
    Autor*in: Mulry, David
    Erschienen: 2016
    Verlag:  Palgrave Macmillan US, New York

    This book looks at the inception, composition, and 1907 publication of The Secret Agent, one of Joseph Conrad’s most highly regarded political novels and a core text of literary modernism. David Mulry examines the development and revisions of the... mehr

    Zugang:
    Resolving-System (Lizenzpflichtig)
    Max-Planck-Institut für ethnologische Forschung, Bibliothek
    keine Fernleihe
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    ebook
    keine Fernleihe
    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
    keine Fernleihe
    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
    keine Fernleihe
    Otto-von-Guericke-Universität, Universitätsbibliothek
    eBook Springer
    keine Fernleihe
    Otto-von-Guericke-Universität, Universitätsbibliothek, Medizinische Zentralbibliothek
    eBook Springer
    keine Fernleihe
    Universitätsbibliothek Mannheim
    keine Fernleihe

     

    This book looks at the inception, composition, and 1907 publication of The Secret Agent, one of Joseph Conrad’s most highly regarded political novels and a core text of literary modernism. David Mulry examines the development and revisions of the novel through the stages of the holograph manuscript, first as a short story, then as a serialized sensation fiction in Ridgway’s Militant Weekly for the American market, before it was extensively revised and published in novel form. Presciently anticipating the climate of modern terror, Conrad’s text responds to the failed Greenwich Bombing, the first anarchist atrocity to occur on English soil. This book charts its historical and cultural milieu via press and anarchist accounts of the bombing, to place Conrad foremost among the dynamite fiction of revolutionary anarchism and terrorism in the late nineteenth and early twentieth centuries Introduction- Chapter 1: Conrad and the Imaginative Shades -- Popular Accounts of the Greenwich Bombing Bomb Sensation -- The Dynamite Novel and The Secret Agent -- The Anarchists in the House. - “Verloc”: The Origins of the Text -- Patterns of Revision in The Secret Agent -- The Perfect Detonator -- Notes. - Bibliography

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (Lizenzpflichtig)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781137495853
    Weitere Identifier:
    RVK Klassifikation: HM 2335
    Schriftenreihe: Springer eBook Collection
    Schlagworte: Literature; Literature; European literature; British literature; British literature.; Literature—History and criticism.; European literature.
    Umfang: 1 Online-Ressource (VII, 194 p. 10 illus. in color)