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History, text, value
essays on Adalbert Stifter ; Londoner Symposium 2003 -
Stifter and the postmodern sublime
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Adalbert Stifter's money thing
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"... Die schönste Menschengestalt"
the nature, culture and ethnography of Stifter's gypsies -
Latent antinomies
Stifter's treatment of the extraordinary -
Adalbert Stifter's poetics of collecting
representing the past against the grand narrative of academic historicism -
Stifters intentions
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Adalbert Stifter's late prose
the mania for moderation -
Gendered states: on the borders of gender, nation, and identity in Stifter and Rilke
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Adalbert Stifter
a critical study -
Medieval tale and medieval telling
history, the 'Nibelungenlied' and Stifter's 'Witiko' -
Natural anti-Semitism
Stifter's "Abidas" -
The museal path to "Bildung"
collecting, exhibiting and exchange in Stifter's "Der Nachsommer" -
Adalbert Stifter's "Brigitta", or the lesson of realism
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From national task to individual pursuit
the poetics of work in Freytag, Stifter, and Raabe -
Adalbert Stifter in context
politics and aesthetics in the Biedermeier era -
Adalbert Stifter's first of two "forewords" to "Bunte Steine"
a reassessment of his poetics, his aesthetics and "Weltanschauung" -
The specter of the face
reading physiognomy, power, and the artist-figure in modern German-language prose works. Lavater, Chamisso, Moerike, Stifter, Th. Mann -
Fremde Pflanzen
the gendered gardens of Adalbert Stifter and Theodor Fontane -
Pedagogic design and literary form in the work of Adalbert Stifter
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Stifter, Bunte Steine
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The topography of metaphor
Adalbert Stifter's Die Mappe meines Urgroßvaters -
Mountain passages
reinterpretations of the sacred mountain in Büchner's "Lenz", Stifter's "Bergkristall", and Nietzsche's "Also sprach Zarathustra" -
The telling tactics of narrative strategies in Tieck, Kleist, Stifter, and Storm
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Difficulty as an aesthetic principle
realism and unreadability in Stifter, Melville, and Flaubert