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  1. Scholar's Bedlam
    Menippean satire in the Renaissance
    Autor*in: Blanchard, W. S.
    Erschienen: 1995
    Verlag:  Bucknell Univ. Press [u.a.], Lewisburg

    Scholars' Bedlam is a genre study of Menippean satire in the Renaissance. While the study acknowledges the influence of certain classical authors, especially Lucian, on the revival of the Menippean form in the Renaissance, it also seeks to explain... mehr

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    Scholars' Bedlam is a genre study of Menippean satire in the Renaissance. While the study acknowledges the influence of certain classical authors, especially Lucian, on the revival of the Menippean form in the Renaissance, it also seeks to explain the popularity of the Menippean satire by other means. The initial chapter establishes a theoretical framework for understanding the revival of the form, discussing Renaissance Menippean satire as a vehicle for the expression of cynical and skeptical positions and also as an outlet for expressing the discontent which humanist scholars experienced with their increasingly competitive profession. The first chapter also links the Menippean satire in its Renaissance incarnation with trends of skepticism, with the social ambition of the humanist intelligentsia, and with the aesthetic category of the grotesque Using Bakhtin and other theorists, the author defines the form as a type of intellectual satire which has a number of recognizable features, despite its various incarnations as dream vision, mock encomium, parodic learned treatise, and mock epic. The form is discussed as one in which iconoclastic sentiments generally prevail and in which the satiric freedom to criticize cultural institutions is exercised . The following four chapters examine representative Menippean satires. Chapter 2 examines the earliest Menippean satires in Italian humanism, most of which are not listed in Kirk's bibliography of Menippean satire. It also elicits two strains of the Menippean form: a purely academic form in the mock laus or university praelectio, and a more Lucianic form in the fictional satires of Pontano, Alberti, and Calcagnini. Chapter 3 focuses largely on Rabelais' Tiers Levre, though brief mention is made of Lipsius's Somnium, and Agrippa's De Vanitaie is discussed as a continuation of the encyclopedic tradition of Menippean satire originating in Italian humanism

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 0838752810
    RVK Klassifikation: EC 8750 ; HI 1292
    Schlagworte: European literature; Satire; Satire; Menippea; Rezeption
    Umfang: 205 S.
  2. Scholars' bedlam
    Menippean satire in the Renaissance
    Autor*in: Blanchard, W. Scott
    Erschienen: 1995
    Verlag:  Bucknell Univ. Press [u.a.], Lewisburg, Pa.

    Standort:
    Universität Gießen, Bibliothek Anglistik
    Signatur:
    F RX 1230
    Fernleihe:
    keine Fernleihe
    Link zum Verbundkatalog:
    Hessisches BibliotheksInformationsSystem (HeBIS)
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0838752810
    RVK Klassifikation: EC 8750 ; HI 1292
    Schlagworte: Renaissance; Menippea
    Umfang: 205 S.
    Bemerkung(en):

    Literaturverz. S. 192 - 200
  3. Scholar's Bedlam
    Menippean satire in the Renaissance
    Autor*in: Blanchard, W. S.
    Erschienen: 1995
    Verlag:  Bucknell Univ. Press [u.a.], Lewisburg

    Scholars' Bedlam is a genre study of Menippean satire in the Renaissance. While the study acknowledges the influence of certain classical authors, especially Lucian, on the revival of the Menippean form in the Renaissance, it also seeks to explain... mehr

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Bibliotheksverbund Bayern (BVB)

    Standort:
    Universitätsbibliothek der LMU München
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Bibliotheksverbund Bayern (BVB)

    Standort:
    Universitätsbibliothek Regensburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Bibliotheksverbund Bayern (BVB)

    Standort:
    Universitätsbibliothek Würzburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Bibliotheksverbund Bayern (BVB)

     

    Scholars' Bedlam is a genre study of Menippean satire in the Renaissance. While the study acknowledges the influence of certain classical authors, especially Lucian, on the revival of the Menippean form in the Renaissance, it also seeks to explain the popularity of the Menippean satire by other means. The initial chapter establishes a theoretical framework for understanding the revival of the form, discussing Renaissance Menippean satire as a vehicle for the expression of cynical and skeptical positions and also as an outlet for expressing the discontent which humanist scholars experienced with their increasingly competitive profession. The first chapter also links the Menippean satire in its Renaissance incarnation with trends of skepticism, with the social ambition of the humanist intelligentsia, and with the aesthetic category of the grotesque Using Bakhtin and other theorists, the author defines the form as a type of intellectual satire which has a number of recognizable features, despite its various incarnations as dream vision, mock encomium, parodic learned treatise, and mock epic. The form is discussed as one in which iconoclastic sentiments generally prevail and in which the satiric freedom to criticize cultural institutions is exercised . The following four chapters examine representative Menippean satires. Chapter 2 examines the earliest Menippean satires in Italian humanism, most of which are not listed in Kirk's bibliography of Menippean satire. It also elicits two strains of the Menippean form: a purely academic form in the mock laus or university praelectio, and a more Lucianic form in the fictional satires of Pontano, Alberti, and Calcagnini. Chapter 3 focuses largely on Rabelais' Tiers Levre, though brief mention is made of Lipsius's Somnium, and Agrippa's De Vanitaie is discussed as a continuation of the encyclopedic tradition of Menippean satire originating in Italian humanism

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 0838752810
    RVK Klassifikation: EC 8750 ; HI 1292
    Schlagworte: European literature; Satire; Satire; Menippea; Rezeption
    Umfang: 205 S.