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  1. Byzantine art and diplomacy in an age of decline
    Autor*in: Hilsdale, Cecily J.
    Erschienen: 2014
    Verlag:  Cambridge Univ. Press, Cambridge [u.a.]

    "The Late Byzantine period (1261-1453) is marked by a paradoxical discrepancy between economic weakness and cultural strength. The apparent enigma can be resolved by recognizing that later Byzantine diplomatic strategies, despite or because of... mehr

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signatur:
    ::8:2014:2966:
    Fernleihe:
    keine Fernleihe
    Link zum Verbundkatalog:
    Gemeinsamer Bibliotheksverbund (GBV)

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    1 B 159127
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Gemeinsamer Bibliotheksverbund (GBV)

    Standort:
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Signatur:
    A Hils 1
    Fernleihe:
    keine Fernleihe
    Link zum Verbundkatalog:
    Gemeinsamer Bibliotheksverbund (GBV)

    Standort:
    Landesamt für Denkmalpflege und Archäologie, Sachsen-Anhalt, Landesmuseum für Vorgeschichte, Bibliothek
    Signatur:
    F 3 b : 41
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Herzog August Bibliothek Wolfenbüttel
    Signatur:
    64.2804
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Gemeinsamer Bibliotheksverbund (GBV)

     

    "The Late Byzantine period (1261-1453) is marked by a paradoxical discrepancy between economic weakness and cultural strength. The apparent enigma can be resolved by recognizing that later Byzantine diplomatic strategies, despite or because of diminishing political advantage, relied on an increasingly desirable cultural and artistic heritage. This book reassesses the role of the visual arts in this era by examining the imperial image and the gift as reconceived in the final two centuries of the Byzantine Empire. In particular it traces a series of luxury objects created specifically for diplomatic exchange with such courts as Genoa, Paris and Moscow alongside key examples of imperial imagery and ritual. By questioning how political decline refigured the visual culture of empire, Dr Hilsdale offers a more nuanced and dynamic account of medieval cultural exchange that considers the temporal dimensions of power and the changing fates of empires"-- "The Late Byzantine period (1261-1453) is marked by a paradoxical discrepancy between economic weakness and cultural strength. The apparent enigma can be resolved by recognizing that later Byzantine diplomatic strategies, despite or because of diminishing political advantage, relied on an increasingly desirable cultural and artistic heritage. This book reassesses the role of the visual arts in this era by examining the imperial image and the gift as reconceived in the final two centuries of the Byzantine Empire. In particular it traces a series of luxury objects created specifically for diplomatic exchange with such courts as Genoa, Paris, and Moscow alongside key examples of imperial imagery and ritual. By questioning how political decline refigured the visual culture of empire, Dr Hilsdale offers a more nuanced and dynamic account of medieval cultural exchange that considers the temporal dimensions of power and the changing fates of empires"--

     
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    Hinweise zum Inhalt
    Quelle: Herzog August Bibliothek Wolfenbüttel
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781107033306
    RVK Klassifikation: NH 9380
    Schlagworte: Arts and diplomacy; Diplomatic gifts
    Umfang: XXI, 393 S., Ill.
    Bemerkung(en):

    Literaturverz. S. 344 - 387

    Machine generated contents note: Introduction: the Imperial image as gift; Part I. Adventus: the Emperor and the City: 1. The imperial image and the end of exile; 2. Imperial thanksgiving: the commemoration of the Byzantine restoration of Constantinople; 3. Imperial instrumentality: the serially struck Palaiologan image; Part II. 'Atoms of Epicurus': the Imperial Image as a Gift in an Age of Decline: 4. Rhetoric as diplomacy: imperial word, image and presence; 5. Wearing allegiances and the construction of a visual oikoumene; Conclusion: the ends of empire.