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Speculating on the moment
the poetics of time and recurrence in Goethe, Leopardi, and Nietzsche -
Bild-Rhetorik
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The frame of art
fictions of aesthetic experience, 1750 - 1815 -
Gender and genre
Schiller's drama and aesthetics -
Sensory withdrawal and sensory excess as testing the limits of the representable
a discussion of Wolfgang Welsch's aesthetic theory and Peter Handke and Heiner Müller's dramatic practice -
Lessing's poetics as an approach to aesthetics
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The irrelevance of aesthetics and the de-theorizing of self in "classical" Weimar
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Sacrality and the aesthetic in the early nineteenth century
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Walter Benjamin and art
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Aesthetics and subjectivity
from Kant to Nietzsche -
Classic and romantic German aesthetics
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Archaeologies of vision
Foucault and Nietzsche on seeing and saying -
The legacy of Jacques Derrida
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Disgust
the theory and history of a strong sensation -
Medien, Macht, Wahrnehmung
mediale Dispotive des Sehens und Hörens -
Stefan George and two types of aestheticism
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The look of things
poetry and vision around 1900 -
Ästhetische Erfindung der Moderne?
Perspektiven und Modelle 1750 - 1850 -
Iconographies of power
the politics and poetics of visual representation -
Vision in motion
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Schiller's Kalliasbriefe and the study of his aesthetic theory
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Disgust
the theory and history of a strong sensation -
Speculating on the moment
the poetics of time and recurrence in Goethe, Leopardi, and Nietzsche -
Schiller as philosopher
a re-examination -
The ethical project in Rolf Dieter Brinkmann's "Westwärts 1 & 2"