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  1. Remembering and the sound of words
    Mallarmé, Proust, Joyce, Beckett
    Autor*in: Piette, Adam
    Erschienen: 1996
    Verlag:  Clarendon Press, Oxford

    Remembering and the Sound of Words is a major new study of four of modern literature's most important writers - and the first serious attempt to account for complex sound effects in prose Adam Piette establishes fascinating new links between such... mehr

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    Freie Universität Berlin, Universitätsbibliothek
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    Remembering and the Sound of Words is a major new study of four of modern literature's most important writers - and the first serious attempt to account for complex sound effects in prose Adam Piette establishes fascinating new links between such sound effects and the representation of memory in literary texts. He sets out a workable taxonomy of sound-repetitions in prose and formulates, through a theory of alerting-devices, the ways in which the reader's attention is drawn to the acoustic surface of the text. Through close analysis of Mallarme's prose-poetry, Proust's musical syntax, Joyce's memory-rhymes (from Portrait of the Artist through Ulysses to Finnegans Wake), and Beckett's prose and drama, Piette demonstrates that sound effects act as intricate reminders of memory-traces in the text. Despite wide divergence in these four writers' representations of memory, the book shows that the use of this memory-rhyme technique is common to them all, and is employed in particular to express the textual migration of past key-words, self-centred comic tyranny, and the fitful unification of body and memory within the narrative voice Mimesis is redefined in terms of textual rhymes - facsimiles of the complex resemblances, fusions, and reenactments of the mind's verbal memory

     
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  2. Autobiographical quests
    Augustine, Montaigne, Rousseau, and Wordsworth
    Autor*in: De Mijolla, Elizabeth
    Erschienen: 1994
    Verlag:  Univ. Press of Virginia, Charlottesville u.a.

    How reliable is the history that human memory produces? Does the self, creating for others, become other? Elizabeth de Mijolla approaches these questions using a descriptive, nonprescriptive approach to the writings of four famous autobiographers:... mehr

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    Freie Universität Berlin, Universitätsbibliothek
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    How reliable is the history that human memory produces? Does the self, creating for others, become other? Elizabeth de Mijolla approaches these questions using a descriptive, nonprescriptive approach to the writings of four famous autobiographers: the early Church Father Augustine, the Renaissance essayist Montaigne, the French Romantic philosopher Rousseau, and the English Romantic poet Wordsworth Exploring theories of memory, time, and autobiographical design and disorder, she argues against the imperative of traditional mimesis and for the variety of autobiographical renderings that personal memory permits Autobiographers writing rational retrospective narratives may depict their lives in accepted literary designs. But these designs can be undone by the inclusion of irrational reveries, varying visions, or other obscure memories. And these incongruities impose independent meanings upon the autobiographical stories

     
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  3. The art of recollection in Jena romanticism
    memory, history, fiction, and fragmentation in texts by Friedrich Schlegel and Novalis
    Autor*in: Johnson, Laurie Ruth
    Erschienen: 2002
    Verlag:  Niemeyer, Tübingen

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    Freie Universität Berlin, Universitätsbibliothek
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    TU Berlin, Universitätsbibliothek
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    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 3484181648
    RVK Klassifikation: GK 1185 ; GK 2803
    Schriftenreihe: Studien zur deutschen Literatur ; 164
    Schlagworte: Geheugen; Romantiek; Ästhetik; Aesthetics, German; German literature; Memory in literature; Romanticism; Das Fragmentarische; Geschichtsbewusstsein; Poetik; Deutsch; Erinnerung; Romantik; Erinnerung <Motiv>
    Weitere Schlagworte: Novalis <1772-1801>; Schlegel, Friedrich von <1772-1829>; Schlegel, Friedrich von (1772-1829); Novalis (1772-1801)
    Umfang: VIII, 196 S., 22 cm
  4. Memory in literature
    from Rousseau to neuroscience
    Autor*in: Nalbantian, Suzanne
    Erschienen: 2003
    Verlag:  Palgrave Macmillan, Basingstoke [u.a.]

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781403966872; 0333740653
    RVK Klassifikation: EC 2090 ; EC 5410 ; EC 7410 ; EC 2430
    Auflage/Ausgabe: 1. publ.
    Schlagworte: Literature, Modern; Memory in literature; Gedächtnis; Literatur
    Umfang: X, 185 S., Ill.
    Bemerkung(en):

    Includes bibliographical references and index
  5. Musical Biographies
    The Music of Memory in Post-1945 German Literature
    Autor*in: Ben-Horin, Michal
    Erschienen: [2016]; © 2016
    Verlag:  De Gruyter, Berlin ;Boston

    Since the second half of the twentieth century various routes, including history and literature, are offered in dealing with the catastrophe of World War II and the Holocaust. Historiographies and novels are of course written with words; how can they... mehr

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Since the second half of the twentieth century various routes, including history and literature, are offered in dealing with the catastrophe of World War II and the Holocaust. Historiographies and novels are of course written with words; how can they bear witness to and reverberate with traumatic experience that escapes or resists language? In search for an alternative mode of expression and representation, this volume focuses on postwar German and Austrian writers who made use of music in their exploration of the National Socialist past. Their works invoke, however, new questions: What happens when we cross the line between narration and documentation, and between memory and a musical piece? How does identification and fascination affect our reading of the text? What kind of ethical issues do these testimonies raise? As this volume shows, reading these musical biographies is both troubling and compelling since they ‘fail’ to come to terms with the past. In playing the haunting music that does not let us put the matter to rest, they call into question not only the exclusion of personal stories by official narratives, but also challenge writers’ and readers’ most intimate perspectives on an unmasterable past

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783110460933; 9783110457957
    Weitere Identifier:
    Schriftenreihe: Interdisciplinary German Cultural Studies ; 20
    Schlagworte: Erzählwissenschaft; Holocaust; Kultur / Deutschland; Musikalische Poetik; Geschichte; Judenvernichtung; German fiction; Memory in literature; Music and literature; Music and literature; Musik <Motiv>; Nationalsozialismus <Motiv>; Erinnerung <Motiv>; Literatur; Deutsch
    Umfang: 1 online resource (181pages)
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed Mar. 30, 2016)
  6. Haunted narratives
    life writing in an age of trauma
    Autor*in:
    Erschienen: 2013
    Verlag:  ebrary, Palo Alto, Calif. ; Univ. of Toronto Press, Toronto

    Exploring life writing from a variety of cultural contexts, Haunted Narratives provides new insights into how individuals and communities across time and space deal with traumatic experiences and haunting memories mehr

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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Exploring life writing from a variety of cultural contexts, Haunted Narratives provides new insights into how individuals and communities across time and space deal with traumatic experiences and haunting memories

     
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    Quelle: Verbundkataloge
    Beteiligt: Rippl, Gabriele (Sonstige)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Online
    RVK Klassifikation: EC 7410
    Schlagworte: Autobiography; Biography as a literary form; Literature / 20th century / History and criticism; Autobiography in literature; Biography in literature; Psychic trauma in literature; Memory in literature; LITERARY CRITICISM / European / General; BIOGRAPHY & AUTOBIOGRAPHY / Literary; Autobiography; Autobiography in literature; Biography as a literary form; Biography in literature; Literature; Memory in literature; Psychic trauma in literature; Literatur; Erinnerung; Psychisches Trauma <Motiv>; Autobiografie; Biografie; Literatur
    Umfang: 1 Online-Ressource (1 online resource (vii, 352 p.))
    Bemerkung(en):

    Includes bibliographical references and index

    Introduction: Life Writing in an Age of Trauma / Gabriele Rippl, Philipp Schweighauser, and Therese Steffen -- Part One: Life Writing and Trauma: Theorizing the Vicissitudes of Representing Violence. 1 Seeing Ghosts: Theorizing Haunting in Literary Texts / Tiina Kirss -- 2 Trauma and Utopia: Benjamin, Adorno, and Elie Wiesel's / Night Philipp Schweighauser

    Part Three: Limit-cases: Exploring the Limits of Telling Pain. 9 "Metaphors for the Scots Today": History and National Identity in Scottish Drama after 1945 / Stefanie Preuss -- 10 Aspects of Post-Imperial Constructions of Nationhood / Eva Rein -- 11 Anecdotalization of Memory in Jaan Kross's Paigallend / Eneken Laanes -- 12 Meddling with Memory -- Negating Grand Narratives / Nora Anna Escherle -- 13 Fighting Fear with Writing: Christa Wolf's Kindheitsmuster and Ene Mihkelson's Ahasveeruse uni (The Sleep of Ahasuerus) / Aija Sakova -- 14 The Stigma of the Autobiographical / Julia Straub -- 15 The Search for the Lost Parent in Joy Kogawa's Obasan and Ene Mihkelson's Ahasveeruse uni (The Sleep of Ahasuerus) / Eva Rein -- 16 Making the Silence Speak: A Critical Discussion of Trauma Transmission and Identity Formation / Stefanie Preuss
  7. The inability to love
    Jews, gender, and America in recent German literature
    Autor*in: Mueller, Agnes C.
    Erschienen: 2015
    Verlag:  Northwestern Univ. Press, Evanston, Ill.

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    Freie Universität Berlin, Universitätsbibliothek
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  8. The phenomenology of autobiography
    making it real
    Autor*in: Schmitt, Arnaud
    Erschienen: 2017
    Verlag:  Routledge, Taylor & Francis Group, New York and London

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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781138710290
    RVK Klassifikation: EC 7411
    Schriftenreihe: Routledge interdisciplinary perspectives on literature ; 75
    Schlagworte: Autobiografie; Phänomenologie; Literarische Form
    Weitere Schlagworte: Autobiography; Biography as a literary form; Memory in literature; Self in literature
    Umfang: 178 Seiten, Illustrationen
  9. Twilight memories
    marking time in a culture of amnesia
    Autor*in: Huyssen, Andreas
    Erschienen: 1995
    Verlag:  Routledge, New York u.a.

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    Freie Universität Berlin, Universitätsbibliothek
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    Universität Potsdam, Universitätsbibliothek
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  10. Haunted narratives
    life writing in an age of trauma
    Autor*in:
    Erschienen: 2013
    Verlag:  Univ. of Toronto Press, Toronto [u.a.]

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Quelle: Verbundkataloge
    Beteiligt: Rippl, Gabriele (Sonstige)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781442646018; 1442646012
    RVK Klassifikation: EC 7410
    Schlagworte: Autobiography; Biography as a literary form; Literature / 20th century / History and criticism; Autobiography in literature; Biography in literature; Psychic trauma in literature; Memory in literature; Literatur; Autobiografie; Psychisches Trauma <Motiv>; Literatur; Biografie; Erinnerung
    Umfang: VII, 352 S., 24 cm
    Bemerkung(en):

    Includes bibliographical references and index
  11. Redrawing the historical past
    history, memory, and multiethnic graphic novels
    Autor*in:
    Erschienen: 2018
    Verlag:  The University of Georgia Press, Athens

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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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  12. Holocaust drama
    the theater of atrocity
    Autor*in: Plunka, Gene A.
    Erschienen: 2010
    Verlag:  Cambridge Univ. Press, Cambridge [u.a.]

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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Stiftung Topographie des Terrors, Bibliothek
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    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780521182423
    RVK Klassifikation: EC 7507
    Auflage/Ausgabe: 1. paperback ed.
    Schriftenreihe: Cambridge studies in modern theatre
    Schlagworte: Geschichte; Psychologie; Drama; Theater; Holocaust, Jewish (1939-1945), in literature; Atrocities in literature; Jews in literature; Memory in literature; Holocaust, Jewish (1939-1945); Drama; Judenvernichtung <Motiv>
    Umfang: VI, 447 S.
    Bemerkung(en):

    Includes bibliographical references
  13. Holocaust drama
    the theater of atrocity
    Autor*in: Plunka, Gene A.
    Erschienen: 2009
    Verlag:  Cambridge Univ. Press, Cambridge [u.a.]

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    Freie Universität Berlin, Universitätsbibliothek
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    Haus der Wannsee-Konferenz, Joseph-Wulf-Mediothek
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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780521494250
    RVK Klassifikation: EC 7507 ; HU 1771
    Schriftenreihe: Cambridge studies in modern theatre
    Schlagworte: Geschichte; Psychologie; Drama; Theater; Holocaust, Jewish (1939-1945), in literature; Atrocities in literature; Jews in literature; Memory in literature; Holocaust, Jewish (1939-1945); Drama; Judenvernichtung <Motiv>
    Umfang: VI, 447 S.
    Bemerkung(en):

    Literaturverz. S. 396 - 432
  14. Holocaust drama
    the theater of atrocity
    Autor*in: Plunka, Gene A.
    Erschienen: 2010
    Verlag:  Cambridge Univ. Press, Cambridge [u.a.]

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    TU Berlin, Universitätsbibliothek
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    ISBN: 9780521494250
    RVK Klassifikation: HU 1771 ; EC 7507
    Auflage/Ausgabe: Repr.
    Schriftenreihe: Cambridge studies in modern theatre
    Schlagworte: Geschichte; Psychologie; Drama; Theater; Holocaust, Jewish (1939-1945), in literature; Atrocities in literature; Jews in literature; Memory in literature; Holocaust, Jewish (1939-1945); Drama; Judenvernichtung <Motiv>
    Umfang: VI, 447 S.
    Bemerkung(en):

    Includes bibliographical references
  15. Ghostwriting
    W. G. Sebald's poetics of history
    Autor*in: Gray, Richard T.
    Erschienen: 2017
    Verlag:  Bloomsbury Academic, New York ; Bloomsbury Publishing, London

    "Ghostwriting provides the first comprehensive analysis of the fictional prose narratives of one of contemporary Germany's most recognized authors, the émigré writer W. G. Sebald. Examining Sebald's well-known published texts in the context of... mehr

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    "Ghostwriting provides the first comprehensive analysis of the fictional prose narratives of one of contemporary Germany's most recognized authors, the émigré writer W. G. Sebald. Examining Sebald's well-known published texts in the context of largely unknown unpublished works, and informed by documents and information from Sebald's literary estate, this book offers a detailed portrait of his characteristic literary techniques and how they emerged and matured out of the practices and attitudes he represented in his profession as a literary scholar. The title "Ghostwriting" signals the convergence in Sebald's works of a set of diverse historical questions, philosophical views, and literary practices. Many historical ghosts haunt Sebald's narratives on the level of story. Moreover, Sebald's narrator plays the role of a ghostwriter in the profound sense that his stories fictionally re-enact the histories of obscure, but once-living individuals whose lives they revitalize, and whose fates are tied up with the most virulent historical conjunctures of the modern world. This study thus seeks to comprehend the constitutive elements of Sebald's "poetics of history," his implementation of literary tools for effective historical memorializing" -- "A comprehensive study of W. G. Sebald's prose fictions, including published and unpublished works, with a focus on the genetic development of his artistic practices and their relationship to his interests in history, memory, and exile"-- Machine generated contents note: -- Introduction: Sebald's Literary Séance -- 1. Wittgenstein's Ghost: Toward Understanding Sebald's Literary Turn -- 2. The Birth of the Prose Fictionalizer from the Spirit of Biographical Criticism: Schwindel. Gefühle -- 3. Sebald's Literary Refinement: "Dr. Henry Selwyn" and Its Textual Predecessor -- 4. Neither Here Nor There: Exile as Dis-Placement in "Dr. Henry Selwyn" -- 5. Sebald's Ectopia: Homelessness and Alienated Heritage in "Max Aurach"/"Max Ferber" -- 6. Fabulation and Metahistory: W. G. Sebald and the Problematic of Contemporary (German) Holocaust Fiction -- 7. Sebald's Segues: Performing Narrative Contingency in Die Ringe des Saturn -- 8. Writing at the Roche Limit: Order and Entropy in Die Ringe des Saturn -- 9. Narrating Environmental Catastrophe: Ecopsychology and Ecological Apocalypse in Sebald's Corsica Project -- Bibliography -- Index

     
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    Quelle: Verbundkataloge
    Beteiligt: Sebald, W. G. (ErwähnteR)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781501330025; 9781501330018; 9781501330001
    Weitere Identifier:
    Schriftenreihe: New directions in German studies ; 19
    Schlagworte: Collective memory and literature; Literature and history; Memory in literature; Exiles in literature; Collective memory and literature; Exiles in literature; Memory in literature; Literature and history
    Weitere Schlagworte: Sebald, W. G (1944-2001); Sebald, W. G (1944-2001)
    Umfang: 1 Online-Ressource (viii, 450 p), Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index
  16. Representation and memory in graphic novels
    Autor*in: Nabizadeh, Golnar
    Erschienen: 2019
    Verlag:  Routledge, London ; New York

    Comics, memory, and the visual archive - Migrant memories in Henry Yoshitaka Kiyama's The Four Immigrants manga, and The Arrival by Shaun Tan - Racism and cultural after-lives: American born Chinese by Gene Luen Yang and Pat Grant's Blue - Narrating... mehr

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    Comics, memory, and the visual archive - Migrant memories in Henry Yoshitaka Kiyama's The Four Immigrants manga, and The Arrival by Shaun Tan - Racism and cultural after-lives: American born Chinese by Gene Luen Yang and Pat Grant's Blue - Narrating trauma in Marjane Satrapi's Persepolis - Memories of illness in epileptic by David B. and Stitches by David Small - Multimodal memories: the photographer: into war-torn Afghanistan with Doctors Without Borders by Guibert et al and Ari Folman's Waltz with Bashir - Comics online: memories from the exclusion zone in At work inside our detention centres: A Guard's Story by Wallman et al, and Villawood by Safdar Ahmed. ; Introduction "This book analyses the relationship between comics and cultural memory. By focusing on a range of landmark comics from the 20th and 21st centuries, the discussion draws attention to the ongoing role of visual culture in framing testimony, particularly in relation to underprivileged subjects such as migrants and refugees, individuals dealing with war and oppressive regimes, and individuals living with particular health conditions."--

     
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    Sprache: Englisch
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    ISBN: 9781472481566; 9780367670795
    RVK Klassifikation: EC 7120 ; AP 88832
    Schriftenreihe: Memory studies: Global constellations ; 11
    Schlagworte: Graphic novels; Collective memory and literature; Memory in literature; Kollektives Gedächtnis; Comicroman
    Weitere Schlagworte: Ahmed, Safdar; Kiyama, Henry Yoshitaka (1885-1951); Polonsḳi, Daṿid (1973-); Tan, Shaun (1974-); Small, David (1945-); Grant, Pat (1981-); B., David (1959-); Yang, Gene Luen (1973-); Folman, Ari (1962-)
    Umfang: ix, 198 Seiten, Illustrationen
  17. Musical biographies
    the music of memory in post-1945 German literature
    Autor*in: Ben-Horin, Michal
    Erschienen: April 2016
    Verlag:  De Gruyter, Berlin

    Since the second half of the twentieth century various routes, including history and literature, are offered in dealing with the catastrophe of World War II and the Holocaust. Historiographies and novels are of course written with words; how can they... mehr

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    Since the second half of the twentieth century various routes, including history and literature, are offered in dealing with the catastrophe of World War II and the Holocaust. Historiographies and novels are of course written with words; how can they bear witness to and reverberate with traumatic experience that escapes or resists language? In search for an alternative mode of expression and representation, this volume focuses on postwar German and Austrian writers who made use of music in their exploration of the National Socialist past. Their works invoke, however, new questions: What happens when we cross the line between narration and documentation, and between memory and a musical piece? How does identification and fascination affect our reading of the text? What kind of ethical issues do these testimonies raise? As this volume shows, reading these musical biographies is both troubling and compelling since they ‘fail’ to come to terms with the past. In playing the haunting music that does not let us put the matter to rest, they call into question not only the exclusion of personal stories by official narratives, but also challenge writers’ and readers’ most intimate perspectives on an unmasterable past

     
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    Sprache: Englisch
    Medientyp: Aufsatz aus einem Sammelband
    Format: Online
    ISBN: 9783110460933
    Weitere Identifier:
    Übergeordneter Titel: Title is part of eBook package: EBOOK PACKAGE Literary, Cultural and Area Studies 2016; De Gruyter
    Title is part of eBook package: EBOOK PACKAGE COMPLETE 2016; De Gruyter
    Schriftenreihe: Interdisciplinary German cultural studies ; 20
    Schlagworte: German fiction; Music and literature; Music and literature; Memory in literature
    Umfang: 1 Online-Ressource (181 Seiten)
    Bemerkung(en):

    Includes bibliographical references and index

    :
  18. German Student Movement and the Literary Imagination, The
    Transnational Memories of Protest and Dissent
    Autor*in: Rinner, Susanne
    Erschienen: 2013
    Verlag:  Berghahn Books, New York

    Through a close reading of novels by Ulrike Kolb, Irmtraud Morgner, Emine Sevgi Özdamar, Bernhard Schlink, Peter Schneider, and Uwe Timm, this book traces the cultural memory of the 1960s student movement in German fiction, revealing layers of... mehr

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    Through a close reading of novels by Ulrike Kolb, Irmtraud Morgner, Emine Sevgi Özdamar, Bernhard Schlink, Peter Schneider, and Uwe Timm, this book traces the cultural memory of the 1960s student movement in German fiction, revealing layers of remembering and forgetting that go beyond conventional boundaries of time and space. These novels engage this contestation by constructing a palimpsest of memories that reshape readers' understanding of the 1960s with respect to the end of the Cold War, the legacy of the Third Reich, and the Holocaust. Topographically, these novels refute assertions t

     
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    Sprache: Englisch
    Medientyp: Ebook
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    ISBN: 9780857457547
    Schriftenreihe: Protest, Culture & Society
    Protest, Culture and Society Ser ; v.9
    Schlagworte: German fiction ; 20th century ; History and criticism; Literature and transnationalism; Memory in literature; Opposition (Political science) in literature; Social change in literature; Social conflict in literature; Student movements in literature; Electronic books
    Umfang: Online-Ressource (180 p)
    Bemerkung(en):

    Description based upon print version of record

    Introduction. Trans/national memories of 1968Remember? 1968 in German fiction -- Forget it? 1968 in East Germany -- Transatlantic encounters between Germany and the United States as intercultural exchange and generational conflict -- Transnational memories: 1968 and Turkish-German authors -- Conclusion. Continued taboos, confirmed canons.

    Electronic reproduction; Available via World Wide Web
  19. Holocaust drama
    the theater of atrocity
    Autor*in: Plunka, Gene A.
    Erschienen: 2009
    Verlag:  Cambridge University Press, Cambridge

    The Holocaust - the systematic attempted destruction of European Jewry and other 'threats' to the Third Reich from 1933 to 1945 - has been portrayed in fiction, film, memoirs, and poetry. Gene Plunka's study will add to this chronicle with an... mehr

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    The Holocaust - the systematic attempted destruction of European Jewry and other 'threats' to the Third Reich from 1933 to 1945 - has been portrayed in fiction, film, memoirs, and poetry. Gene Plunka's study will add to this chronicle with an examination of the theatre of the Holocaust. Including thorough critical analyses of more than thirty plays, this book explores the seminal twentieth-century Holocaust dramas from the United States, Europe, and Israel. Biographical information about the playwrights, production histories of the plays, and pertinent historical information are provided, placing the plays in their historical and cultural contexts Introduction -- Staging the banality of evil -- Culture and the Holocaust -- The Holocaust as literature of the body -- Transcending the Holocaust -- Marxism and the Holocaust -- Aryan responsibility during the Holocaust, I -- Aryan responsibility during the Holocaust, II -- Heroism and moral responsibility in the ghettoes -- Dignity in the concentration camps -- Holocaust survivors in the United States and Israel -- The survivor syndrome and the effects of the Holocaust on survivor families -- Holocaust survivor memory -- The Holocaust and collective memory

     
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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511576591
    Weitere Identifier:
    RVK Klassifikation: EC 7507 ; HU 1771
    Schriftenreihe: Cambridge studies in modern theatre
    Schlagworte: Holocaust, Jewish (1939-1945), in literature; Atrocities in literature; Jews in literature; Memory in literature; Holocaust, Jewish (1939-1945); Theater; Drama; Drama ; 20th century ; History and criticism; Theater ; History ; 20th century; Holocaust, Jewish (1939-1945), in literature; Atrocities in literature; Jews in literature; Memory in literature; Holocaust, Jewish (1939-1945) ; Psychological aspects
    Umfang: 1 Online-Ressource (vi, 447 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  20. Memory in Vergil's Aeneid
    creating the past
    Autor*in: Seider, Aaron M.
    Erschienen: 2013
    Verlag:  Cambridge University Press, Cambridge [u.a.]

    Turning toward rome -- The challenge of Troy -- A personal affair: memories of Dido -- The narrator's song -- Imperatives of memory: foundation and fury in Aeneid mehr

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    Turning toward rome -- The challenge of Troy -- A personal affair: memories of Dido -- The narrator's song -- Imperatives of memory: foundation and fury in Aeneid

     
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    Quelle: Herzog August Bibliothek Wolfenbüttel
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781107031807; 110703180X
    RVK Klassifikation: FX 178105
    Schlagworte: Memory in literature; Epic poetry, Latin; Memory in literature; Epic poetry, Latin
    Weitere Schlagworte: Virgil: Aeneis; Virgil
    Umfang: X, 229 S., 23 cm
    Bemerkung(en):

    Includes bibliographical references and index

    Turning toward rome -- The challenge of Troy -- A personal affair: memories of Dido -- The narrator's song -- Imperatives of memory: foundation and fury in Aeneid.
  21. Persistent legacy
    the Holocaust and German studies
    Autor*in:
    Erschienen: [2016]; © 2016
    Verlag:  Camden House, Rochester, New York

    "In studies of Holocaust representation and memory, scholars of literature and culture traditionally have focused on particular national contexts. At the same time, recent work has brought the Holocaust into the arena of the transnational, leading to... mehr

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    "In studies of Holocaust representation and memory, scholars of literature and culture traditionally have focused on particular national contexts. At the same time, recent work has brought the Holocaust into the arena of the transnational, leading to a crossroads between localized and global understandings of Holocaust memory. Further complicating the issue are generational shifts that occur with the passage of time, and which render memory and representations of the Holocaust ever more mediated, commodified, and departicularized. Nowhere is the inquiry into Holocaust memory more fraught or potentially more productive than in German Studies, where scholars have struggled to address German guilt and responsibility while doing justice to the global impact of the Holocaust, and are increasingly facing the challenge of engaging with the broader, interdisciplinary, transnational field. Persistent Legacy connects the present, critical scholarly moment with this long disciplinary tradition, probing the relationship between German Studies and Holocaust Studies today. Fifteen prominent scholars explore how German Studies engages with Holocaust memory and representation, pursuing critical questions concerning the borders between the two fields and how they are impacted by emerging scholarly methods, new areas of inquiry, and the changing place of Holocaust memory in contemporary Germany."-- Introduction / Jennifer M. Kapczynski and Erin McGlothlin -- Part I. Abiding challenges -- Never over, over and over / Jennifer M. Kapczynski -- The voice of the perpetrator, the voices of the survivors / Erin McGlothlin -- Part II. The Holocaust in German Studies in the North American and the German contexts -- Teaching Holocaust memories as part of "Germanistik" / Stephan Braese -- "Aber das ist Alles Vergangenheitsbewaltigung": German Studies' "Holocaust Bubble" and its literary aftermath / William Collins Donahue -- Part III. Disentangling "German," "Jewish," and "Holocaust" memory -- Epistemology of the hyphen: German-Jewish-Holocaust studies / Leslie Morris -- Writing before the Shoah, and reading after: Charlotte Salomon's Life? or theater? and its reception / Liliane Weissberg -- The power of paratext: Jewish authorship and testimonial authority in Benjamin Stein's Die Leinwand / Katja Garloff -- Part IV. Descendant narratives of survival and perpetration -- Identifying with the victims in the land of the perpetrators: Iris Hanika's Das Eigentliche and Kevin Vennemann's Nahe Jedenew / Sven Kramer -- Laying claim to painful truths in survivor- and perpetrator-family memoirs / Irene Kacandes -- Pinpointing evil: Nazi family photographs, remediated / Brad Prager -- Fritz Moeller's Harlan: Im Schatten von Jud Suss as family drama / David Bathrick -- Part V. Remediated icons of memory -- Goebbels's fear and legacy: Babelsberg and its Berlin street as cinematic memory place / Tobias Ebbrecht-Hartmann -- Hitler in the age of irony: Timur Vermes's Er ist wieder da / Michael D. Richardson -- Part VI. Holocaust memory in post-Holocaust traumas -- Remembering genocide in the digital age: the afterlife of the Holocaust in Rwanda / Karen Remmler -- The memory work of William Kentridge's Shadow Processions and his drawings for projection / Andreas Huyssen

     
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  22. Underworlds of memory
    W. G. Sebald's epic journeys through the past
    Autor*in: Itkin, Alan
    Erschienen: 2017
    Verlag:  Northwestern University Press, Evanston, Illinois

    Introduction. Sebald's modern epics -- Katabasis : space and memory -- Classical underworlds as spaces of memory -- Sebald's underworlds of memory -- Ekphrasis : history and representation -- Staging poetic theory in encounters with works of art --... mehr

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    Introduction. Sebald's modern epics -- Katabasis : space and memory -- Classical underworlds as spaces of memory -- Sebald's underworlds of memory -- Ekphrasis : history and representation -- Staging poetic theory in encounters with works of art -- "A synoptic and artificial view" -- Nostos : exile and closure -- Exile as a disturbance of memory -- Sebald's epics without homecoming -- Conclusion. Epic today

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Dissertation
    Format: Druck
    ISBN: 9780810134805; 9780810134812
    Schlagworte: German literature; Memory in literature; Epic literature
    Weitere Schlagworte: Sebald, W. G (1944-2001)
    Umfang: ix, 257 pages
    Bemerkung(en):

    Revised version of the author's dissertation

    Includes bibliographical references and index

    Dissertation, University of Michigan, 2011
  23. Witnessing, memory, poetics
    H.G. Adler and W.G. Sebald
    Autor*in:
    Erschienen: 2014
    Verlag:  Boydell & Brewer, Suffolk

    Since 1945, authors and scholars have intensely debated what form literary fiction about the Holocaust should take. The works of H. G. Adler (1910-1988) and W. G. Sebald (1944-2001), two modernist scholar-poets who settled in England but never met,... mehr

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    Since 1945, authors and scholars have intensely debated what form literary fiction about the Holocaust should take. The works of H. G. Adler (1910-1988) and W. G. Sebald (1944-2001), two modernist scholar-poets who settled in England but never met, present new ways of reconceptualizing the nature of witnessing, literary testimony, and the possibility of a "poetics" after Auschwitz. Adler, a Czech Jew who survived Theresienstadt and Auschwitz, was a prolific writer of prose and poetry, but his work remained little known until Sebald, possibly the most celebrated German writer of recent years, cited it in his 2001 novel, Austerlitz. Since then, a rediscovery of Adler has been under way. This volume of essays by international experts on Adler and Sebald investigates the connections between the two writers to reveal a new hybrid paradigm of writing about the Holocaust that advances our understanding of the relationship between literature, historiography, and autobiography. In doing so, the volume also reflects on the wider literary-political implications of Holocaust representation, demonstrating the shifting norms in German-language "Holocaust literature." Contributors: Jeremy Adler, Jo Catling, Peter Filkins, Helen Finch, Frank Finlay, Kirstin Gwyer, Katrin Kohl, Michael Krüger, Martin Modlinger, Dora Osborne, Ruth Vogel-Klein, Lynn L. Wolff. Helen Finch is an Academic Fellow in German at the University of Leeds. Lynn L. Wolff is an Alexander von Humboldt Research Fellow in German at the University of Stuttgart

     
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    Quelle: Verbundkataloge
    Beteiligt: Finch, Helen Cleugh (HerausgeberIn); Wolff, Lynn L. (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781782043287
    RVK Klassifikation: GN 2572 ; GN 9999
    Schlagworte: Literature and history; Memory in literature; Psychic trauma in literature; Collective memory and literature; Holocaust, Jewish (1939-1945), in literature; Adler, H. G ; Criticism and interpretation; Sebald, W. G ; (Winfried Georg) ; 1944-2001 ; Criticism and interpretation; Holocaust, Jewish (1939-1945), in literature; Literature and history; Memory in literature; Psychic trauma in literature; Collective memory and literature
    Weitere Schlagworte: Sebald, W. G (1944-2001); Adler, H. G
    Umfang: 1 Online-Ressource (x, 322 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    Helen Finch and Lynn l. Wolff: Introduction: the Adler-Sebald intertextual relationship as paradigm for intergenerational literary testimony

    Jeremy Adler: Intertexts in context. Opening address : the connections between H.G. Adler and W.G. Sebald, from a personal perspective

    Peter Filkins: Memory's witness--witnessing memory

    Jo Catling: Writing the medusa : a documentation of H.G. Adler and Theresienstadt in W.G. Sebald's library

    Katrin Kohl: Witnessing trauma and the poetics of witnessing. Poetics of bearing witness : H.G. Adler and W.G. Sebald

    Kirstin Gwyer: "Schmerzensspuren der geschichte(n)" : memory and intertextuality in H.G. Adler and W.G. Sebald

    Lynn l. Wolff: "Der autor zwischen literatur und politik" : H.G. Adler's "engagement" and W.G. Sebald's "restitution"

    Dora Osborne: Memory, memorialization and the re-presentation of history. Memory, witness, and the (Holocaust) Museum in H.G. Adler and W.G. Sebald

    Ruth Vogel-Klein: History, emotions, literature : the representation of Theresienstadt in H.G. Adler's Theresienstadt 1941-1945, antlitz einer zwangsgemeinschaft and W.G. Sebald's Austerlitz

    Martin Modlinger: Literary legacies and networks. The Kafkaesque in H.G. Adler's and W.G. Sebald's literary historiographies

    Helen Finch: Generational conflicts, generational affinities : Broch, Adorno, Adler, Sebald

    Frank Finlay: "Der verwerfliche literaturbetrieb unserer epoche" : H.G. Adler and the postwar West German "literary field"

    Michael Kruger.: Afterword
  24. Europäische Memoiren
    Festschrift für Dolf Oehler = Mémoires européens
    Autor*in:
    Erschienen: 2008
    Verlag:  Bonn Univ. Press, Bonn ; V & R Unipress, Göttingen

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    Beteiligt: Bolln, Frauke (Hrsg.); Oehler, Dolf (GefeierteR)
    Sprache: Deutsch; Englisch; Französisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9783899714807
    Weitere Identifier:
    9783899714807
    Übergeordneter Titel:
    RVK Klassifikation: EC 1090 ; EC 7440 ; LB 16000
    Schlagworte: Autobiography; Autobiographical fiction, European; European literature; Memory in literature
    Umfang: 420 S., Ill., 240 mm x 158 mm
    Bemerkung(en):

    Beitr. teilw. dt., teilw. franz., teilw. engl. - Literaturangaben
  25. Günter Grass and the genders of German memory
    from The tin drum to Peeling the onion
    Autor*in: Malchow, Timothy Bruce
    Erschienen: 2021
    Verlag:  Camden House, Rochester, NY

    The first book to examine the connection between gender and memory in Grass's oeuvre, which is especially timely in light of current concerns about male privilege. mehr

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    The first book to examine the connection between gender and memory in Grass's oeuvre, which is especially timely in light of current concerns about male privilege.

     
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    Format: Online
    ISBN: 9781800100404; 9781640140851
    Schriftenreihe: Culture and power in German-speaking Europe, 1918-1989
    Schlagworte: Grass, Günter ; 1927-2015 ; Criticism and interpretation; Sex role in literature; Memory in literature
    Umfang: 1 online resource (x, 246 pages), digital, PDF file(s).
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 04 Mar 2021)