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  1. Cupid in early modern literature and culture
    Erschienen: 2010
    Verlag:  Cambridge University Press, Cambridge [u.a.]

    "Cupid became a popular figure in the literary and visual culture of post-Reformation England. He served to articulate and debate the new Protestant theory of desire, inspiring a dark version of love tragedy in which Cupid kills. But he was also... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 A 813809
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Freiburg
    GE 2012/5828
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    2011 A 1451
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    A 2010/11224
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Heidelberg
    2011 A 26
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Herzog August Bibliothek Wolfenbüttel
    60.3455
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Cupid became a popular figure in the literary and visual culture of post-Reformation England. He served to articulate and debate the new Protestant theory of desire, inspiring a dark version of love tragedy in which Cupid kills. But he was also implicated in other controversies, as the object of idolatrous, Catholic worship and as an adversary to female rule: Elizabeth I's encounters with Cupid were a crucial feature of her image-construction and changed subtly throughout her reign. Covering a wide variety of material such as paintings, emblems and jewellery, but focusing mainly on poetry and drama, including works by Sidney, Shakespeare, Marlowe and Spenser, Kingsley-Smith illuminates the Protestant struggle to categorise and control desire and the ways in which Cupid disrupted this process. An original perspective on early modern desire, the book will appeal to anyone interested in the literature, drama, gender politics and art history of the English Renaissance"-- Machine generated contents note: Introduction; 1. Cupid, art and idolatry; 2. Cupid, death and tragedy; 3. Cupid, chastity and rebellious women; 4. Cupid and the boy: the pleasure and pain of boy-love; 5. 'Cupid and Psyche': the return of the sacred?

     

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    Hinweise zum Inhalt
    Quelle: Herzog August Bibliothek Wolfenbüttel
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780521767613; 052176761X
    Weitere Identifier:
    9780521767613
    RVK Klassifikation: HI 1161
    Schlagworte: Desire in literature; English literature; Love in literature; Sex role in literature; Art in literature; Iconoclasm in literature; Iconoclasm; Art and literature; Englisch; Literatur; Cupido; Liebe; Geschichte 1500-1640; Cupid (Roman deity) in literature; Desire in literature; Cupid (Roman deity) in art; Desire in art; Reformation; Reformation and art; Sex
    Weitere Schlagworte: Cupid (Roman deity)
    Umfang: X, 264 S., Ill., 24 cm
    Bemerkung(en):

    Literaturverzeichnis S. 231 - 259

  2. Image, text, and religious reform in fifteenth-century England
    Erschienen: 2010
    Verlag:  Cambridge University Press, Cambridge [u.a.]

    "Focusing on the period between the Wycliffite critique of images and Reformation iconoclasm, Shannon Gayk investigates the sometimes complementary and sometimes fraught relationship between vernacular devotional writing and the religious image. She... mehr

    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    2010 A 18339
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    MK 16 in Arbeit
    keine Fernleihe
    Universitätsbibliothek Kiel, Zentralbibliothek
    Alte Abteilung | 829/15 | GAY | Ima
    keine Fernleihe
    Herzog August Bibliothek Wolfenbüttel
    61.1121
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Focusing on the period between the Wycliffite critique of images and Reformation iconoclasm, Shannon Gayk investigates the sometimes complementary and sometimes fraught relationship between vernacular devotional writing and the religious image. She examines how a set of fifteenth-century writers, including Lollard authors, John Lydgate, Thomas Hoccleve, John Capgrave, and Reginald Pecock, translated complex clerical debates about the pedagogical and spiritual efficacy of images and texts into vernacular settings and literary forms. These authors found vernacular discourse to be a powerful medium for explaining and reforming contemporary understandings of visual experience. In its survey of the function of literary images and imagination, the epistemology of vision, the semiotics of idols, and the authority of written texts, this study reveals a fifteenth century that was as much an age of religious and literary exploration, experimentation, and reform as it was an age of regulation"--

     

    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Herzog August Bibliothek Wolfenbüttel
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780521190800
    RVK Klassifikation: HH 4061
    Schriftenreihe: Cambridge studies in medieval literature ; 81
    Schlagworte: English literature; Iconoclasm in literature; Idols and images in literature; Visual perception in literature; Iconoclasm; Religion and literature
    Umfang: viii, 254 p
    Bemerkung(en):

    Includes bibliographical references and index

    Machine generated contents note: Introduction. Reformations of the image; 1. Lollard iconographies; 2. Hoccleve's spectacles; 3. Lydgate's refigurations of the image; 4. Capgrave's material memorials; 5. Pecock's libri laicorum; Coda. Words for images.