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  1. Politics and culture in twentieth-century Germany
    Autor*in:
    Erschienen: 2003
    Verlag:  Boydell & Brewer, Suffolk

    The cultural history of 20th-century Germany, more perhaps than that of any other European country, was decisively influenced by political forces and developments. This volume of essays focuses on the relationship between German politics and culture,... mehr

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    The cultural history of 20th-century Germany, more perhaps than that of any other European country, was decisively influenced by political forces and developments. This volume of essays focuses on the relationship between German politics and culture, which is most obvious in the case of the Third Reich and the German Democratic Republic, where the one-party control of all areas of life was extended to the arts; these were expected to conform to the ideals of the day. But the relationship between politics and the arts has not always been one purely of coercion, censorship, collusion, and opportunism. Many writers greeted the First World War with quite voluntary enthusiasm; others conjured up the National Socialist revolution in intense Expressionist images long before 1933. The GDR was heralded by writers returning from Nazi exile as the anti-fascist answer to the Third Reich. And in West Germany, politics did not dictate artistic norms, nor was it greeted with any great enthusiasm among intellectuals, but writers did tend to ally themselves with particular parties. To an extent, the pre-1990 literary establishment in the Federal Republic was dominated by a left-liberal consensus that German division was the just punishment for Auschwitz. United Germany began its existence with a fierce literary debate in 1990-92, with leading literary critics arguing that East and West German literature had basically shored up the political order in the two countries. Now a new literature was required, one that was free of ideology, intensely subjective and experimental in its aesthetic. In 1998, the author Martin Walser called for an end to the author's role as "conscience of the nation" and for the right to subjective experience. This is the first book to examine this crucial relationship between politics and culture in Germany. William Niven and James Jordan are readers in German at the University of Nottingham Trent

     
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    Beteiligt: Niven, William John; Jordan, James
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571136220; 9781571132239
    Schlagworte: Geschichte; German literature / 20th century / History and criticism; Politics and literature / Germany / History / 20th century; Politics and culture / Germany / History / 20th century; Politik <Motiv>; Literatur; Deutsch
    Umfang: 1 online resource (vi, 274 pages)
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  2. Representing the "good German" in literature and culture after 1945
    altruism and moral ambiguity
    Autor*in:
    Erschienen: 2013
    Verlag:  Boydell & Brewer, Suffolk

    In the aftermath of the Second World War, both the allied occupying powers and the nascent German authorities sought Germans whose record during the war and the Nazi period could serve as a counterpoint to the notion of Germans as evil. That search... mehr

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    In the aftermath of the Second World War, both the allied occupying powers and the nascent German authorities sought Germans whose record during the war and the Nazi period could serve as a counterpoint to the notion of Germans as evil. That search has never really stopped. In the past few years, we have witnessed a burgeoning of cultural representations of this "other" kind of Third Reich citizen - the "good German" - as opposed to the committed Nazi or genocidal maniac. Such representations have highlighted individuals' choices in favor of dissenting behavior, moral truth, or at the very least civil disobedience. The "good German's" counterhegemonic practice cannot negate or contradict the barbaric reality of Hitler's Germany, but reflects a value system based on humanity and an "other" ideal community. This volume of new essays explores postwar and recent representations of "good Germans" during the Third Reich, analyzing the logic of moral behavior, cultural and moral relativism, and social conformity found in them. It thus draws together discussions of the function and reception of "Good Germans" in Germany and abroad. Contributors: Eoin Bourke, Manuel Bragança, Maeve Cooke, Kevin De Ornellas, Sabine Egger, Joachim Fischer, Coman Hamilton, Jon Hughes, Karina von Lindeiner-Strásky, Alexandra Ludewig, Pól O Dochartaigh, Christiane Schönfeld, Matthias Uecker. Pól O Dochartaigh is Professor of German and Dean of the Faculty of Arts at the University of Ulster, Northern Ireland. Christiane Schönfeld is Senior Lecturer in German and Head of the Department of German Studies at Mary Immaculate College, University of Limerick

     
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    Beteiligt: Ó Dochartaigh, Pól; Schönfeld, Christiane
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571137876; 9781571134981
    Schlagworte: Philosophie; Literature and morals / Germany; German literature / 20th century / History and criticism; Germans in literature; Germans in motion pictures; Identity (Psychology) / Germany; Medien; Deutsche <Motiv>; Film; Nationalsozialismus; Ethik <Motiv>; Literatur
    Umfang: 1 online resource (viii, 261 pages)
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  3. Aging and Old-Age Style in Günter Grass, Ruth Klüger, Christa Wolf, and Martin Walser
    the mannerism of a late period
    Autor*in: Taberner, Stuart
    Erschienen: 2013
    Verlag:  Boydell & Brewer, Suffolk

    Demographers say that by the year 2060, every seventh person in Germany will be aged eighty or older, and every third person over sixty-five. The prediction for other Western countries is scarcely different. Indeed, the aging society is seen by some... mehr

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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Demographers say that by the year 2060, every seventh person in Germany will be aged eighty or older, and every third person over sixty-five. The prediction for other Western countries is scarcely different. Indeed, the aging society is seen by some as a graver threat than even global warming, with potentially unmanageable tensions relating to intergenerational relationships, work and benefits, and flows of people. This book explores the representation and performance of aging in recent "late-style" German-language fiction. It situates the authors chosen as case studies -- Günter Grass, Ruth Klüger, Christa Wolf, and Martin Walser -- in their biographical and social contexts and explores the significance of their aesthetic figuring of aging for debates raging both in Germany and internationally. In particular, the book looks at gender, generations, and trauma and their impact on how writers "narrativize" aging. Finally, it examines the "timeliness" of these different representations and late-style performances of aging in the context of the shift of social, political, and economic power away from the declining societies of the West to the ascendant societies of the East. Stuart Taberner is Professor of Contemporary German Literature, Culture, and Society at the University of Leeds

     
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  4. Born under Auschwitz
    melancholy traditions in postwar German literature
    Autor*in: Cosgrove, Mary
    Erschienen: 2014
    Verlag:  Boydell & Brewer, Suffolk

    In German Studies the literary phenomenon of melancholy, which has a longstanding and diverse history in European letters, has typically been associated with the Early Modern and Baroque periods, Romanticism, and the crisis of modernity. This... mehr

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    In German Studies the literary phenomenon of melancholy, which has a longstanding and diverse history in European letters, has typically been associated with the Early Modern and Baroque periods, Romanticism, and the crisis of modernity. This association, alongside the dominant psychoanalytical view of melancholy in German memory discourses since the 1960s, has led to its neglect as an important literary mode in postwar German literature, a situation the present book seeks to redress by identifying and analyzing epochal postwar works that use melancholy traditions to comment on German history in the aftermath of the Holocaust. It focuses on five writers - Günter Grass, Wolfgang Hildesheimer, Peter Weiss, W. G. Sebald, and Iris Hanika - who reflect on the legacy of Auschwitz as intellectuals trying to negotiate a relationship to the past based on the stigma of belonging to a perpetrator collective (Grass, Sebald, Hanika) or, broadly speaking, to the victim collective (Weiss, Hildesheimer), in order to develop a melancholy ethics of memory for the Holocaust and the Nazi past. It will appeal to scholars and students of German Studies,Comparative Literature, Cultural Studies, Cultural Memory, and Holocaust Studies. Mary Cosgrove is Reader in German at the University of Edinburgh

     
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    ISBN: 9781571138897; 9781571135568
    Schlagworte: German literature / 20th century / History and criticism; Melancholy in literature; Judenvernichtung <Motiv>; Melancholie <Motiv>; Literatur; Deutsch
    Weitere Schlagworte: Hanika, Iris (1962-); Weiss, Peter (1916-1982); Sebald, W. G. (1944-2001); Gross, Günter F.; Hildesheimer, Wolfgang (1916-1991)
    Umfang: 1 online resource (x, 234 pages)
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  5. German literary culture at the zero hour
    Autor*in: Brockmann, Stephen
    Erschienen: 2004
    Verlag:  Boydell & Brewer, Suffolk

    In the immediate aftermath of the Second World War, German intellectuals and writers were forced to confront perhaps the most difficult complex of problems ever faced by modern intellectuals in the western world: the complete defeat and devastation... mehr

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    In the immediate aftermath of the Second World War, German intellectuals and writers were forced to confront perhaps the most difficult complex of problems ever faced by modern intellectuals in the western world: the complete defeat and devastation of their country, the crimes of the Hitler dictatorship, the onset of the Cold War, and ultimately the political division of the nation. To a large extent these debates took place in literature and literary discourse, and they continue to have pressing relevance for Germany today, when the country is rediscovering and exploring this previously neglected period in literature and film. Yet the period has been neglected in scholarship, and is little understood; for the first time in English, this book offers a systematic overview of the hotly contested intellectual debates of this period: the problem of German guilt, the question of the return of literary and political émigrés such as Thomas Mann, the relevance of the cultural tradition of German humanism for the postwar period, the threat of nihilism, the politicization of literature, and the status of German young people who had been indoctrinated by the Nazis. Stephen Brockmann challenges the received wisdom that the immediate postwar period in Germany was intellectually barren, characterized primarily by silence on the major issues of the day; he reveals, in addition to attempts to obfuscate those issues, a German intellectual-and literary-world characterized by an often high level of dialogue and debate. Stephen Brockmann is professor of German at Carnegie Mellon University. He is the recipient of the 2007 DAAD (German Academic Exchange Service) Prize for Distinguished Scholarship in German and European Studies/Humanities

     
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    ISBN: 9781571136527; 9781571132987
    Schlagworte: Geschichte; German literature / 20th century / History and criticism; Literature and society / Germany / History / 20th century; Authors, German / 20th century / Political and social views
    Umfang: 1 online resource (xi, 295 pages)
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  6. German literature of the 1990s and beyond
    normalization and the Berlin Republic
    Autor*in: Taberner, Stuart
    Erschienen: 2005
    Verlag:  Boydell & Brewer, Suffolk

    This book presents a comprehensive, lively account of recent developments in German fiction at a moment when-for the first time in many years-German authors are once again the subject of international attention and acclaim. It introduces... mehr

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    This book presents a comprehensive, lively account of recent developments in German fiction at a moment when-for the first time in many years-German authors are once again the subject of international attention and acclaim. It introduces English-speaking audiences to the complex dilemmas that are shaping the ways in which Germans are presently defining themselves, their difficult past, and the new 'Berlin Republic.' The theme that runs throughout the volume is the ongoing debate on German 'normalization.' In offering a wide-ranging consideration of contemporary German literature, the book complements a broad discussion of trends in present-day German politics, society, and culture with detailed readings of texts by internationally renowned figures as W. G. Sebald, Günter Grass, Martin Walser, Marcel Beyer, Ingo Schulze, Judith Hermann, Thomas Brussig, and Bernhard Schlink, and by newer, emerging writers. Topics include the literary debates of the 1990s, the literary market and marketing, literary responses to the former East and West Germany in the age of globalization and to the Nazi past and portrayals of 'ordinary Germans,' depictions of 'German wartime suffering,' contemporary writing on 'Jewish fates' and efforts to revive the 'German-Jewish symbiosis,' and finally, the recent wave of writing about the provinces. Stuart Taberner is a Senior Lecturer in the Department of German at the University of Leeds, UK.

     
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    ISBN: 9781571136725; 9781571132895
    Schlagworte: German literature / 20th century / History and criticism; German literature / 21st century / History and criticism
    Umfang: 1 online resource (xxvii, 289 pages)
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  7. Imagining the age of Goethe in German literature, 1970-2010
    Autor*in: Pizer, John David
    Erschienen: 2011
    Verlag:  Boydell & Brewer, Suffolk

    The Age of Goethe is widely viewed as the apogee of German culture. Its writers and thinkers, especially Goethe, have been exalted as role models for life and art, particularly after 1945. Yet in the 1970s, a new generation of German writers in both... mehr

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    The Age of Goethe is widely viewed as the apogee of German culture. Its writers and thinkers, especially Goethe, have been exalted as role models for life and art, particularly after 1945. Yet in the 1970s, a new generation of German writers in both East and West rebelled against the postwar hagiography, taking up a tradition of imaginatively engaging with the giants of the period, casting them in major roles in their works in order to critique the nation's past and its present, a tradition that has been carried on by more contemporary writers. This is the first book-length study devoted to modern German 'author-as-character' fiction set in the Age of Goethe. It shows for the first time in a sustained manner the powerful hold the 'Goethezeit' continues to exercise on the imagination of many of Germany's leading writers. This inner-German dialogue across the ages provides an important corrective to the dominant critical view that contemporary German-language literature is composed primarily under the sign of both globalization and the influence of mass American culture. The book will be of interest to both scholars of the 'Goethezeit' and of contemporary German literature and culture. John D. Pizer is Professor of German and Comparative Literature at Louisiana State University

     
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  8. Novels of Turkish German settlement
    cosmopolite fictions
    Autor*in: Cheesman, Tom
    Erschienen: 2007
    Verlag:  Boydell & Brewer, Suffolk

    Germany has become home to some 2.5 million people of Turkish background since mass recruitments in the 1960s and 1970s to man the 'economic miracle.' An increasingly settled Turkish German population now asserts a permanent place in Germany: over a... mehr

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    Germany has become home to some 2.5 million people of Turkish background since mass recruitments in the 1960s and 1970s to man the 'economic miracle.' An increasingly settled Turkish German population now asserts a permanent place in Germany: over a third were born there, and a third have German citizenship. At the same time, Turkish German writers have become integral to the German literary scene. They include bestselling novelists Renan Demirkan and Akif Pirinçci; prestigious literary prize-winners Emine Sevgi özdamar and Feridun Zaimoglu; and the critically acclaimed Aras ören and Zafer Senocak. Tom Cheesman focuses on these and other writers' perspectives on cosmopolitan ideals and aspirations, ranging from glib affirmation to cynical transgression and melancholy nihilism. People of Turkish background are still not always recognized as equal participants in German life, but Turkish German writers' interventions defy marginalizing concepts such as 'literature of migration' or 'intercultural literature.' What Cheesman calls their 'literature of settlement' is paradigmatic for European cultures adapting to diversity and negotiating new identities. He shows German culture to have moved decisively beyond such "polite fictions" as the term 'guest worker' or the slogan 'not a country of immigration.' Tom Cheesman is Senior Lecturer in German at Swansea University, Wales

     
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    Format: Online
    ISBN: 9781571137050; 9781571133748
    Schlagworte: Geschichte; German literature / Turkish authors / History and criticism; German literature / 20th century / History and criticism; German literature / 21st century / History and criticism; Cosmopolitanism / Germany / History / 20th century; Cosmopolitanism / Germany / History / 21st century; Türken; Literatur; Deutsch
    Umfang: 1 online resource (ix, 232 pages)
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  9. Perspectives on gender in post-1945 German literature
    Autor*in: Paul, Georgina
    Erschienen: 2009
    Verlag:  Boydell & Brewer, Suffolk

    Rooted in Enlightenment rationalism, modernity tends to privilege masculine-connoted characteristics - conscious subjective agency, rational control and self-containment, the subjugation of nature - and has generated a conceptualization of human... mehr

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    Rooted in Enlightenment rationalism, modernity tends to privilege masculine-connoted characteristics - conscious subjective agency, rational control and self-containment, the subjugation of nature - and has generated a conceptualization of human subjectivity emphasizing these qualities. Yet the costs of this conception of human selfhood are high, and at modernity's most acute moments of historical crisis writers and artists can be seen turning to feminine-connoted figurations - nature, tradition, myth and spirituality, intuition, relationality, flux. In recent decades studies have examined the cultural crisis of German modernity, notably at the turn of the nineteenth to the twentieth century, as a crisis of masculinity. Feminist critiques, meanwhile, have viewed cultural history as male-generated and 'phallocentric,' in need of a feminine corrective. The innovation of this book is to examine these two gendered perspectives side by side, investigating the culturally symbolic significance of gender in post 1945 German language literature via a sequence of paired readings of major, thematically related texts by male and female authors, including Ingeborg Bachmann's novel 'Malina' (1971) and Max Frisch's 'Mein Name sei Gantenbein' (1964); Frisch's 'Homo Faber' (1957) and Christa Wolf's 'Störfall' (1987); Elfriede Jelinek's 'Die Klavierspielerin' and Rainald Goetz's 'Irre' (both 1983); and Heiner Müller's 'Die Hamletmaschine' (1977) and Christa Wolf's 'Kassandra' (1983). Finally, Barbara Köhler's eight-poem cycle 'Elektra. Spiegelungen' (written 1984-85; published 1991) is considered as offering a way past the 'impasse' of the male and female viewpoints. Georgina Paul is University Lecturer in German at the University of Oxford and a Fellow of St. Hilda's College

     
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    ISBN: 9781571137463; 9781571134233
    Schlagworte: German literature / 20th century / History and criticism; Sex (Psychology) in literature; Identity (Psychology) in literature; Geschlecht <Motiv>; Geschlechterrolle <Motiv>; Literatur; Deutsch
    Umfang: 1 online resource (257 pages)
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  10. Second-generation Holocaust literature
    legacies of survival and perpetration
    Autor*in: McGlothlin, Erin Heather
    Erschienen: 2006
    Verlag:  Boydell & Brewer, Suffolk

    Among historical events of the 20th century, the Holocaust is unrivaled as the subject of both scholarly and literary writing. Literary responses include not only thousands of autobiographical and fictional texts written by survivors, but also, more... mehr

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    Among historical events of the 20th century, the Holocaust is unrivaled as the subject of both scholarly and literary writing. Literary responses include not only thousands of autobiographical and fictional texts written by survivors, but also, more recently, works by writers who are not survivors but nevertheless feel compelled to write about the Holocaust. Writers from what is known as the 'second generation' have produced texts that express their feeling of being powerfully marked by events of which they have had no direct experience. This book expands the commonly-used definition of 'second-generation literature,' which refers to texts written from the perspective of the children of survivors, to include texts written from the point of view of the children of Nazi perpetrators. With its innovative focus on the literary legacy of both groups, it investigates how second-generation writers employ similar tropes of stigmatization to express their troubled relationships to their parents' histories. Through readings of nine American, German, and French literary texts, Erin McGlothlin demonstrates how an anxiety with signification is manifested in the very structure of second-generation literature, revealing the extent to which the literary texts themselves are marked by the continuing aftershocks of the Holocaust. Erin McGlothlin is assistant professor of German at Washington University in St. Louis

     
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    ISBN: 9781571136855; 9781571133526
    Schlagworte: German literature / 20th century / History and criticism; Holocaust, Jewish (1939-1945), in literature; Children of Holocaust survivors, Writings of / History and criticism; Children of Nazis, Writings of / History and criticism; Judenvernichtung <Motiv>; Literatur; Deutsch
    Umfang: 1 online resource (viii, 254 pages)
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  11. Violent women in print
    representations in the West German print media of the 1960s and 1970s
    Autor*in: Bielby, Clare
    Erschienen: 2012
    Verlag:  Boydell & Brewer, Suffolk

    As the controversy surrounding the release of Uli Edel and Bernd Eichinger's 2008 feature film ‘The Baader Meinhof Complex’ demonstrates, West Germany's terrorist period, which reached its height in the ‘German autumn’ of 1977, is still a fascinating... mehr

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    As the controversy surrounding the release of Uli Edel and Bernd Eichinger's 2008 feature film ‘The Baader Meinhof Complex’ demonstrates, West Germany's terrorist period, which reached its height in the ‘German autumn’ of 1977, is still a fascinating - and troubling - subject. One of the most provocative aspects, still today, is the high proportion of women involved in terrorism, most notoriously Ulrike Meinhof. That the film concentrates on the trajectory of Meinhof's life and mobilizes established and hence reassuring paradigms of femininity in its representation of her (as ‘mother’ and ‘hysterical woman’) suggests that the combination of women and violence is still threatening and that there is still mileage to be had from feminizing the discourse. The present study returns to the West German print media of the 1960s and 1970s and raises questions about the continuing preoccupation with this period. Looking at publications from the right-wing ‘Bild’ to the liberal ‘Der Spiegel’, it explores how violent women - not only terrorists but also others such as the convicted murderer and media femme fatale Vera Brühne - were represented in text and image. This is the first book to explore print-media representations of German terrorism from an explicitly gendered perspective, and one of very few books in English to address the period in Germany at all, despite steadily increasing interest in the UK and the US. Clare Bielby is Lecturer in German Studies at the University of Hull

     
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    ISBN: 9781571138378; 9781571135308
    Schlagworte: Geschichte; Massenmedien; German literature / 20th century / History and criticism; Mass media / Germany / History / 20th century; Women and literature / Germany; Women in literature; Violence in literature; Women in mass media; Violence in mass media; Berichterstattung; Gewalttäterin; Terroristin; Presse; Frauenbild
    Umfang: 1 online resource (x, 225 pages)
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  12. Writers and politics in Germany, 1945-2008
    Autor*in: Parkes, K. Stuart
    Erschienen: 2009
    Verlag:  Boydell & Brewer, Suffolk

    George Orwell said that all writing is political; but the writers of some nations and some periods are more political than others. German writers after 1945 have exemplified such heightened politicization, and this book considers their contribution... mehr

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    George Orwell said that all writing is political; but the writers of some nations and some periods are more political than others. German writers after 1945 have exemplified such heightened politicization, and this book considers their contribution to the democratic development of Germany by looking principally at their directly political, non-fictional writings. It pays particular attention to writers and the student movement of the 1960s and '70s, when some proclaimed the death of literature and called for a turn to direct political action. Yet writers in both parts of Germany gradually came to identify with their respective states, even if the idea of one Germany never entirely disappeared. The unification of 1989-1990, in which this idea astonishingly became reality, posed a major (and some would say unmet) challenge to writers in both East and West. After looking at this period of intense political activities, the book considers the continuing East/West division and changing attitudes to the Nazi past, asking whether the intellectual climate has swung to the right. It also asks to what extent political involvement has been a generational project for the immediate postwar generation and is less important for younger writers who see the Federal Republic as a 'normal' democratic state. Stuart Parkes is Emeritus Professor of German from the University of Sunderland (UK)

     
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    ISBN: 9781571137548; 9781571134011
    Schlagworte: Politik; Authors, German / 20th century / Political and social views; Authors, German / 21st century / Political and social views; German literature / 20th century / History and criticism; German literature / 21st century / History and criticism; Politik; Schriftsteller; Literatur; Deutsch
    Umfang: 1 online resource (x, 239 pages)
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  13. The German legacy in East Central Europe as recorded in recent German-language literature
    Autor*in: Glajar, Valentina
    Erschienen: 2004
    Verlag:  Boydell & Brewer, Suffolk

    This study focuses on the complex legacy of the German and Austrian political and cultural presence in East Central Europe in the twentieth century. It contributes to the discussion of 'German' identity in eastern Europe, and has important... mehr

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    This study focuses on the complex legacy of the German and Austrian political and cultural presence in East Central Europe in the twentieth century. It contributes to the discussion of 'German' identity in eastern Europe, and has important implications for German, Austrian, and East European studies. It addresses the specific situations of the former Habsburg regions of Bukovina (the Ukraine/Romania), Moravia (the Czech Republic), and Banat (Romania) as illustrated in contemporary literature by German-speaking authors, such as Herta Müller, Erica Pedretti, Gregor von Rezzori, and Edgar Hilsenrath. The works of these authors constitute contrastive historiographic narratives of the multiethnic regions of East-Central Europe under a series of oppressive regimes: first Austrian imperialism, and then German and Romanian fascism in Bukovina; National Socialism in Moravia, and Communism in Romania. Valentina Glajar investigates these narratives as representations of multicultural East Central Europe in German-language literature that show the political and ethnic tensions between Germans and local peoples that marked these regions throughout the 20th century, often with tragic consequences. The study thus expands and diversifies the understanding of German literature and challenges the concept of a homogeneous German identity reaching far beyond the borders of the German-speaking countries. Valentina Glajar is assistant professor of German at Southwest Texas State University

     
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  14. The hotel as setting in early twentieth-century German and Austrian literature
    checking in to tell a story
    Autor*in: Matthias, Bettina
    Erschienen: 2006
    Verlag:  Boydell & Brewer, Suffolk

    As the bourgeois concept of 'home' became problematic after important changes in German-speaking society during the 19th century, many fiction writers chose the literary setting of the hotel to explore the status of the individual and the notions of... mehr

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    As the bourgeois concept of 'home' became problematic after important changes in German-speaking society during the 19th century, many fiction writers chose the literary setting of the hotel to explore the status of the individual and the notions of public and private. As social microcosms, hotels are fitting experimental settings for literary inquiries into the tension between the individual's quest for a place in the world and the technocratic rationalism of modern life. The book has two parts, the first establishing the cultural and theoretical context and the second providing analyses of literary works set in hotels. A brief history of commercial hospitality and a chapter establishing the theoretical framework of the hotel as a paradigmatic, ambivalent, semi-public, and stage-like modern space lead to readings of texts by Schnitzler, Zweig, Werfel, Kafka, Thomas Mann, Joseph Roth, and Vicki Baum. BETTINA MATTHIAS is associate professor of German at Middlebury College

     
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    ISBN: 9781571136756; 9781571133212
    Schlagworte: German literature / 19th century / History and criticism; German literature / 20th century / History and criticism; Austrian literature / 19th century / History and criticism; Austrian literature / 20th century / History and criticism; Hotels in literature; Hotel <Motiv>; Literatur; Deutsch
    Umfang: 1 online resource (x, 221 pages)
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    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

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  15. "... et j'ai lu tous les livres"
    Mallarmé - Celan
    Autor*in: Audi, Paul
    Erschienen: [2017]; © 2017
    Verlag:  Éditions Galilée, Paris

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  16. Dimensions of storytelling in German literature and beyond
    "for once, telling it all from the beginning"
    Autor*in:
    Erschienen: 2018
    Verlag:  Camden House, Rochester, New York

    "While Walter Benjamin, in his famous essay "The Storyteller" (1936), lamented the decline of the storytelling tradition in the age of the modernist novel, Anna Seghers and other twentieth-century German writers went on to chronicle the century's... mehr

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    "While Walter Benjamin, in his famous essay "The Storyteller" (1936), lamented the decline of the storytelling tradition in the age of the modernist novel, Anna Seghers and other twentieth-century German writers went on to chronicle the century's darkest days in creative and compelling ways. This volume is at its heart a tribute to Germanist Helen Fehervary, whose work, particularly on the prose of Anna Seghers, continues to inspire scholars who examine narration and storytelling. The subtitle quotation, "for once, telling it all from the beginning," is a translation of the phrase "einmal alles von Anfang an erzählen," from Seghers's exile novel Transit, in which she told not only her own story but that of countless others who faced existential challenges in their attempts to escape the Nazi regime. This volume examines a number of such writers, exploring the tensions between aesthetics and politically conscious writing, as well as individual struggles involving conformity and resistance in a totalitarian state"--

     
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    Beteiligt: Boney, Kristy R.; William, Jennifer Marston
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781640140400
    RVK Klassifikation: GM 5686
    Schriftenreihe: Studies in German literature, linguistics, and culture
    Schlagworte: Erzählen; Literatur; Deutsch
    Weitere Schlagworte: Seghers, Anna (1900-1983); German literature / 20th century / History and criticism; Storytelling in literature; German literature; Storytelling in literature; 1900-1999; Criticism, interpretation, etc
    Umfang: vii, 280 Seiten, Illustrationen
  17. Literatur und Quantentheorie
    Die Rezeption der modernen Physik in Schriften zur Literatur und Philosophie deutschsprachiger Autoren (1925-1970)
    Autor*in: Emter, Elisabeth
    Erschienen: [1995]; © 1995
    Verlag:  De Gruyter, Berlin/Boston

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    ISBN: 9783110872989; 9783110148732; 9783111754314
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    Schriftenreihe: Quellen und Forschungen zur Literatur- und Kulturgeschichte ; 2 (236)
    Schlagworte: Duits; Filosofie; German literature / 20th century / History and criticism; German literature; Letterkunde; Littérature allemande / 20e siècle / Histoire et critique; Natuurkunde; Paradigmenwechsel; Physics in literature; Physics / Philosophy; Physique / Dans la littérature; Physique / Philosophie; Quantentheorie; Receptie; Schriftsteller; Théorie quantique / Dans la littérature; Deutsche Literatur; LITERARY CRITICISM / European / German; Deutsch; Literatur; Philosophie; Physik; Rezeption; Schriftsteller; Paradigmenwechsel; Philosophie; Quantentheorie
    Umfang: 1 online resource (x,358pages), illustrations
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    Description based on online resource; title from PDF title page (publisher’s Web site, viewed March 24, 2015)
  18. Literarische Technik-Bilder
    Studien zum Verhältnis von Technik- und Literaturgeschichte im 19. und frühen 20. Jahrhundert
    Autor*in: Segeberg, Harro
    Erschienen: [1987]; © 1987
    Verlag:  De Gruyter, Berlin/Boston

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    ISBN: 9783110912531; 9783484350175; 9783111862972
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    Schriftenreihe: Studien und Texte zur Sozialgeschichte der Literatur ; 17
    Schlagworte: German literature / 19th century / History and criticism; German literature / 20th century / History and criticism; Literature and technology / Germany; Technology in literature; Deutsche Literatur
    Umfang: 1 online resource (vii,291pages), illustrations
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    Description based on online resource; title from PDF title page (publisher’s Web site, viewed March 24, 2015)
  19. Ästhetische Erfahrung in der Literatur der 1970er Jahre
    zur Poetologie des Raumes bei Rolf Dieter Brinkmann, Alexander Kluge und Peter Handke
    Autor*in: Bandeili, Angela
    Erschienen: [2014]; © 2014
    Verlag:  transcript Verlag, Bielefeld

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    Medientyp: Dissertation
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    ISBN: 9783839428238
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    Schriftenreihe: Lettre
    Schlagworte: German literature / 20th century / History and criticism; Space in literature; Literatur, Rhetorik, Literaturwissenschaft; Poetik; Literatur; Deutsch; Raum <Motiv>
    Weitere Schlagworte: Kluge, Alexander (1932-); Handke, Peter (1942-); Brinkmann, Rolf Dieter (1940-1975)
    Umfang: 1 online resource (378 Seiten), Illustrationen
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    Dissertation, Universität Bielefeld, 2013

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  20. Brišt, Friš, Dūranmāt
    Autor*in: Rāhnamā, Tūraǧ
    Erschienen: [1979] = isfand māh 1357 [h.š.]
    Verlag:  Intišārāt-i Tūs, [Tihrān?]

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    Sprache: Persisch
    Medientyp: Buch (Monographie)
    RVK Klassifikation: GN 2002
    Schriftenreihe: Intišārāt-i Tūs ; 182
    Schlagworte: German literature / 20th century / History and criticism
    Weitere Schlagworte: Brecht, Bertolt / 1898-1956 / History and criticism; Frisch, Max / 1911-1985 / History and criticism; Dürrenmatt, Friedrich / History and criticism; Dürrenmatt, Friedrich (1921-1990); Brecht, Bertolt (1898-1956); Frisch, Max (1911-1991)
    Umfang: 260 Seiten, 22 cm
    Bemerkung(en):

    Includes bibliographical references (pages 253-260)
  21. A companion to the literature of German Expressionism
    Autor*in:
    Erschienen: 2005
    Verlag:  Camden House, Rochester, N.Y.

    More than any other avant-garde movement, German Expressionism captures the aesthetic revolution of 20th-century modernity in all its contrasts and conflicts. In continuous eruptions from 1905 to 1925, Expressionism upset reigning practices in the... mehr

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    More than any other avant-garde movement, German Expressionism captures the aesthetic revolution of 20th-century modernity in all its contrasts and conflicts. In continuous eruptions from 1905 to 1925, Expressionism upset reigning practices in the arts, most vividly in painting and the visual arts. In the literature, a heady intellectualism combined with dramatic gesture, graphic visions, exuberant emotions and urgent proclamations to forge forceful styles of verbal expression. Expressionism introduced into art both visual and verbal a shockingly new intensity with many facets and many faces.This volume presents the literature of German Expressionism, which is far less known in the English-speaking world, with essays by leading scholars on Expressionism's philosophical origins, its thematic preoccupations, and its divergent stylistic manifestations by writers whose common bond is intensity and whose lines on the page read like the gouges of a woodcut: Georg Kaiser, Walter Hasenclever,and Ernst Toller in drama; Gottfried Benn, Georg Heym, Else Lasker-Schüler, and Georg Trakl in poetry; Alfred Döblin, Carl Einstein, and Carl Sternheim in prose, to name just a few. Against the background of the journals, exhibitions, and anthologies, the café meeting places and public life of Expressionism, the volume's highly focused, intrinsic analyses of texts and comprehensive overviews of extrinsic contexts (and of the most up-to-date research) shows the fervor and complexity of the period and its effulgent literary formations.

    Neil H. Donahue is Professor of German and Comparative Literature at Hofstra University

     
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Beteiligt: Donahue, Neil H. (Sonstige)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Online
    Weitere Identifier:
    Schriftenreihe: Studies in German literature, linguistics, and culture
    Schlagworte: German literature / 20th century / History and criticism; Expressionism; Expressionismus; Deutsch; Literatur
    Umfang: 1 online resource (xiv, 341 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 10 May 2017)

    Metaphysical mimesis: Nietzsche's Geburt der Tragödie and the aesthetics of literary expressionism / Richard T. Gray -- The prose of German expressionism / Walter H. Sokel -- Prosaic intensities: the short prose of German Expressionism / Rhys W. Williams -- The cutting edge of German Expressionism: the woodcut novel of Frans Masereel and its influences / Perry Willett -- Menschheitsdämmerung: the aging of a canon / Francis Michael Sharp -- Choric consciousness in Expressionist poetry: Ernst Stadler, Else Lasker-Schüler, Georg Heym, Georg Trakl, Gottfried Benn / James Rolleston -- Performing the poem: rituals of activism in Expressionist poetry / Klaus Weissenberger -- Provocation and proclamation, vision and imagery: Expressionist drama between German idealism and modernity / Ernst Schürer -- The spirit of Expressionism ex machina: the staging of technology in Expressionist drama / Christa Spreizer -- Intimate strangers: women in German Expressionism / Barbara D. Wright -- Expressionism and cinema: reflections on a phantasmagoria of film history / Sabine Hake
  22. Bilder des Holocaust
    Literatur – Film – Bildende Kunst
    Autor*in:
    Erschienen: [1997]; © 1997
    Verlag:  Böhlau Verlag, Köln/Wien

    Standort:
    Universitätsbibliothek Bamberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Bibliotheksverbund Bayern (BVB)

    Standort:
    Katholische Stiftungshochschule München, Bibliothek Benediktbeuern
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Bibliotheksverbund Bayern (BVB)

    Standort:
    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Bibliotheksverbund Bayern (BVB)

    Standort:
    Katholische Stiftungshochschule München, Bibliothek München
    Fernleihe:
    keine Fernleihe
    Link zum Verbundkatalog:
    Bibliotheksverbund Bayern (BVB)

    Standort:
    Evangelische Hochschule Nürnberg, Bibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Bibliotheksverbund Bayern (BVB)

    Standort:
    Technische Hochschule Nürnberg Georg Simon Ohm, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt
    Link zum Verbundkatalog:
    Bibliotheksverbund Bayern (BVB)

    Standort:
    OTH- Ostbayerische Technische Hochschule Regensburg, Hochschulbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Bibliotheksverbund Bayern (BVB)
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    Quelle: Verbundkataloge
    Beteiligt: Köppen, Manuel (Sonstige); Scherpe, Klaus R. (Sonstige)
    Sprache: Deutsch
    Medientyp: Buch (Monographie)
    Format: Online
    Weitere Identifier:
    Schriftenreihe: Literatur - Kultur - Geschlecht. Studien zur Literatur- und Kulturgeschichte. Kleine Reihe
    Schlagworte: Geschichte; German literature / 20th century / History and criticism; History / Miscellaneous; Holocaust, Jewish (1939-1945), in art; Holocaust, Jewish (1939-1945), in literature; Holocaust, Jewish (1939-1945), in motion pictures; Literary Studies / German Literature / 20th Century; Judenvernichtung <Motiv>; Film; Weltkrieg <1939-1945, Motiv>; Kunst; Geschichte; Literatur; Deutsch
    Umfang: 1 online resource(231p.), illustrations
    Bemerkung(en):

    De Gruyter ; De Gruyter ; De Gruyter

    24 schw.-w. Abb

    :
  23. Eardrums
    literary modernism as sonic warfare
    Autor*in: Whitney, Tyler
    Erschienen: 2019
    Verlag:  Northwestern University Press, Evanston, Illinois

    "In this innovative study, Tyler Whitney demonstrates how a transformation and militarization of the civilian soundscape in the late nineteenth and early twentieth centuries left indelible traces on the literature that defined the period. Both... mehr

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Bibliotheksverbund Bayern (BVB)

    Standort:
    Universitätsbibliothek der LMU München
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    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Bibliotheksverbund Bayern (BVB)

     

    "In this innovative study, Tyler Whitney demonstrates how a transformation and militarization of the civilian soundscape in the late nineteenth and early twentieth centuries left indelible traces on the literature that defined the period. Both formally and thematically, the modernist aesthetics of Franz Kafka, Robert Musil, Detlev von Liliencron, and Peter Altenberg drew on this blurring of martial and civilian soundscapes in traumatic and performative repetitions of war. At the same time, Richard Huelsenbeck assaulted audiences in Zurich with his "sound poems," which combined references to World War I, colonialism, and violent encounters in urban spaces with nonsensical utterances and linguistic detritus--all accompanied by the relentless beating of a drum on the stage of the Cabaret Voltaire. "Eardrums" is the first book-length study to explore the relationship between acoustical modernity and German modernism, charting a literary and cultural history written in and around the eardrum. The result is not only a new way of understanding the sonic impulses behind key literary texts from the period. It also outlines an entirely new approach to the study of literature as as the interaction of text and sonic practice, voice and noise, which will be of interest to scholars across literary studies, media theory, sound studies, and the history of science"--Provided by publisher

     
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  24. Precarious times
    temporality and history in modern German culture
    Autor*in: Fuchs, Anne
    Erschienen: [2019]
    Verlag:  Cornell University Press, Ithaca

    "Explores how works of German literature, film, and photography reflect on the temporal anxieties precipitated by contemporary experiences of atomization, displacement, and fragmentation that bring about a loss of history and of time itself and is... mehr

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Bibliotheksverbund Bayern (BVB)

    Standort:
    Universitätsbibliothek der LMU München
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Bibliotheksverbund Bayern (BVB)

     

    "Explores how works of German literature, film, and photography reflect on the temporal anxieties precipitated by contemporary experiences of atomization, displacement, and fragmentation that bring about a loss of history and of time itself and is peculiar to our current moment"--

     
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  25. 1918, tramonti tedeschi
    Autor*in: Freschi, Marino
    Erschienen: [2018]
    Verlag:  Bonanno editore, Acireale

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Bibliotheksverbund Bayern (BVB)
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    Quelle: Verbundkataloge
    Sprache: Italienisch
    Medientyp: Buch (Monographie)
    ISBN: 9788863181760
    Schriftenreihe: Cultura tedesca ; 11
    Schlagworte: German literature / 20th century / History and criticism; Literature and society / Germany / History / 20th century; Literature and history / Germany / History / 20th century; Zeitenwende; Deutsch; Literatur
    Umfang: 134 pages, 22 cm
    Bemerkung(en):

    Includes bibliographical references and index