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  1. Lyric in the Renaissance
    from Petrarch to Montaigne
    Erschienen: 2015
    Verlag:  Cambridge Univ. Press, New York

    "Moving from a definition of the lyric to the innovations introduced by Petrarch's poetic language, this study goes on to propose a new reading of several French poets (Charles d'Orléans, Ronsard, and Du Bellay), and a re-evaluation of Montaigne's... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 A 946187
    keine Ausleihe von Bänden, nur Papierkopien werden versandt
    Herzog August Bibliothek Wolfenbüttel
    65.3090
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Moving from a definition of the lyric to the innovations introduced by Petrarch's poetic language, this study goes on to propose a new reading of several French poets (Charles d'Orléans, Ronsard, and Du Bellay), and a re-evaluation of Montaigne's understanding of the most striking poetry and its relation to his own prose. Instead of relying on conventional notions of Renaissance subjectivity, it locates recurring features of this poetic language that express a turn to the singular and that herald lyric poetry's modern emphasis on the utterly particular. By combining close textual analysis with more modern ethical concerns this study establishes clear distinctions between what poets do and what rhetoric and poetics say they do. It shows how the tradition of rhetorical commentary is insufficient in accounting for this startling effectiveness of lyric poetry, manifest in Petrarch's Rime Sparse and the collections of the best poets writing after him"--

     

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    Hinweise zum Inhalt
    Quelle: Herzog August Bibliothek Wolfenbüttel
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781107110281
    RVK Klassifikation: IF 2550 ; IT 6605
    Schlagworte: Lyric poetry; French poetry; Particularity (Aesthetics)
    Weitere Schlagworte: Montaigne, Michel de (1533-1592); Petrarca, Francesco (1304-1374)
    Umfang: VIII, 218 S.
    Bemerkung(en):

    Includes bibliographical references and index

    Machine generated contents note: 1. Introduction; 2. Petrarch and the existential singular; 3. Minimal lost worlds: the rondeaux of Charles d'Orléans; 4. Ronsard's singular erotic reciprocity (Les Amours de Cassandre); 5. Singularity as emptiness: Du Bellay's Regrets; 6. Montaigne and his 'sublime' lyric; 7. Conclusion; Bibliography.