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  1. Metamimesis
    imitation in Goethe's Wilhelm Meisters Lehrjahre and early German romanticism
    Autor*in: Pirholt, Mattias
    Erschienen: 2012
    Verlag:  Boydell & Brewer, Suffolk

    Mimesis, or the imitation of nature, is one of the most important concepts in eighteenth-century German literary aesthetics. As the century progressed, classical mimeticism came increasingly under attack, though it also held its position in the works... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Gemeinsamer Bibliotheksverbund (GBV)

     

    Mimesis, or the imitation of nature, is one of the most important concepts in eighteenth-century German literary aesthetics. As the century progressed, classical mimeticism came increasingly under attack, though it also held its position in the works of Goethe, Schiller, and Moritz. Much recent scholarship construes Early German Romanticism's refutation of mimeticism as its single distinguishing trait: the Romantics' conception of art as the very negation of the ideal of imitation. In this view, the Romantics saw art as production ('poiesis'): imaginative, musical, transcendent. Mattias Pirholt's book not only problematizes this view of Romanticism, but also shows that reflections on mimesis are foundational for the German Romantic novel, as is Goethe's great pre-Romantic novel 'Wilhelm Meister's Apprenticeship'. Among the novels examined are Friedrich Schlegel's 'Lucinde', shown to be transgressive in its use of the aesthetics of imitation; Novalis's 'Heinrich von Ofterdingen', interpreted as an attempt to construct the novel as a self-imitating world; and Clemens Brentano's 'Godwi', seen to signal the end of Early Romanticism, both fulfilling and ironically deconstructing the self-reflective mimeticism of the novels that came before it. Mattias Pirholt is a Research Fellow in the Department of Literature at Uppsala University, Sweden Romanticism, mimesis, and the novel -- Double-entry imagery: Johann Wolfgang Goethe's Wilhelm Meisters Lehrjahre -- Imitation and indolence: Friedrich Schlegel's Lucinde -- Imitation and simulation: Novalis's Heinrich von Ofterdingen -- Beyond romantic representation: Clemens Brentano's Godwi -- Conclusions: mimesis and the critical politics of Romanticism

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571138330
    RVK Klassifikation: GK 4675
    Schlagworte: Mimesis in literature; Romanticism; Goethe, Johann Wolfgang von ; 1749-1832 ; Wilhelm Meisters Lehrjahre; Mimesis in literature; Romanticism ; Germany
    Weitere Schlagworte: Goethe, Johann Wolfgang von (1749-1832): Wilhelm Meisters Lehrjahre
    Umfang: 1 Online-Ressource (x, 230 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)
  2. Mimetisches oder semiologisches Vermögen?
    Studien zu Walter Benjamins Begriff der Mimesis
    Autor*in: Lang, Tilman
    Erschienen: 1998
    Verlag:  Vandenhoeck und Ruprecht, Göttingen

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    Quelle: Verbundkataloge
    Medientyp: Dissertation
    Format: Online
    ISBN: 3525205759
    Weitere Identifier:
    Übergeordneter Titel:
    RVK Klassifikation: GM 2378 ; CI 1397
    Schriftenreihe: Palaestra ; 301
    Schlagworte: Mimesis; Mimesis; Mimesis in literature
    Weitere Schlagworte: Benjamin, Walter
    Umfang: 303 S.
    Bemerkung(en):

    Zugl.: Göttingen, Univ., Diss., 1995
  3. Metamimesis
    imitation in Goethe's Wilhelm Meisters Lehrjahre and early German romanticism
    Autor*in: Pirholt, Mattias
    Erschienen: 2012
    Verlag:  Boydell & Brewer, Suffolk

    Mimesis, or the imitation of nature, is one of the most important concepts in eighteenth-century German literary aesthetics. As the century progressed, classical mimeticism came increasingly under attack, though it also held its position in the works... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Fernleihe:
    keine Fernleihe
    Link zum Verbundkatalog:
    Gemeinsamer Bibliotheksverbund (GBV)

    Standort:
    Staats- und Universitätsbibliothek Bremen
    Fernleihe:
    keine Fernleihe
    Link zum Verbundkatalog:
    Gemeinsamer Bibliotheksverbund (GBV)

    Standort:
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    Fernleihe:
    keine Fernleihe
    Link zum Verbundkatalog:
    Gemeinsamer Bibliotheksverbund (GBV)

    Standort:
    Universitätsbibliothek Rostock
    Fernleihe:
    keine Fernleihe
    Link zum Verbundkatalog:
    Gemeinsamer Bibliotheksverbund (GBV)

     

    Mimesis, or the imitation of nature, is one of the most important concepts in eighteenth-century German literary aesthetics. As the century progressed, classical mimeticism came increasingly under attack, though it also held its position in the works of Goethe, Schiller, and Moritz. Much recent scholarship construes Early German Romanticism's refutation of mimeticism as its single distinguishing trait: the Romantics' conception of art as the very negation of the ideal of imitation. In this view, the Romantics saw art as production ('poiesis'): imaginative, musical, transcendent. Mattias Pirholt's book not only problematizes this view of Romanticism, but also shows that reflections on mimesis are foundational for the German Romantic novel, as is Goethe's great pre-Romantic novel 'Wilhelm Meister's Apprenticeship'. Among the novels examined are Friedrich Schlegel's 'Lucinde', shown to be transgressive in its use of the aesthetics of imitation; Novalis's 'Heinrich von Ofterdingen', interpreted as an attempt to construct the novel as a self-imitating world; and Clemens Brentano's 'Godwi', seen to signal the end of Early Romanticism, both fulfilling and ironically deconstructing the self-reflective mimeticism of the novels that came before it. Mattias Pirholt is a Research Fellow in the Department of Literature at Uppsala University, Sweden Romanticism, mimesis, and the novel -- Double-entry imagery: Johann Wolfgang Goethe's Wilhelm Meisters Lehrjahre -- Imitation and indolence: Friedrich Schlegel's Lucinde -- Imitation and simulation: Novalis's Heinrich von Ofterdingen -- Beyond romantic representation: Clemens Brentano's Godwi -- Conclusions: mimesis and the critical politics of Romanticism

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571138330
    RVK Klassifikation: GK 4675
    Schlagworte: Mimesis in literature; Romanticism; Goethe, Johann Wolfgang von ; 1749-1832 ; Wilhelm Meisters Lehrjahre; Mimesis in literature; Romanticism ; Germany
    Weitere Schlagworte: Goethe, Johann Wolfgang von (1749-1832): Wilhelm Meisters Lehrjahre
    Umfang: 1 Online-Ressource (x, 230 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)
  4. Metamimesis
    imitation in Goethe's Wilhelm Meisters Lehrjahre and early German romanticism
    Autor*in: Pirholt, Mattias
    Erschienen: 2012
    Verlag:  Boydell & Brewer, Suffolk

    Mimesis, or the imitation of nature, is one of the most important concepts in eighteenth-century German literary aesthetics. As the century progressed, classical mimeticism came increasingly under attack, though it also held its position in the works... mehr

    Standort:
    Universitätsbibliothek Bamberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Bibliotheksverbund Bayern (BVB)

    Standort:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Bibliotheksverbund Bayern (BVB)

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Bibliotheksverbund Bayern (BVB)

    Standort:
    Universitätsbibliothek Passau
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Bibliotheksverbund Bayern (BVB)

     

    Mimesis, or the imitation of nature, is one of the most important concepts in eighteenth-century German literary aesthetics. As the century progressed, classical mimeticism came increasingly under attack, though it also held its position in the works of Goethe, Schiller, and Moritz. Much recent scholarship construes Early German Romanticism's refutation of mimeticism as its single distinguishing trait: the Romantics' conception of art as the very negation of the ideal of imitation. In this view, the Romantics saw art as production ('poiesis'): imaginative, musical, transcendent. Mattias Pirholt's book not only problematizes this view of Romanticism, but also shows that reflections on mimesis are foundational for the German Romantic novel, as is Goethe's great pre-Romantic novel 'Wilhelm Meister's Apprenticeship'. Among the novels examined are Friedrich Schlegel's 'Lucinde', shown to be transgressive in its use of the aesthetics of imitation; Novalis's 'Heinrich von Ofterdingen', interpreted as an attempt to construct the novel as a self-imitating world; and Clemens Brentano's 'Godwi', seen to signal the end of Early Romanticism, both fulfilling and ironically deconstructing the self-reflective mimeticism of the novels that came before it. Mattias Pirholt is a Research Fellow in the Department of Literature at Uppsala University, Sweden

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
  5. Metamimesis
    imitation in Goethe's Wilhelm Meisters Lehrjahre and early German romanticism
    Autor*in: Pirholt, Mattias
    Erschienen: 2012
    Verlag:  Boydell & Brewer, Suffolk

    Mimesis, or the imitation of nature, is one of the most important concepts in eighteenth-century German literary aesthetics. As the century progressed, classical mimeticism came increasingly under attack, though it also held its position in the works... mehr

    Standort:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Bibliotheksverbund Bayern (BVB)

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Bibliotheksverbund Bayern (BVB)

    Standort:
    Universitätsbibliothek Passau
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Bibliotheksverbund Bayern (BVB)

     

    Mimesis, or the imitation of nature, is one of the most important concepts in eighteenth-century German literary aesthetics. As the century progressed, classical mimeticism came increasingly under attack, though it also held its position in the works of Goethe, Schiller, and Moritz. Much recent scholarship construes Early German Romanticism's refutation of mimeticism as its single distinguishing trait: the Romantics' conception of art as the very negation of the ideal of imitation. In this view, the Romantics saw art as production ('poiesis'): imaginative, musical, transcendent. Mattias Pirholt's book not only problematizes this view of Romanticism, but also shows that reflections on mimesis are foundational for the German Romantic novel, as is Goethe's great pre-Romantic novel 'Wilhelm Meister's Apprenticeship'. Among the novels examined are Friedrich Schlegel's 'Lucinde', shown to be transgressive in its use of the aesthetics of imitation; Novalis's 'Heinrich von Ofterdingen', interpreted as an attempt to construct the novel as a self-imitating world; and Clemens Brentano's 'Godwi', seen to signal the end of Early Romanticism, both fulfilling and ironically deconstructing the self-reflective mimeticism of the novels that came before it. Mattias Pirholt is a Research Fellow in the Department of Literature at Uppsala University, Sweden

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
  6. Metamimesis
    imitation in Goethe's Wilhelm Meisters Lehrjahre and early German romanticism
    Autor*in: Pirholt, Mattias
    Erschienen: 2012
    Verlag:  Camden House, Rochester, NY

    Standort:
    Universitätsbibliothek Augsburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Bibliotheksverbund Bayern (BVB)
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571138330
    RVK Klassifikation: GK 4675
    Auflage/Ausgabe: 1. publ.
    Schriftenreihe: Studies in german literature, linguistics, and culture
    Schlagworte: Mimesis in literature; Romanticism; Romantik; Mimesis; Deutsch; Literatur
    Weitere Schlagworte: Goethe, Johann Wolfgang von (1749-1832): Wilhelm Meisters Lehrjahre; Brentano, Clemens (1778-1842): Godwi oder das steinerne Bild der Mutter; Goethe, Johann Wolfgang von (1749-1832): Wilhelm Meisters Lehrjahre; Novalis (1772-1801): Heinrich von Ofterdingen; Schlegel, Friedrich von (1772-1829): Lucinde
    Umfang: 1 Online-Ressource (X, 220 S.)
    Bemerkung(en):

    Includes bibliographical references and index
  7. Die leidigen Tatsachen
    von den Grenzen der Wahrscheinlichkeit in der deutschen Literatur seit dem 18. Jahrhundert
    Autor*in: Seiler, Bernd W.
    Erschienen: 2008

    Zugang:
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Deutsch
    Medientyp: Dissertation
    Format: Online
    RVK Klassifikation: GE 4901 ; GE 3054 ; GE 4011
    Auflage/Ausgabe: 2., durchges. Aufl.
    Schlagworte: German literature; Mimesis in literature; Realism in literature; Wahrscheinlichkeit <Motiv>; Tatsache; Literatur; Deutsch
    Bemerkung(en):

    Zugl.: Bielefeld, Univ., Habil.-Schr., 1980
  8. Print, chaos, and complexity
    Samuel Johnson and eighteenth-century media culture
    Autor*in: Wildermuth, Mark E.
    Erschienen: c2008
    Verlag:  University of Delware Press, Newark