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  1. Shifting viewpoints
    Cervantes in twentieth-century and early twenty-first-century literature written in German
    Autor*in: Eckart, Gabriele
    Erschienen: 2013
    Verlag:  Cambridge Scholars, Newcastle upon Tyne

    Standort:
    Bayerische Staatsbibliothek
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    Bibliotheksverbund Bayern (BVB)
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    Quelle: Verbundkataloge
    Beteiligt: Brown, Meg H. (Verfasser)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781443851350
    RVK Klassifikation: IO 3555
    Auflage/Ausgabe: 1. publ.
    Schlagworte: German literature / 20th century / History and criticism; German literature / 21st century / History and criticism; Deutsch; Literatur; Rezeption
    Weitere Schlagworte: Cervantes Saavedra, Miguel de / 1547-1616 / Influence; Cervantes Saavedra, Miguel de (1547-1616)
    Umfang: VIII, 258 S.
  2. Biological modernism
    the new human in Weimar culture
    Autor*in: Gelderloos, Carl
    Erschienen: 2020
    Verlag:  Northwestern University Press, Evanston, Illinois

    Standort:
    Universitätsbibliothek der LMU München
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  3. Lovable crooks and loathsome Jews
    antisemitism in German and Austrian crime writing before the World Wars
    Autor*in: Kord, T. S.
    Erschienen: [2018]
    Verlag:  McFarland & Company, Inc., Publishers, Jefferson, North Carolina

    In the years leading up to the World Wars, Germany and Austria saw an unprecedented increase in the study and depiction of the criminal. Science, journalism and crime fiction were obsessed with delinquents while ignoring the social causes of crime.... mehr

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    Bayerische Staatsbibliothek
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    In the years leading up to the World Wars, Germany and Austria saw an unprecedented increase in the study and depiction of the criminal. Science, journalism and crime fiction were obsessed with delinquents while ignoring the social causes of crime. As criminologists measured criminals' heads and debated biological predestination, court reporters and crime writers wrote side-splitting or heart-rending stories featuring one of the most popular characters ever created--the hilarious or piteous crook. The author examines the figure of the crook and notions of "Jewish" criminality in a range of antisemitic writing, from Nazi propaganda to court reporting to forgotten classics of crime fiction

     
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  4. German narratives of belonging
    writing generation and place in the twenty-first century
    Autor*in: Shortt, Linda
    Erschienen: 2020
    Verlag:  Routledge, Oxford

    Since unification, German culture has experienced a boom in discourses on generation, family and place. Linda Shortt reads this as symptomatic of a wider quest for belonging that mobilises attachment to counter the effects of post-modern... mehr

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    Since unification, German culture has experienced a boom in discourses on generation, family and place. Linda Shortt reads this as symptomatic of a wider quest for belonging that mobilises attachment to counter the effects of post-modern deterritorialisation and globalisation. Investigating twenty-first century narratives of belonging by Reinhard Jirgl, Christoph Hein, Angelika Overath, Florian Illies, Juli Zeh, Stephan Wackwitz, Uwe Timm and Peter Schneider, Shortt examines how the desire to belong is repeatedly unsettled by disturbances of lineage and tradition. In this way, she combines an analysis of supermodernity with an enquiry into German memory contests on the National Socialist era, 1968 and 1989 that continue to shape identity in the Berlin Republic. Exploring a spectrum of narratives that range from agitated disavowals of place to romances of belonging, this study illuminates the topography of belonging in contemporary Germany

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780367600532
    RVK Klassifikation: GO 16029
    Auflage/Ausgabe: First issued in paperback
    Schlagworte: German literature / 20th century / History and criticism; Marginality, Social, in literature; Emigration and immigration in literature; Zugehörigkeit <Motiv>; Literatur; Deutsch
    Umfang: 133 Seiten
  5. Handbuch Nachkriegskultur
    Literatur, Sachbuch und Film in Deutschland (1945-1962)
    Autor*in: Agazzi, Elena
    Erschienen: 2013
    Verlag:  De Gruyter, Berlin

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Quelle: Verbundkataloge
    Beteiligt: Schütz, Erhard (Sonstige)
    Sprache: Deutsch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783110221404; 3110221403; 9783110221398; 311022139X
    RVK Klassifikation: GN 1501
    Schriftenreihe: De Gruyter Handbook
    Schlagworte: German literature / 20th century / History and criticism; Literature and society / Germany / History / 20th century; Motion pictures / Germany / History / 20th century; Motion pictures and history / Germany; LITERARY CRITICISM / European / German; German literature; Literature and society; Motion pictures; Motion pictures and history; Film; Geschichte; German literature; Motion pictures; Literature and society; Motion pictures and history; Selbstbild; Nachkriegszeit <Motiv>; Kultur; Literatur; Deutsch; Nachkriegszeit; Film
    Umfang: 724 pages
    Bemerkung(en):

    Werner Keller: Und die Bibel hat doch recht (1955)

    Vorbemerkung; Nach dem Entkommen, vor dem Ankommen. Eine Einführung; I. Vorab; II. Deutschland heute damals; III. Deutschland in Europa; IV. Die Rolle der Medien; V. Konzepte und Ideengeber; VI. Alltagsverhältnisse; VII. Konfigurationen des Übergangs; (1) Krieg und Zivilisationsbruch; Einleitung; Theodor Plievier: Stalingrad (1945) Cecilia Morelli; Gerhard Lamprecht: Irgendwo in Berlin (1946) Manuel Köppen; Gerhard Boldt: Die letzten Tage der Reichskanzlei (1947); Hans Erich Nossack: Der Untergang (1948); Ilse Aichinger: Die größere Hoffnung (1948)

    Jakob Littner: Aufzeichnungen aus einem Erdloch (1948)Peter Bamm: Die unsichtbare Flagge (1952); Alfred Andersch: Die Kirschen der Freiheit (1952); Paul Celan: Mohn und Gedächtnis (1952); Hans Hellmut Kirst: NullAcht Fünfzehn (RomanTrilogie, 1954/1955); Gert Ledig: Vergeltung (1956); Bernhard Wicki: Die Brücke (1959); Günter Reisch, HansJoachim Kasprzik: Gewissen in Aufruhr (FernsehFünfteiler, 1961); (2) Gefangenschaft und Heimkehr; Einleitung; Wolfgang Borchert: Draußen vor der Tür (1947); Harald Braun: Zwischen gestern und morgen (1947); Joseph von Baky: ... und über uns der Himmel (1948)

    Günter Eich: Abgelegene Gehöfte (1948)Walter Kolbenhoff: Heimkehr in die Fremde (1949); Alfred Döblin: Schicksalsreise (1949); Hans Werner Richter: Sie fielen aus Gottes Hand (1951); Helmut Gollwitzer: ... und führen, wohin du nicht willst (1951); George Forestier: Ich schreibe mein Herz in den Staub der Straße (1952); Josef Martin Bauer: So weit die Füße tragen (1955); (3) Flucht und Vertreibung; Einleitung -- Kirsten Möller und Alexandra Tacke; Jürgen Thorwald: Es begann an der Weichsel, Das Ende an der Elbe (1949/50); Edwin Erich Dwinger: Wenn die Dämme brechen ... (1950)

    Arno Schmidt: Die Umsiedler (1953)Siegfried Lenz: So zärtlich war Suleyken (1955); Wolfgang Liebeneiner: Waldwinter (1956); Frank Wisbar: Nacht fiel über Gotenhafen (1960); Heiner Müller: Die Umsiedlerin oder Das Leben auf dem Lande (1961); Franz Fühmann: Böhmen am Meer (1962); Marion Gräfin Dönhoff: Namen, die keiner mehr nennt (1962); (4) Die Schuldfrage; Einleitung; Ernst Wiechert: Der Totenwald (1946); Eugen Kogon: Der SSStaat (1946); Wolfgang Staudte: Die Mörder sind unter uns (1946); Karl Jaspers: Die Schuldfrage (1946); Victor Klemperer: LTI (1947)

    Ernst von Salomon: Der Fragebogen (1951)Helmut Käutner: Des Teufels General (1955); Bruno Apitz: Nackt unter Wölfen (1958); Heiner Carow: Sie nannten ihn Amigo (1959); Max Frisch: Andorra (1961); (5) Seelenheil und Religion Einleitung; Hermann Hesse: Das Glasperlenspiel (1943/46); Elisabeth Langgässer: Das unauslöschliche Siegel (1946); Thomas Mann: Doktor Faustus (1947); Harald Braun: Nachtwache (1949); Stefan Andres: Die Sintflut (RomanTrilogie, 1949/51/59); Albrecht Goes: Das Brandopfer (1954); Klemens Brockmöller, S.J.: Christentum am Morgen des Atomzeitalters (1954)

    This book discusses research on the culture of postwar Germany (1945-1962). Topics such as war, destruction, homecoming, flight, expulsion, guilt, daily life, andreligion are explored systematically, using examples and by focusing on fiction, nonfiction, and film in the two German states. Historians and scholars in the field of literature and film address various core questions concerning aesthetic representation and the formation of contemporary history

    Includes bibliographical references and index
  6. Poetik der Marke
    Konsumkultur und literarische Verfahren 1900-2000
    Autor*in: Weyand, Björn
    Erschienen: 2013
    Verlag:  De Gruyter, Berlin

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek Amberg
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    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Quelle: Verbundkataloge
    Sprache: Deutsch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783110301373; 3110301377; 9783110301366; 3110301369; 9783110301175; 3110301172
    Schriftenreihe: Studien und Texte zur Sozialgeschichte der Literatur
    Schlagworte: Brand name products in literature; Capitalism and literature; Consumption (Economics) in literature; German literature / 20th century / History and criticism; LITERARY CRITICISM / European / German; Brand name products in literature; Capitalism and literature; Consumption (Economics) in literature; German literature; Markenartikel; Verbrauch; Literatur; Deutsch; German literature; Brand name products in literature; Capitalism and literature; Consumption (Economics) in literature; Konsumgesellschaft <Motiv>; Kultur; Ware <Motiv>; Marke
    Weitere Schlagworte: Keun, Irmgard (1905-1982): Das kunstseidene Mädchen; Koeppen, Wolfgang (1906-1996): Tauben im Gras; Edel, Edmund (1863-1934): Berlin W.; Kracht, Christian (1966-): 1979; Mann, Thomas (1875-1955): Der Zauberberg; Edel, Edmund (1863-1934)
    Umfang: 418 pages
    Bemerkung(en):

    Inhalt; Dank; Einleitung. Literatur an der Oberfläche: Die Poetik der Marke -- eine andere Literatur- und Kulturgeschichte der Moderne; 1 "Once you 'got' Pop ... ": Markenwaren als ein neuer Gegenstand der Literaturwissenschaften; 2 Semiologische und kulturpoetologische Abenteuer: Simmel, Barthes und Greenblatt erkunden die Welt der Warenästhetik; 2.1 Die Begründung eines kulturwissenschaftlichen Interesses an der Ästhetik der Waren: Georg Simmel besucht die Berliner Gewerbe-Ausstellung 1896

    2.2 Faszination und kulturelle Vernetzung einer Marke: Roland Barthes' semiologische Lektüre der Citroën DS als Mythos des Alltags2.3 Zirkulationsbewegungen zwischen Warenwelt und Literatur: Mit Stephen Greenblatt am Pool; 3 Literatur, an der Oberfläche gelesen: Kulturelle und poetologische Dimensionen von Markenwaren in literarischen Texten. Zur Textauswahl; Kapitel 1. Die Entdeckung der Oberfläche: Katalog- und Kulturpoetik von Edmund Edelsarchivistischer Satire Berlin W. (1906); 1.1 Archivierung der Oberfläche, Verabschiedung der Höhenmetaphorik

    1.2 Warenkunde, Markenkenntnis und der semiologische Mehrwert der Benennung1.3 Von der Oberfläche der Warenästhetik zur Oberfläche der Textur; 1.4 Der Umhang von Gerson und die kulturpoetische Funktion; 1.5 "Applanierung aller Werte": Die Debatte zwischen Sombart und Edel um Reklame, Kultur und Amerikanismus im Morgen; 1.6 Poetik des (Warenhaus- )Katalogs; 1.7 Anthropologie des Schaums: Simmels Philosophie der Mode; Kapitel 2. Herme(neu)tischer Zauber: Markenwaren als Leitmotive, Fetische und Archivalien wider Willen in Thomas Manns 'Zeitroman' Der Zauberberg (1924)

    2.1 Aus Dichtung wird (beinahe) Wirklichkeit: Eine Nachgeschichte des Zauberberg als Vorgeschichte zu seiner Analyse2.2 Sammeln als kulturpoetologische Praktik zwischen Décadence und Reklame; 2.3 Die Grenzen des Symbolischen: Zur Materialität der Dinge im Zauberberg und in Spenglers Untergang des Abendlandes; 2.4 "Die sehr schmackhafte Marke namens Maria Mancini": Die erotischen Konnotationen der Reklame und die Fetischisierung durch Castorp und Hofrat Behrens; 2.5 Potenzierter Fetischismus: Konvergenzen von Warenästhetik und Psychoanalyse -- und Manns Dichtungsprogramm der 'Beseelung'

    2.5.1 Das Fetischkonzept der Psychoanalyse2.5.2 Das Fetischkonzept von Marx; 2.5.3 'Beseelung'; 2.6 Die Maria Mancini als Fetisch der Textur: Zur Semiologie des 'Leitmotivs'; 2.7 Der 'hermetische Zauber' und das Archiv; Kapitel 3. Die Faszination des Glanzes: Irmgard Keuns Tagebuchroman Das kunstseidene Mädchen (1932) im Schnittfeld von Warenästhetik und Film; 3.1 Denken in Marken, Schreiben wie Film: Die Optik der Oberfläche in zwei poetologischen Schlüsselstellen; 3.1.1 Denken in Marken; 3.1.2 Schreiben wie Film

    3.2 Romantik und Sachlichkeit des Konsums -- und die doppelte Ökonomie des Wunsches, ein 'Glanz' zu werden

    This study shows how the works of E. Edel, T. Mann, I. Keun, W. Koeppen, and C. Kracht reflected the material, semiological, and cultural theory aspects of consumer culture and transformed them into literary devices. The volume considers a range of issues, from product catalogs to fetishization, including capitalist circulation processes and the fascination with surface

    Includes bibliographical references and index
  7. Textual responses to German unification
    processing historical and social change in literature and film
    Autor*in:
    Erschienen: 2001
    Verlag:  W. de Gruyter, Berlin ; New York

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek Amberg
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    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Quelle: Verbundkataloge
    Beteiligt: Costabile-Heming, Carol Anne (Sonstige); Halverson, Rachel J. (Sonstige); Foell, Kristie A. (Sonstige)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783110880403; 3110880407; 3110170221; 9783110170221
    Schlagworte: German literature / 20th century / History and criticism; Germany / History / Unification, 1990; Germany / In literature; Germany / In motion pictures; Motion pictures / Germany / History; LITERARY CRITICISM / European / German; German literature; Literature; Motion pictures; Letterkunde; Films; Duits; Sociale verandering; Duitse hereniging; Literatur; Film; Deutsch; Film; Geschichte; Literatur; Sozialer Wandel; Array
    Umfang: 1 online resource (288 pages)
    Bemerkung(en):

    Print version record. - Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Array: Array
  8. Germans as victims in the literary fiction of the Berlin Republic
    Autor*in:
    Erschienen: 2009
    Verlag:  Boydell & Brewer, Suffolk

    In recent years it has become much more accepted in Germany to consider aspects of the Second World War in which Germans were not perpetrators, but victims: the Allied bombing campaign, expulsions of 'ethnic' Germans, mass rapes of German women, and... mehr

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    Universitätsbibliothek Bamberg
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek Passau
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    In recent years it has become much more accepted in Germany to consider aspects of the Second World War in which Germans were not perpetrators, but victims: the Allied bombing campaign, expulsions of 'ethnic' Germans, mass rapes of German women, and postwar internment and persecution. An explosion of literary fiction on these topics has accompanied this trend. Sebald's 'The Air War and Literature' and Grass's 'Crabwalk' are key texts, but there are many others; the great majority seek not to revise German responsibility for the Holocaust but to balance German victimhood and German perpetration. This book of essays is the first in English to examine closely the variety of these texts. An opening section on the 1950s - a decade of intense literary engagement with German victimhood before the focus shifted to German perpetration - provides context, drawing parallels but also noting differences between the immediate postwar period and today. The second section focuses on key texts written since the mid-1990s shifts in perspectives on the Nazi past, on perpetration and victimhood, on 'ordinary Germans,' and on the balance between historical empathy and condemnation. Contributors: Karina Berger, Elizabeth Boa, Stephen Brockmann, David Clarke, Mary Cosgrove, Rick Crownshaw, Helen Finch, Frank Finlay, Katharina Hall, Colette Lawson, Caroline Schaumann, Helmut Schmitz, Kathrin Schödel, and Stuart Taberner. Stuart Taberner is professor of contemporary German literature, culture, and society, and Karina Berger, B.A., M.St., is a Ph.D. candidate, both at the University of Leeds, UK.

     
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    Beteiligt: Taberner, Stuart; Berger, Karina
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571137364; 9781571133939
    Schlagworte: Weltkrieg (1939-1945); Victims in literature; Germans in literature; German literature / 20th century / History and criticism; World War, 1939-1945 / Literature and the war; Opfer <Sozialpsychologie, Motiv>; Vergangenheitsbewältigung <Motiv>; Literatur; Deutsch
    Umfang: 1 online resource (vi, 259 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    Array: Array

    Array: Array
  9. Politics and culture in twentieth-century Germany
    Autor*in:
    Erschienen: 2003
    Verlag:  Boydell & Brewer, Suffolk

    The cultural history of 20th-century Germany, more perhaps than that of any other European country, was decisively influenced by political forces and developments. This volume of essays focuses on the relationship between German politics and culture,... mehr

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    Universitätsbibliothek Bamberg
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    Bayerische Staatsbibliothek
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    Standort:
    Universitätsbibliothek Passau
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    The cultural history of 20th-century Germany, more perhaps than that of any other European country, was decisively influenced by political forces and developments. This volume of essays focuses on the relationship between German politics and culture, which is most obvious in the case of the Third Reich and the German Democratic Republic, where the one-party control of all areas of life was extended to the arts; these were expected to conform to the ideals of the day. But the relationship between politics and the arts has not always been one purely of coercion, censorship, collusion, and opportunism. Many writers greeted the First World War with quite voluntary enthusiasm; others conjured up the National Socialist revolution in intense Expressionist images long before 1933. The GDR was heralded by writers returning from Nazi exile as the anti-fascist answer to the Third Reich. And in West Germany, politics did not dictate artistic norms, nor was it greeted with any great enthusiasm among intellectuals, but writers did tend to ally themselves with particular parties. To an extent, the pre-1990 literary establishment in the Federal Republic was dominated by a left-liberal consensus that German division was the just punishment for Auschwitz. United Germany began its existence with a fierce literary debate in 1990-92, with leading literary critics arguing that East and West German literature had basically shored up the political order in the two countries. Now a new literature was required, one that was free of ideology, intensely subjective and experimental in its aesthetic. In 1998, the author Martin Walser called for an end to the author's role as "conscience of the nation" and for the right to subjective experience. This is the first book to examine this crucial relationship between politics and culture in Germany. William Niven and James Jordan are readers in German at the University of Nottingham Trent

     
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    Beteiligt: Niven, William John; Jordan, James
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571136220; 9781571132239
    Schlagworte: Geschichte; German literature / 20th century / History and criticism; Politics and literature / Germany / History / 20th century; Politics and culture / Germany / History / 20th century; Politik <Motiv>; Literatur; Deutsch
    Umfang: 1 online resource (vi, 274 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    :
  10. Representing the "good German" in literature and culture after 1945
    altruism and moral ambiguity
    Autor*in:
    Erschienen: 2013
    Verlag:  Boydell & Brewer, Suffolk

    In the aftermath of the Second World War, both the allied occupying powers and the nascent German authorities sought Germans whose record during the war and the Nazi period could serve as a counterpoint to the notion of Germans as evil. That search... mehr

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    Universitätsbibliothek Bamberg
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    Bibliotheksverbund Bayern (BVB)

    Standort:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek Passau
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    In the aftermath of the Second World War, both the allied occupying powers and the nascent German authorities sought Germans whose record during the war and the Nazi period could serve as a counterpoint to the notion of Germans as evil. That search has never really stopped. In the past few years, we have witnessed a burgeoning of cultural representations of this "other" kind of Third Reich citizen - the "good German" - as opposed to the committed Nazi or genocidal maniac. Such representations have highlighted individuals' choices in favor of dissenting behavior, moral truth, or at the very least civil disobedience. The "good German's" counterhegemonic practice cannot negate or contradict the barbaric reality of Hitler's Germany, but reflects a value system based on humanity and an "other" ideal community. This volume of new essays explores postwar and recent representations of "good Germans" during the Third Reich, analyzing the logic of moral behavior, cultural and moral relativism, and social conformity found in them. It thus draws together discussions of the function and reception of "Good Germans" in Germany and abroad. Contributors: Eoin Bourke, Manuel Bragança, Maeve Cooke, Kevin De Ornellas, Sabine Egger, Joachim Fischer, Coman Hamilton, Jon Hughes, Karina von Lindeiner-Strásky, Alexandra Ludewig, Pól O Dochartaigh, Christiane Schönfeld, Matthias Uecker. Pól O Dochartaigh is Professor of German and Dean of the Faculty of Arts at the University of Ulster, Northern Ireland. Christiane Schönfeld is Senior Lecturer in German and Head of the Department of German Studies at Mary Immaculate College, University of Limerick

     
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    Beteiligt: Ó Dochartaigh, Pól; Schönfeld, Christiane
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571137876; 9781571134981
    Schlagworte: Philosophie; Literature and morals / Germany; German literature / 20th century / History and criticism; Germans in literature; Germans in motion pictures; Identity (Psychology) / Germany; Medien; Deutsche <Motiv>; Film; Nationalsozialismus; Ethik <Motiv>; Literatur
    Umfang: 1 online resource (viii, 261 pages)
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  11. Aging and Old-Age Style in Günter Grass, Ruth Klüger, Christa Wolf, and Martin Walser
    the mannerism of a late period
    Autor*in: Taberner, Stuart
    Erschienen: 2013
    Verlag:  Boydell & Brewer, Suffolk

    Demographers say that by the year 2060, every seventh person in Germany will be aged eighty or older, and every third person over sixty-five. The prediction for other Western countries is scarcely different. Indeed, the aging society is seen by some... mehr

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    Demographers say that by the year 2060, every seventh person in Germany will be aged eighty or older, and every third person over sixty-five. The prediction for other Western countries is scarcely different. Indeed, the aging society is seen by some as a graver threat than even global warming, with potentially unmanageable tensions relating to intergenerational relationships, work and benefits, and flows of people. This book explores the representation and performance of aging in recent "late-style" German-language fiction. It situates the authors chosen as case studies -- Günter Grass, Ruth Klüger, Christa Wolf, and Martin Walser -- in their biographical and social contexts and explores the significance of their aesthetic figuring of aging for debates raging both in Germany and internationally. In particular, the book looks at gender, generations, and trauma and their impact on how writers "narrativize" aging. Finally, it examines the "timeliness" of these different representations and late-style performances of aging in the context of the shift of social, political, and economic power away from the declining societies of the West to the ascendant societies of the East. Stuart Taberner is Professor of Contemporary German Literature, Culture, and Society at the University of Leeds

     
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  12. Born under Auschwitz
    melancholy traditions in postwar German literature
    Autor*in: Cosgrove, Mary
    Erschienen: 2014
    Verlag:  Boydell & Brewer, Suffolk

    In German Studies the literary phenomenon of melancholy, which has a longstanding and diverse history in European letters, has typically been associated with the Early Modern and Baroque periods, Romanticism, and the crisis of modernity. This... mehr

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    In German Studies the literary phenomenon of melancholy, which has a longstanding and diverse history in European letters, has typically been associated with the Early Modern and Baroque periods, Romanticism, and the crisis of modernity. This association, alongside the dominant psychoanalytical view of melancholy in German memory discourses since the 1960s, has led to its neglect as an important literary mode in postwar German literature, a situation the present book seeks to redress by identifying and analyzing epochal postwar works that use melancholy traditions to comment on German history in the aftermath of the Holocaust. It focuses on five writers - Günter Grass, Wolfgang Hildesheimer, Peter Weiss, W. G. Sebald, and Iris Hanika - who reflect on the legacy of Auschwitz as intellectuals trying to negotiate a relationship to the past based on the stigma of belonging to a perpetrator collective (Grass, Sebald, Hanika) or, broadly speaking, to the victim collective (Weiss, Hildesheimer), in order to develop a melancholy ethics of memory for the Holocaust and the Nazi past. It will appeal to scholars and students of German Studies,Comparative Literature, Cultural Studies, Cultural Memory, and Holocaust Studies. Mary Cosgrove is Reader in German at the University of Edinburgh

     
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    ISBN: 9781571138897; 9781571135568
    Schlagworte: German literature / 20th century / History and criticism; Melancholy in literature; Judenvernichtung <Motiv>; Melancholie <Motiv>; Literatur; Deutsch
    Weitere Schlagworte: Hanika, Iris (1962-); Weiss, Peter (1916-1982); Sebald, W. G. (1944-2001); Gross, Günter F.; Hildesheimer, Wolfgang (1916-1991)
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  13. German literary culture at the zero hour
    Autor*in: Brockmann, Stephen
    Erschienen: [2013]; © 2004
    Verlag:  Camden House, an imprint of Boydell & Brewer Inc., Rochester, NY ; Woodbridge, Suffolk

    In the immediate aftermath of the Second World War, German intellectuals and writers were forced to confront perhaps the most difficult complex of problems ever faced by modern intellectuals in the western world: the complete defeat and devastation... mehr

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    In the immediate aftermath of the Second World War, German intellectuals and writers were forced to confront perhaps the most difficult complex of problems ever faced by modern intellectuals in the western world: the complete defeat and devastation of their country, the crimes of the Hitler dictatorship, the onset of the Cold War, and ultimately the political division of the nation. To a large extent these debates took place in literature and literary discourse, and they continue to have pressing relevance for Germany today, when the country is rediscovering and exploring this previously neglected period in literature and film. Yet the period has been neglected in scholarship, and is little understood; for the first time in English, this book offers a systematic overview of the hotly contested intellectual debates of this period: the problem of German guilt, the question of the return of literary and political émigrés such as Thomas Mann, the relevance of the cultural tradition of German humanism for the postwar period, the threat of nihilism, the politicization of literature, and the status of German young people who had been indoctrinated by the Nazis. Stephen Brockmann challenges the received wisdom that the immediate postwar period in Germany was intellectually barren, characterized primarily by silence on the major issues of the day; he reveals, in addition to attempts to obfuscate those issues, a German intellectual-and literary-world characterized by an often high level of dialogue and debate. Stephen Brockmann is professor of German at Carnegie Mellon University. He is the recipient of the 2007 DAAD (German Academic Exchange Service) Prize for Distinguished Scholarship in German and European Studies/Humanities

     
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    ISBN: 9781571136527
    Schriftenreihe: Studies in German literature, linguistics and culture
    Schlagworte: Geschichte; German literature / 20th century / History and criticism; Literature and society / Germany / History / 20th century; Authors, German / 20th century / Political and social views
    Umfang: 1 Online-Ressource (XI, 295 Seiten)
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  14. German literature of the 1990s and beyond
    normalization and the Berlin Republic
    Autor*in: Taberner, Stuart
    Erschienen: 2005
    Verlag:  Boydell & Brewer, Suffolk

    This book presents a comprehensive, lively account of recent developments in German fiction at a moment when-for the first time in many years-German authors are once again the subject of international attention and acclaim. It introduces... mehr

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    This book presents a comprehensive, lively account of recent developments in German fiction at a moment when-for the first time in many years-German authors are once again the subject of international attention and acclaim. It introduces English-speaking audiences to the complex dilemmas that are shaping the ways in which Germans are presently defining themselves, their difficult past, and the new 'Berlin Republic.' The theme that runs throughout the volume is the ongoing debate on German 'normalization.' In offering a wide-ranging consideration of contemporary German literature, the book complements a broad discussion of trends in present-day German politics, society, and culture with detailed readings of texts by internationally renowned figures as W. G. Sebald, Günter Grass, Martin Walser, Marcel Beyer, Ingo Schulze, Judith Hermann, Thomas Brussig, and Bernhard Schlink, and by newer, emerging writers. Topics include the literary debates of the 1990s, the literary market and marketing, literary responses to the former East and West Germany in the age of globalization and to the Nazi past and portrayals of 'ordinary Germans,' depictions of 'German wartime suffering,' contemporary writing on 'Jewish fates' and efforts to revive the 'German-Jewish symbiosis,' and finally, the recent wave of writing about the provinces. Stuart Taberner is a Senior Lecturer in the Department of German at the University of Leeds, UK.

     
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    ISBN: 9781571136725; 9781571132895
    Schlagworte: German literature / 20th century / History and criticism; German literature / 21st century / History and criticism
    Umfang: 1 online resource (xxvii, 289 pages)
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  15. Imagining the age of Goethe in German literature, 1970-2010
    Autor*in: Pizer, John David
    Erschienen: 2011
    Verlag:  Boydell & Brewer, Suffolk

    The Age of Goethe is widely viewed as the apogee of German culture. Its writers and thinkers, especially Goethe, have been exalted as role models for life and art, particularly after 1945. Yet in the 1970s, a new generation of German writers in both... mehr

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    The Age of Goethe is widely viewed as the apogee of German culture. Its writers and thinkers, especially Goethe, have been exalted as role models for life and art, particularly after 1945. Yet in the 1970s, a new generation of German writers in both East and West rebelled against the postwar hagiography, taking up a tradition of imaginatively engaging with the giants of the period, casting them in major roles in their works in order to critique the nation's past and its present, a tradition that has been carried on by more contemporary writers. This is the first book-length study devoted to modern German 'author-as-character' fiction set in the Age of Goethe. It shows for the first time in a sustained manner the powerful hold the 'Goethezeit' continues to exercise on the imagination of many of Germany's leading writers. This inner-German dialogue across the ages provides an important corrective to the dominant critical view that contemporary German-language literature is composed primarily under the sign of both globalization and the influence of mass American culture. The book will be of interest to both scholars of the 'Goethezeit' and of contemporary German literature and culture. John D. Pizer is Professor of German and Comparative Literature at Louisiana State University

     
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  16. Novels of Turkish German settlement
    cosmopolite fictions
    Autor*in: Cheesman, Tom
    Erschienen: 2007
    Verlag:  Boydell & Brewer, Suffolk

    Germany has become home to some 2.5 million people of Turkish background since mass recruitments in the 1960s and 1970s to man the 'economic miracle.' An increasingly settled Turkish German population now asserts a permanent place in Germany: over a... mehr

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    Germany has become home to some 2.5 million people of Turkish background since mass recruitments in the 1960s and 1970s to man the 'economic miracle.' An increasingly settled Turkish German population now asserts a permanent place in Germany: over a third were born there, and a third have German citizenship. At the same time, Turkish German writers have become integral to the German literary scene. They include bestselling novelists Renan Demirkan and Akif Pirinçci; prestigious literary prize-winners Emine Sevgi özdamar and Feridun Zaimoglu; and the critically acclaimed Aras ören and Zafer Senocak. Tom Cheesman focuses on these and other writers' perspectives on cosmopolitan ideals and aspirations, ranging from glib affirmation to cynical transgression and melancholy nihilism. People of Turkish background are still not always recognized as equal participants in German life, but Turkish German writers' interventions defy marginalizing concepts such as 'literature of migration' or 'intercultural literature.' What Cheesman calls their 'literature of settlement' is paradigmatic for European cultures adapting to diversity and negotiating new identities. He shows German culture to have moved decisively beyond such "polite fictions" as the term 'guest worker' or the slogan 'not a country of immigration.' Tom Cheesman is Senior Lecturer in German at Swansea University, Wales

     
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    ISBN: 9781571137050; 9781571133748
    Schlagworte: Geschichte; German literature / Turkish authors / History and criticism; German literature / 20th century / History and criticism; German literature / 21st century / History and criticism; Cosmopolitanism / Germany / History / 20th century; Cosmopolitanism / Germany / History / 21st century; Türken; Literatur; Deutsch
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  17. Perspectives on gender in post-1945 German literature
    Autor*in: Paul, Georgina
    Erschienen: 2009
    Verlag:  Boydell & Brewer, Suffolk

    Rooted in Enlightenment rationalism, modernity tends to privilege masculine-connoted characteristics - conscious subjective agency, rational control and self-containment, the subjugation of nature - and has generated a conceptualization of human... mehr

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    Rooted in Enlightenment rationalism, modernity tends to privilege masculine-connoted characteristics - conscious subjective agency, rational control and self-containment, the subjugation of nature - and has generated a conceptualization of human subjectivity emphasizing these qualities. Yet the costs of this conception of human selfhood are high, and at modernity's most acute moments of historical crisis writers and artists can be seen turning to feminine-connoted figurations - nature, tradition, myth and spirituality, intuition, relationality, flux. In recent decades studies have examined the cultural crisis of German modernity, notably at the turn of the nineteenth to the twentieth century, as a crisis of masculinity. Feminist critiques, meanwhile, have viewed cultural history as male-generated and 'phallocentric,' in need of a feminine corrective. The innovation of this book is to examine these two gendered perspectives side by side, investigating the culturally symbolic significance of gender in post 1945 German language literature via a sequence of paired readings of major, thematically related texts by male and female authors, including Ingeborg Bachmann's novel 'Malina' (1971) and Max Frisch's 'Mein Name sei Gantenbein' (1964); Frisch's 'Homo Faber' (1957) and Christa Wolf's 'Störfall' (1987); Elfriede Jelinek's 'Die Klavierspielerin' and Rainald Goetz's 'Irre' (both 1983); and Heiner Müller's 'Die Hamletmaschine' (1977) and Christa Wolf's 'Kassandra' (1983). Finally, Barbara Köhler's eight-poem cycle 'Elektra. Spiegelungen' (written 1984-85; published 1991) is considered as offering a way past the 'impasse' of the male and female viewpoints. Georgina Paul is University Lecturer in German at the University of Oxford and a Fellow of St. Hilda's College

     
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    ISBN: 9781571137463; 9781571134233
    Schlagworte: German literature / 20th century / History and criticism; Sex (Psychology) in literature; Identity (Psychology) in literature; Geschlecht <Motiv>; Geschlechterrolle <Motiv>; Literatur; Deutsch
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  18. Remembering Africa
    the rediscovery of colonialism in contemporary German literature
    Autor*in: Göttsche, Dirk
    Erschienen: 2013
    Verlag:  Boydell & Brewer, Suffolk

    In the late 1990s, in the wake of German unification, multiculturalism, and globalization, a surge of historical novels about German colonialism in Africa and its previously neglected legacies hit the German literary scene. This development,... mehr

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    In the late 1990s, in the wake of German unification, multiculturalism, and globalization, a surge of historical novels about German colonialism in Africa and its previously neglected legacies hit the German literary scene. This development, accelerated by the centenary in 2004 of Germany's colonial war in South-West Africa, has continued to the present, making colonialism an established theme of literary memorialization alongside Germany's dominant memory themes - National Socialism and the Holocaust, the former GDR and its demise in the '"Wende", and, more recently, "1968." This is the first comprehensive study of contemporary German literature's intense engagement with German colonialism and with Germany's wider involvement in European colonialism. Building on the author's decade of research and publication in the field, the book discusses some fifty novels by German, Swiss, and Austrian writers, among them Hans Christoph Buch, Alex Capus, Christof Hamann, Lukas Hartmann, Ilona Maria Hilliges, Giselher W. Hoffmann, Dieter Kühn, Hermann Schulz, Gerhard Seyfried, Thomas von Steinaecker, Uwe Timm, Ilija Trojanow, and Stephan Wackwitz. Drawing on international postcolonial theory, the German tradition of cross-cultural literary studies, and on memory studies, the book brings the hitherto neglected German case to the international debate in postcolonial literary studies. Dirk Göttsche is Professor of German at the University of Nottingham

     
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    ISBN: 9781571138477; 9781571135469
    Schlagworte: German literature / 20th century / History and criticism; German literature / 21st century / History and criticism; Imperialism in literature; Postcolonialism in literature; Germans / Africa; Postkolonialismus; Kolonialismus; Afrika <Motiv>; Literatur; Deutsch
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  19. Second-generation Holocaust literature
    legacies of survival and perpetration
    Autor*in: McGlothlin, Erin Heather
    Erschienen: 2006
    Verlag:  Boydell & Brewer, Suffolk

    Among historical events of the 20th century, the Holocaust is unrivaled as the subject of both scholarly and literary writing. Literary responses include not only thousands of autobiographical and fictional texts written by survivors, but also, more... mehr

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    Among historical events of the 20th century, the Holocaust is unrivaled as the subject of both scholarly and literary writing. Literary responses include not only thousands of autobiographical and fictional texts written by survivors, but also, more recently, works by writers who are not survivors but nevertheless feel compelled to write about the Holocaust. Writers from what is known as the 'second generation' have produced texts that express their feeling of being powerfully marked by events of which they have had no direct experience. This book expands the commonly-used definition of 'second-generation literature,' which refers to texts written from the perspective of the children of survivors, to include texts written from the point of view of the children of Nazi perpetrators. With its innovative focus on the literary legacy of both groups, it investigates how second-generation writers employ similar tropes of stigmatization to express their troubled relationships to their parents' histories. Through readings of nine American, German, and French literary texts, Erin McGlothlin demonstrates how an anxiety with signification is manifested in the very structure of second-generation literature, revealing the extent to which the literary texts themselves are marked by the continuing aftershocks of the Holocaust. Erin McGlothlin is assistant professor of German at Washington University in St. Louis

     
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    ISBN: 9781571136855; 9781571133526
    Schlagworte: German literature / 20th century / History and criticism; Holocaust, Jewish (1939-1945), in literature; Children of Holocaust survivors, Writings of / History and criticism; Children of Nazis, Writings of / History and criticism; Judenvernichtung <Motiv>; Literatur; Deutsch
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  20. Violent women in print
    representations in the West German print media of the 1960s and 1970s
    Autor*in: Bielby, Clare
    Erschienen: 2012
    Verlag:  Boydell & Brewer, Suffolk

    As the controversy surrounding the release of Uli Edel and Bernd Eichinger's 2008 feature film ‘The Baader Meinhof Complex’ demonstrates, West Germany's terrorist period, which reached its height in the ‘German autumn’ of 1977, is still a fascinating... mehr

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    Universitätsbibliothek Passau
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    As the controversy surrounding the release of Uli Edel and Bernd Eichinger's 2008 feature film ‘The Baader Meinhof Complex’ demonstrates, West Germany's terrorist period, which reached its height in the ‘German autumn’ of 1977, is still a fascinating - and troubling - subject. One of the most provocative aspects, still today, is the high proportion of women involved in terrorism, most notoriously Ulrike Meinhof. That the film concentrates on the trajectory of Meinhof's life and mobilizes established and hence reassuring paradigms of femininity in its representation of her (as ‘mother’ and ‘hysterical woman’) suggests that the combination of women and violence is still threatening and that there is still mileage to be had from feminizing the discourse. The present study returns to the West German print media of the 1960s and 1970s and raises questions about the continuing preoccupation with this period. Looking at publications from the right-wing ‘Bild’ to the liberal ‘Der Spiegel’, it explores how violent women - not only terrorists but also others such as the convicted murderer and media femme fatale Vera Brühne - were represented in text and image. This is the first book to explore print-media representations of German terrorism from an explicitly gendered perspective, and one of very few books in English to address the period in Germany at all, despite steadily increasing interest in the UK and the US. Clare Bielby is Lecturer in German Studies at the University of Hull

     
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    Sprache: Englisch
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    Format: Online
    ISBN: 9781571138378; 9781571135308
    Schlagworte: Geschichte; Massenmedien; German literature / 20th century / History and criticism; Mass media / Germany / History / 20th century; Women and literature / Germany; Women in literature; Violence in literature; Women in mass media; Violence in mass media; Berichterstattung; Gewalttäterin; Terroristin; Presse; Frauenbild
    Umfang: 1 online resource (x, 225 pages)
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  21. Writers and politics in Germany, 1945-2008
    Autor*in: Parkes, K. Stuart
    Erschienen: 2009
    Verlag:  Boydell & Brewer, Suffolk

    George Orwell said that all writing is political; but the writers of some nations and some periods are more political than others. German writers after 1945 have exemplified such heightened politicization, and this book considers their contribution... mehr

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    George Orwell said that all writing is political; but the writers of some nations and some periods are more political than others. German writers after 1945 have exemplified such heightened politicization, and this book considers their contribution to the democratic development of Germany by looking principally at their directly political, non-fictional writings. It pays particular attention to writers and the student movement of the 1960s and '70s, when some proclaimed the death of literature and called for a turn to direct political action. Yet writers in both parts of Germany gradually came to identify with their respective states, even if the idea of one Germany never entirely disappeared. The unification of 1989-1990, in which this idea astonishingly became reality, posed a major (and some would say unmet) challenge to writers in both East and West. After looking at this period of intense political activities, the book considers the continuing East/West division and changing attitudes to the Nazi past, asking whether the intellectual climate has swung to the right. It also asks to what extent political involvement has been a generational project for the immediate postwar generation and is less important for younger writers who see the Federal Republic as a 'normal' democratic state. Stuart Parkes is Emeritus Professor of German from the University of Sunderland (UK)

     
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    ISBN: 9781571137548; 9781571134011
    Schlagworte: Politik; Authors, German / 20th century / Political and social views; Authors, German / 21st century / Political and social views; German literature / 20th century / History and criticism; German literature / 21st century / History and criticism; Politik; Schriftsteller; Literatur; Deutsch
    Umfang: 1 online resource (x, 239 pages)
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  22. The German legacy in East Central Europe as recorded in recent German-language literature
    Autor*in: Glajar, Valentina
    Erschienen: 2004
    Verlag:  Boydell & Brewer, Suffolk

    This study focuses on the complex legacy of the German and Austrian political and cultural presence in East Central Europe in the twentieth century. It contributes to the discussion of 'German' identity in eastern Europe, and has important... mehr

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    This study focuses on the complex legacy of the German and Austrian political and cultural presence in East Central Europe in the twentieth century. It contributes to the discussion of 'German' identity in eastern Europe, and has important implications for German, Austrian, and East European studies. It addresses the specific situations of the former Habsburg regions of Bukovina (the Ukraine/Romania), Moravia (the Czech Republic), and Banat (Romania) as illustrated in contemporary literature by German-speaking authors, such as Herta Müller, Erica Pedretti, Gregor von Rezzori, and Edgar Hilsenrath. The works of these authors constitute contrastive historiographic narratives of the multiethnic regions of East-Central Europe under a series of oppressive regimes: first Austrian imperialism, and then German and Romanian fascism in Bukovina; National Socialism in Moravia, and Communism in Romania. Valentina Glajar investigates these narratives as representations of multicultural East Central Europe in German-language literature that show the political and ethnic tensions between Germans and local peoples that marked these regions throughout the 20th century, often with tragic consequences. The study thus expands and diversifies the understanding of German literature and challenges the concept of a homogeneous German identity reaching far beyond the borders of the German-speaking countries. Valentina Glajar is assistant professor of German at Southwest Texas State University

     
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  23. The hotel as setting in early twentieth-century German and Austrian literature
    checking in to tell a story
    Autor*in: Matthias, Bettina
    Erschienen: 2006
    Verlag:  Boydell & Brewer, Suffolk

    As the bourgeois concept of 'home' became problematic after important changes in German-speaking society during the 19th century, many fiction writers chose the literary setting of the hotel to explore the status of the individual and the notions of... mehr

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    As the bourgeois concept of 'home' became problematic after important changes in German-speaking society during the 19th century, many fiction writers chose the literary setting of the hotel to explore the status of the individual and the notions of public and private. As social microcosms, hotels are fitting experimental settings for literary inquiries into the tension between the individual's quest for a place in the world and the technocratic rationalism of modern life. The book has two parts, the first establishing the cultural and theoretical context and the second providing analyses of literary works set in hotels. A brief history of commercial hospitality and a chapter establishing the theoretical framework of the hotel as a paradigmatic, ambivalent, semi-public, and stage-like modern space lead to readings of texts by Schnitzler, Zweig, Werfel, Kafka, Thomas Mann, Joseph Roth, and Vicki Baum. BETTINA MATTHIAS is associate professor of German at Middlebury College

     
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    Sprache: Englisch
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    Format: Online
    ISBN: 9781571136756; 9781571133212
    Schlagworte: German literature / 19th century / History and criticism; German literature / 20th century / History and criticism; Austrian literature / 19th century / History and criticism; Austrian literature / 20th century / History and criticism; Hotels in literature; Hotel <Motiv>; Literatur; Deutsch
    Umfang: 1 online resource (x, 221 pages)
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  24. The dear purchase
    a theme in German modernism
    Autor*in: Stern, J. P.
    Erschienen: 1995
    Verlag:  Cambridge University Press, Cambridge

    This book studies individual works by twelve major writers of German modernism, including Thomas Mann, Musil, Brecht and Rilke, in relation to the history of the twentieth century. It explores the theme of the 'dear purchase', an ideal of moral... mehr

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    This book studies individual works by twelve major writers of German modernism, including Thomas Mann, Musil, Brecht and Rilke, in relation to the history of the twentieth century. It explores the theme of the 'dear purchase', an ideal of moral strenuousness and sacrifice seen as characteristic of Germany after Nietzsche, and reveals the underlying flaw in this notion as a self-justifying value. In this context, it considers the renaissance of German poetry after 1900, the impact of the War of 1914, its aftermath in uncertainty and relativism, and attitudes to the Hitler period, and finally juxtaposes Mann's Felix Krull and Kafka's story Josephine as a deliverance from the value-system of the title. The Introduction, partly autobiographical, traces J. P. Stern's preoccupation with this interpretation of his material in many of the books he published (especially those concerned with Nietzsche and Hitler), and pays tribute to Wittgenstein's influence on his thinking

     
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    ISBN: 9780511597763; 9780521433303; 9780521024402
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    Schriftenreihe: Cambridge studies in German
    Schlagworte: German literature / 20th century / History and criticism; Sacrifice in literature; Erlösung <Motiv>; Zeithintergrund; Literatur; Deutsch
    Umfang: 1 online resource (xxii, 445 pages)
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  25. Germans as victims in the literary fiction of the Berlin Republic
    Autor*in:
    Erschienen: 2009
    Verlag:  Boydell & Brewer, Suffolk

    In recent years it has become much more accepted in Germany to consider aspects of the Second World War in which Germans were not perpetrators, but victims: the Allied bombing campaign, expulsions of 'ethnic' Germans, mass rapes of German women, and... mehr

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    In recent years it has become much more accepted in Germany to consider aspects of the Second World War in which Germans were not perpetrators, but victims: the Allied bombing campaign, expulsions of 'ethnic' Germans, mass rapes of German women, and postwar internment and persecution. An explosion of literary fiction on these topics has accompanied this trend. Sebald's 'The Air War and Literature' and Grass's 'Crabwalk' are key texts, but there are many others; the great majority seek not to revise German responsibility for the Holocaust but to balance German victimhood and German perpetration. This book of essays is the first in English to examine closely the variety of these texts. An opening section on the 1950s - a decade of intense literary engagement with German victimhood before the focus shifted to German perpetration - provides context, drawing parallels but also noting differences between the immediate postwar period and today. The second section focuses on key texts written since the mid-1990s shifts in perspectives on the Nazi past, on perpetration and victimhood, on 'ordinary Germans,' and on the balance between historical empathy and condemnation. Contributors: Karina Berger, Elizabeth Boa, Stephen Brockmann, David Clarke, Mary Cosgrove, Rick Crownshaw, Helen Finch, Frank Finlay, Katharina Hall, Colette Lawson, Caroline Schaumann, Helmut Schmitz, Kathrin Schödel, and Stuart Taberner. Stuart Taberner is professor of contemporary German literature, culture, and society, and Karina Berger, B.A., M.St., is a Ph.D. candidate, both at the University of Leeds, UK.

     
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    Beteiligt: Taberner, Stuart; Berger, Karina
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571137364; 9781571133939
    Schlagworte: Weltkrieg (1939-1945); Victims in literature; Germans in literature; German literature / 20th century / History and criticism; World War, 1939-1945 / Literature and the war; Opfer <Sozialpsychologie, Motiv>; Vergangenheitsbewältigung <Motiv>; Literatur; Deutsch
    Umfang: 1 online resource (vi, 259 pages)
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