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  1. Errant strivings
    Goethe, "Faust" and the feminist reader
    Erschienen: 2005

    Hessisches BibliotheksInformationsSystem HeBIS
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    Quelle: BDSL
    Sprache: Englisch
    Medientyp: Aufsatz aus einem Sammelband
    Format: Druck
    Übergeordneter Titel: In: From Goethe to Gide; Exeter : Univ. of Exeter Press, 2005; 2005, S. 7-21; X, 262 S., Ill.
    Schlagworte: Rezeption; Feminismus
    Weitere Schlagworte: Goethe, Johann Wolfgangvon (1749-1832): Faust
  2. Tragedy in paradise
    family and gender politics in German bourgeois tragedy 1750 - 1850
    Erschienen: 1996
    Verlag:  Camden House, Columbia, SC

    "Burgerliches Trauerspiel" or bourgeois tragedy is the most popularly acclaimed and critically documented form of German drama. Beginning in the mid-eighteenth century, some of Germany's greatest dramatists turned away from classical subjects and... mehr

    Freie Universität Berlin, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Burgerliches Trauerspiel" or bourgeois tragedy is the most popularly acclaimed and critically documented form of German drama. Beginning in the mid-eighteenth century, some of Germany's greatest dramatists turned away from classical subjects and focused instead on the intricate internecine struggles of the middle class family. Hart's study views bourgeois tragedy and related forms of "family" drama as being the enactment of a threat to stability, to bourgeois or domestic order, organized so as to defeat that threat and relieve the anxieties of a middle-class audience. Within this framework, threats to stability are imagined as "feminine" and then represented as female figures who are then purged from the drama. The opposition of order and chaos, of law and its undoing, is embedded in the figure of a "bourgeois-tragic" father, who faces the dread possibility of being betrayed by a wife, or daughter, who challenges his authority or defies his command Proceeding from these basic assumptions, Hart reads a series of documents, from The London Merchant and Miss Sara Sampson to Hebbel's later Italian plays, as a cultural continuum marked by critical deviancies that include a catalogue of homosocial strategies (usurpation of the feminine or maternal, man-for-woman substitutions) and the regular reenactment of the Biblical myth of the Fall (the "original" challenge to paternal authority)

     

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  3. Tragedy in paradise
    family and gender politics in German bourgeois tragedy 1750 - 1850
    Erschienen: 1996
    Verlag:  Camden House, Columbia, SC

    "Burgerliches Trauerspiel" or bourgeois tragedy is the most popularly acclaimed and critically documented form of German drama. Beginning in the mid-eighteenth century, some of Germany's greatest dramatists turned away from classical subjects and... mehr

    Universitätsbibliothek Augsburg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Bamberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Bayreuth
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Passau
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Burgerliches Trauerspiel" or bourgeois tragedy is the most popularly acclaimed and critically documented form of German drama. Beginning in the mid-eighteenth century, some of Germany's greatest dramatists turned away from classical subjects and focused instead on the intricate internecine struggles of the middle class family. Hart's study views bourgeois tragedy and related forms of "family" drama as being the enactment of a threat to stability, to bourgeois or domestic order, organized so as to defeat that threat and relieve the anxieties of a middle-class audience. Within this framework, threats to stability are imagined as "feminine" and then represented as female figures who are then purged from the drama. The opposition of order and chaos, of law and its undoing, is embedded in the figure of a "bourgeois-tragic" father, who faces the dread possibility of being betrayed by a wife, or daughter, who challenges his authority or defies his command Proceeding from these basic assumptions, Hart reads a series of documents, from The London Merchant and Miss Sara Sampson to Hebbel's later Italian plays, as a cultural continuum marked by critical deviancies that include a catalogue of homosocial strategies (usurpation of the feminine or maternal, man-for-woman substitutions) and the regular reenactment of the Biblical myth of the Fall (the "original" challenge to paternal authority)

     

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  4. Tragedy in paradise
    family and gender politics in German bourgeois tragedy, 1750 - 1850
    Erschienen: 1996
    Verlag:  Camden House, Columbia, SC

    Universitätsbibliothek Bielefeld
    PC255 H325
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    Universität Bonn, Institut für Germanistik, Vergleichende Literatur- und Kulturwissenschaft, Bibliothek
    Dg 481
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    Universitätsbibliothek der Fernuniversität
    CIU/HAR
    Institut für Deutsche Sprache und Literatur mit Volkskundlicher Abteilung, Bibliothek
    405/L26275/390
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    Quelle: Verbundkataloge
    Sprache: Unbestimmt
    Medientyp: Buch (Monographie)
    ISBN: 1571130373
    RVK Klassifikation: GK 1290 ; GK 1260
    Auflage/Ausgabe: 1. ed.
    Schriftenreihe: Studies in German literature, linguistics and culture
    Schlagworte: Familie <Motiv>; Frauenbild; Feminismus; Deutsch; Bürgerliches Trauerspiel
    Umfang: XIII, 136 S.