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  1. The portrait in fiction of the Romantic period
    Autor*in: Bray, Joe
    Erschienen: 2016
    Verlag:  Routledge, Taylor & Francis Goup, London

    "Beginning with the premise that the portrait was undergoing a shift in both form and function during the Romantic age, Joe Bray examines how these changes are reflected in the fiction of writers such as Maria Edgeworth, Jane Austen, Sir Walter... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 A 997346
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Thüringer Universitäts- und Landesbibliothek
    ANG:HH:767:Bra::2016
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Klassik Stiftung Weimar / Herzogin Anna Amalia Bibliothek
    269030 - A
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Beginning with the premise that the portrait was undergoing a shift in both form and function during the Romantic age, Joe Bray examines how these changes are reflected in the fiction of writers such as Maria Edgeworth, Jane Austen, Sir Walter Scott, Elizabeth Hamilton and Amelia Opie. Bray considers portraiture in a broad sense as encompassing caricature and the miniature, as well as the classic portraits of Sir Joshua Reynolds and others. He argues that the portrait in fiction often functions not as a transparent index to character or as a means of producing a straightforward likeness, but rather as a cue for misreading and a sign of the slipperiness and subjectivity of interpretation. The book is concerned with more than simply the appearance of portraits in Romantic fiction however. More broadly, The Portrait in Fiction of the Romantic Period investigates how the language of portraiture pervades the novel in this period and how the two art forms exert mutual stylistic influence on each other" -- Introduction. the portrait and the novel -- The portrait in public -- Exchanging "dear self": the miniature portrait in the novel of sensibility and the gothic -- Visual and verbal caricature -- Jane Austen: the subjectivity of "likeness" -- Sir Walter Scott: reworking the gothic portrait -- Conclusion. "the very thing itself

     

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    Quelle: Herzogin Anna Amalia Bibliothek
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781409470397
    RVK Klassifikation: HL 1101
    Schlagworte: English fiction; Portraits in literature; Subjectivity in literature; Romanticism
    Umfang: 195 Seiten, Illustrationen, 24 cm
    Bemerkung(en):

    Literaturverzeichnis: Seite 184-191