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The monstrous new art
divided forms in the late medieval motet -
St. Anne in Renaissance music
devotion and politics -
Mapping the motet in the post-tridentine era
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J. S. Bach and the German motet
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French motets in the thirteenth century
music, poetry and genre -
Polyphony in medieval Paris
the art of composing with plainchant -
Upper-voice structures and compositional process in the ars nova motet
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A critical companion to medieval motets
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The Latin motet
indexes to printed collections, 1500-1600 -
Mottets of two voyces for treble or tenor and bass
with the continued bass or score : to be performed to an organ, harpspycon, lute or bass-viol -
Hearing the motet
essays on the motet of the Middle Ages and Renaissance [...coference "Hearing the Motet", held at Washington University in February 1994] -
Ars antiqua
organum, conductus, motet -
Mottects or Graue chamber musique
Containing songs of fiue parts of seuerall sorts, some ful, and some verse and chorus. But all fit for voyces and vials, with an organ part; which for want of organs, may be performed on virginals, base-lute, bandora, or Irish harpe. Also, a mourning song of sixe parts for the death of the late Right Honorable Sir Fulke Greuil ... Composed according to the rules of art, by M.P. Batcheler of Musique -
The secular Latin motet in the Renaissance
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Defect in dolore
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Posuerunt morticinia
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Effuderunt sanguinem
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Jubilate Deo
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Veni creator
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Qui dat nivem
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Huic main - Hec dies
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Deo confitemini - domino
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Instrumental music motet - in seculum
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On parole - a pair - frèse nouvele
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Alleluia psallat