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  1. Control
    digitality as cultural logic
    Autor*in: Franklin, Seb
    Erschienen: [2015]; ©2015
    Verlag:  MIT Press, Cambridge, MA

    An examination of digitality not simply as a technical substrate but also as the logical basis for reshaped concepts of labor, subjectivity, and collectivity. mehr

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    An examination of digitality not simply as a technical substrate but also as the logical basis for reshaped concepts of labor, subjectivity, and collectivity.

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780262331135; 0262331136
    Schriftenreihe: Leonardo
    Schlagworte: Information technology ; Social aspects; Cybernetics; DIGITAL HUMANITIES & NEW MEDIA/New Media History; SCIENCE, TECHNOLOGY & SOCIETY/History of Science; CULTURAL STUDIES/Critical Theory
    Umfang: 1 online resource (xxii, 211 pages).
  2. Poiesis and enchantment in topological matter
    Autor*in: Sha, Xin Wei
    Erschienen: [2013]; ©2013
    Verlag:  MIT Press, Cambridge, Massachusetts

    Movement and gesture are arguably essential aspects of engendering human experience. But rather than taking 'the body' or 'cognition' for granted as conceptual starting points, we attend to the substrate matter in which gesture takes shape and place.... mehr

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    Movement and gesture are arguably essential aspects of engendering human experience. But rather than taking 'the body' or 'cognition' for granted as conceptual starting points, we attend to the substrate matter in which gesture takes shape and place. An experimental approach to such questions motivates the exploration of responsive, and in particular, computational media created for sustaining experientially rich, improvisational activity. This book explores rehearsed as well as unrehearsed activity in distributed, continuous fields of responsive media-topological matter.

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780262318914; 0262318911
    Schlagworte: Art ; Mathematics; New media art; Topology; DIGITAL HUMANITIES & NEW MEDIA/New Media Art; CULTURAL STUDIES/Critical Theory; SOCIAL SCIENCES/Media Studies
    Umfang: 1 online resource (xix, 363 pages), illustrations
  3. Life after new media
    mediation as a vital process
    Autor*in: Kember, Sarah
    Erschienen: 2012
    Verlag:  MIT Press, Cambridge, Mass.

    A call for a "rigorous cross-disciplinary interventions and inventions that will be equally at home with critical theory and media practice and will be prepared and able to make a difference--academically, institutionally, politically, ethically, and... mehr

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    A call for a "rigorous cross-disciplinary interventions and inventions that will be equally at home with critical theory and media practice and will be prepared and able to make a difference--academically, institutionally, politically, ethically, and aesthetically" (p. 201).

     

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    Quelle: Verbundkataloge
    Beteiligt: Zylinska, Joanna (MitwirkendeR)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780262305358; 0262305356
    Schlagworte: Mass media and technology ; Social aspects; Digital media ; Social aspects; Social media; DIGITAL HUMANITIES & NEW MEDIA/New Media Theory; SOCIAL SCIENCES/Media Studies; CULTURAL STUDIES/Critical Theory
    Umfang: 1 online resource (268 pages)
  4. Theorizing digital cultural heritage
    a critical discourse
    Autor*in:
    Erschienen: 2007
    Verlag:  MIT Press, Cambridge, Mass.

    This is a collection of theoretical and practical perspectives from a range of disciplines on the challenges of using digital media in research, preservation, management, interpretation, and representation of cultural heritage. mehr

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    This is a collection of theoretical and practical perspectives from a range of disciplines on the challenges of using digital media in research, preservation, management, interpretation, and representation of cultural heritage.

     

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  5. Protocol
    how control exists after decentralization
    Erschienen: 2004
    Verlag:  MIT Press, Cambridge, Mass.

    How Control Exists after DecentralizationIs the Internet a vast arena of unrestricted communication and freely exchanged information or a regulated, highly structured virtual bureaucracy? In Protocol, Alexander Galloway argues that the founding... mehr

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    How Control Exists after DecentralizationIs the Internet a vast arena of unrestricted communication and freely exchanged information or a regulated, highly structured virtual bureaucracy? In Protocol, Alexander Galloway argues that the founding principle of the Net is control, not freedom, and that the controlling power lies in the technical protocols that make network connections (and disconnections) possible. He does this by treating the computer as a textual medium that is based on a technological language, code. Code, he argues, can be subject to the same kind of cultural and literary analysis as any natural language; computer languages have their own syntax, grammar, communities, and cultures. Instead of relying on established theoretical approaches, Galloway finds a new way to write about digital media, drawing on his backgrounds in computer programming and critical theory. "Discipline-hopping is a necessity when it comes to complicated socio-technical topics like protocol," he writes in the preface.Galloway begins by examining the types of protocols that exist, including TCP/IP, DNS, and HTML. He then looks at examples of resistance and subversion--hackers, viruses, cyberfeminism, Internet art--which he views as emblematic of the larger transformations now taking place within digital culture. Written for a nontechnical audience, Protocol serves as a necessary counterpoint to the wildly utopian visions of the Net that were so widespread in earlier days.

     

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  6. The robot in the garden
    telerobotics and telepistemology in the age of the Internet
    Autor*in:
    Erschienen: 2000
    Verlag:  MIT Press, Cambridge, Mass.

    "The Robot in the Garden initiates a critical theory of telerobotics and introduces telepistemology, the study of knowledge acquired at a distance. Many of our most influential technologies, the telescope, telephone, and television, were developed to... mehr

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    "The Robot in the Garden initiates a critical theory of telerobotics and introduces telepistemology, the study of knowledge acquired at a distance. Many of our most influential technologies, the telescope, telephone, and television, were developed to provide knowledge at a distance. Telerobots, remotely controlled robots, facilitate action at a distance. Specialists use telerobots to explore actively environments such as Mars, the Titanic, and Chernobyl. Military personnel increasingly employ reconnaissance drones and telerobotic missiles. At home, we have remote controls for the garage door, car alarm, and television (the latter a remote for the remote). The Internet dramatically extends our scope and reach. Thousands of cameras and robots are now accessible online. Although the role of technical mediation has been of interest to philosophers since the seventeenth century, the Internet forces a reconsideration. As the public gains access to telerobotic instruments previously restricted to scientists and soldiers, questions of mediation, knowledge, and trust take on new significance for everyday life. Telerobotics is a mode of representation. But representations can misrepresent. If Orson Welles's War of the Worlds was the defining moment for radio, what will be the defining moment for the Internet? As artists have always been concerned with how representations provide us with knowledge, the book also looks at telerobotics' potential as an artistic medium"--Provider website.

     

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    Quelle: Verbundkataloge
    Beteiligt: Goldberg, Ken (MitwirkendeR)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0585309582; 9780585309583; 9780262274029; 0262274027
    Schriftenreihe: Leonardo
    Schlagworte: Robotics; Knowledge, Theory of; DIGITAL HUMANITIES & NEW MEDIA/New Media Art; CULTURAL STUDIES/Critical Theory; ARTS/Art History/General
    Umfang: 1 online resource (xix, 366 pages), illustrations.