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The ethics of post-Holocaust art
reflections on redemption and representation -
Americanizing the Holocaust
the case of "Jakob the liar" -
Expanding the canon of Holocaust literature
traumatic address in Hubert Fichte and Wolfgang Hildesheimer -
The good German as narrator
on W. G. Sebald and the risks of Holocaust writing -
Traumatic realism
the demands of Holocaust representation -
Remembering and imagining the Holocaust
the chain of memory -
The necessity of remembering injustice and suffering
history, memory, and the representation of the Romani Holocaust in Austrian contemporary literature -
Journeys of remembrance
memories of the Second World War in French and German literature, 1960-1980 -
Second-generation Holocaust literature
legacies of survival and perpetration -
The holocaust as the still point of the world in W. G. Sebald's "The emigrants"
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Austrian responses to National Socialism and the Holocaust
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The destabilisation of personal histories
rewriting and translating autobiographical texts by German-Jewish survivors -
Reordering German identity
memory sites and foreign policy -
Elfriede Jelinek's "Die Kinder der Toten"
representing the Holocaust as an Austrian ghost story -
Poetry after Auschwitz
tracing trauma in Ingeborg Bachmann's lyric work -
Why does Hannah Arendt lie?
Or the vicissitudes of imagination -
Imagined identities
children and grandchildren of Holocaust survivors in literature -
Sites of the uncanny
Paul Celan, specularity and the visual arts -
Der wahre Historiker
Ingeborg Bachmann and the problem of witnessing history -
Holocaust writing as challenge to literary historians
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Questions of authenticity
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Teaching the drama of the Holocaust
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Paul Celan's stars
teaching "Todesfuge" as a canonical Holocaust poem -
Cold and hot memory
remembering the Holocaust in young people's literature -
Poetry and Holocaust remembrance