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  1. Art History in the World of Digital Humanities. Aspects of a Difficult Relationship
    Autor*in: Schelbert, Georg
    Erschienen: 2017
    Verlag:  Humboldt-Universität zu Berlin, Berlin

    This text can be considered among a number of recent statements regarding digital art history. It serves as a contribution to an ongoing discussion, certainly not as an exhaustive analysis of the field or its history. The basic thesis here is that... mehr

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    This text can be considered among a number of recent statements regarding digital art history. It serves as a contribution to an ongoing discussion, certainly not as an exhaustive analysis of the field or its history. The basic thesis here is that the popular separation (Pias, Kohle, Drucker) between “digitized” and “digital” art history is disadvantageous to the discipline, particularly for the positioning of art history within digital humanities. “Digital art history” is not possible without extensive activity in both digitization and digital documentation. Only then sufficient data will be available for creating new insights and knowledge in art history within a digital space.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (kostenfrei)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Weitere Identifier:
    Übergeordneter Titel: Kunsttexte - Renaissance; 2017,2017,4
    Weitere Schlagworte: Digital Art History; digitization; Digital Humanities; Künste, Bildende und angewandte Kunst
    Umfang: 1 Online-Ressource (10 Seiten)
  2. Art History in the World of Digital Humanities. Aspects of a Difficult Relationship
    Autor*in: Schelbert, Georg
    Erschienen: 2017
    Verlag:  Humboldt-Universität zu Berlin, Berlin

    This text can be considered among a number of recent statements regarding digital art history. It serves as a contribution to an ongoing discussion, certainly not as an exhaustive analysis of the field or its history. The basic thesis here is that... mehr

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    This text can be considered among a number of recent statements regarding digital art history. It serves as a contribution to an ongoing discussion, certainly not as an exhaustive analysis of the field or its history. The basic thesis here is that the popular separation (Pias, Kohle, Drucker) between “digitized” and “digital” art history is disadvantageous to the discipline, particularly for the positioning of art history within digital humanities. “Digital art history” is not possible without extensive activity in both digitization and digital documentation. Only then sufficient data will be available for creating new insights and knowledge in art history within a digital space.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (kostenfrei)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Weitere Identifier:
    Übergeordneter Titel: Kunsttexte - Renaissance; 2017,2017,4
    Weitere Schlagworte: Digital Art History; digitization; Digital Humanities; Künste, Bildende und angewandte Kunst
    Umfang: 1 Online-Ressource (10 Seiten)