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Is mimetic theory in literature and art universal?
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Of boars, rhapsodes, and the uses of culturalist error
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Mimesis
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Literary history and the sublime in Erich Auerbach's "Mimesis"
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Istanbul, 1945
Erich Auerbach's philology of extremity -
Mimesis on the move
Theodor W. Adorno's concept of imitation -
Mimesis
Studien zur literarischen Repräsentation -
Mimesis
the representation of reality in western literature -
Mimesis and its romantic reflections
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Theories of mimesis
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Listening for the text
on the uses of the past -
Figural realism
studies in the mimesis effect -
Contingent meanings
postmodern fiction, mimesis, and the reader -
Double exposures
repetition and realism in nineteenth century German fiction -
Potemkinsche Dörfer der Idylle
Imaginationen und Imitationen des Ruralen in den europäischen Literaturen -
Motives for fiction
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Fantasy and mimesis
responses to reality in western literature -
Metamimesis
imitation in Goethe's Wilhelm Meisters Lehrjahre and early German romanticism -
Metamimesis
imitation in Goethe's Wilhelm Meisters Lehrjahre and early German romanticism -
Unnatural narratives - unnatural narratology
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Unnatural narratives - unnatural narratology
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Potemkinsche Dörfer der Idylle
Imaginationen und Imitationen des Ruralen in den europäischen Literaturen -
The phantom of the ego
modernism and the mimetic unconscious -
Metamimesis
imitation in Goethe's Wilhelm Meisters Lehrjahre and early German romanticism -
On imitation, imagination and beauty
a critical reassessment of the concept of the literary artist during the early German "Aufklärung"