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  1. The Ends of Satire
    Legacies of Satire in Postwar German Writing
    Erschienen: 2015
    Verlag:  De Gruyter, Berlin/Boston

    How are we to think of satire if it has ceased to exist as a discrete genre? This study proposes a novel solution, understanding the satiric in the postwar era as a set of writing practices: figures of inversion, myth-making, and citation. By showing... mehr

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    How are we to think of satire if it has ceased to exist as a discrete genre? This study proposes a novel solution, understanding the satiric in the postwar era as a set of writing practices: figures of inversion, myth-making, and citation. By showing how writers and theorists alike deploy these devices in new contexts, this book reexamines the link between German postwar writing and the history of satire, and between literature and theory. Daniel Bowles, Boston College, Massachusetts, USA. How are we to think of satire if it has ceased to exist as a discrete genre? This study proposes a novel solution, understanding the satiric in the postwar era as a set of writing practices: figures of inversion, myth-making, and citation. By showing how writers and theorists alike deploy these devices in new contexts, this book reexamines the link between German postwar writing and the history of satire, and between literature and theory

     

    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783110359350
    Schriftenreihe: Paradigms ; v.2
    Paradigms Ser ; v.2
    Schlagworte: German literature ; 20th century ; History and criticism; Satire, German ; History and criticism; Electronic books
    Umfang: Online-Ressource (240 p)
    Bemerkung(en):

    Description based upon print version of record

    Table of Contents; Acknowledgments; Introduction. Satire around 1800: Jean Paul; 1. Prolegomena; 2. The Case of Jean Paul: Unreadable Writing, Unwritable Readings; Part One. Inversion; 3. The Carnivalesque in Mikhail Bakhtin's Rabelais and His World (1965); 4. Perspective and Repetition in Thomas Bernhard's Woodcutters (1984); 5. Destructive Negativity: Thomas Bernhard and Extinction (1986); Part Two. Mythification; 6. Between Theory and Literature: Roland Barthes' Mythologies (1957); 7. Elfriede Jelinek's Mythic Lust (1989)

    8. Viennese Paradigms in Elfriede Jelinek's The Piano Teacher (1983)Part Three. Citation; 9. From Stage to Page: Judith Butler and Gender Trouble (1990); 10. Performing Theory in Literature: Thomas Meinecke's Tomboy (1998); 11. Infinite Paradise of the Infinite Text: Thomas Meinecke's Music (2004); Conclusion. Satire after Satire; Bibliography; Index

  2. The Ends of Satire
    Legacies of Satire in Postwar German Writing
    Erschienen: 2015
    Verlag:  De Gruyter, Berlin/Boston

    How are we to think of satire if it has ceased to exist as a discrete genre? This study proposes a novel solution, understanding the satiric in the postwar era as a set of writing practices: figures of inversion, myth-making, and citation. By showing... mehr

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    How are we to think of satire if it has ceased to exist as a discrete genre? This study proposes a novel solution, understanding the satiric in the postwar era as a set of writing practices: figures of inversion, myth-making, and citation. By showing how writers and theorists alike deploy these devices in new contexts, this book reexamines the link between German postwar writing and the history of satire, and between literature and theory. Daniel Bowles, Boston College, Massachusetts, USA. How are we to think of satire if it has ceased to exist as a discrete genre? This study proposes a novel solution, understanding the satiric in the postwar era as a set of writing practices: figures of inversion, myth-making, and citation. By showing how writers and theorists alike deploy these devices in new contexts, this book reexamines the link between German postwar writing and the history of satire, and between literature and theory

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783110359350
    Schriftenreihe: Paradigms ; v.2
    Paradigms Ser ; v.2
    Schlagworte: German literature ; 20th century ; History and criticism; Satire, German ; History and criticism; Electronic books
    Umfang: Online-Ressource (240 p)
    Bemerkung(en):

    Description based upon print version of record

    Table of Contents; Acknowledgments; Introduction. Satire around 1800: Jean Paul; 1. Prolegomena; 2. The Case of Jean Paul: Unreadable Writing, Unwritable Readings; Part One. Inversion; 3. The Carnivalesque in Mikhail Bakhtin's Rabelais and His World (1965); 4. Perspective and Repetition in Thomas Bernhard's Woodcutters (1984); 5. Destructive Negativity: Thomas Bernhard and Extinction (1986); Part Two. Mythification; 6. Between Theory and Literature: Roland Barthes' Mythologies (1957); 7. Elfriede Jelinek's Mythic Lust (1989)

    8. Viennese Paradigms in Elfriede Jelinek's The Piano Teacher (1983)Part Three. Citation; 9. From Stage to Page: Judith Butler and Gender Trouble (1990); 10. Performing Theory in Literature: Thomas Meinecke's Tomboy (1998); 11. Infinite Paradise of the Infinite Text: Thomas Meinecke's Music (2004); Conclusion. Satire after Satire; Bibliography; Index

  3. The Ends of Satire
    Legacies of Satire in Postwar German Writing
    Erschienen: [2015]
    Verlag:  De Gruyter, Berlin/Boston

    "How are we to think of satire if it has ceased to exist as a discrete genre? This study proposes a novel solution, understanding the satiric in the postwar era as a set of writing practices: figures of inversion, myth-making, and citation. By... mehr

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    "How are we to think of satire if it has ceased to exist as a discrete genre? This study proposes a novel solution, understanding the satiric in the postwar era as a set of writing practices: figures of inversion, myth-making, and citation. By showing how writers and theorists alike deploy these devices in new contexts, this book reexamines the link between German postwar writing and the history of satire, and between literature and theory."-- Acknowledgments -- Introduction: Satire around 1800: Jean Paul -- Prolegomena -- The case of Jean Paul: unreadable writing, unwritable readings 16 -- Part One: Inversion -- The carnivalesque in Mikhail Bakhtin's Rabelais and his World (1965) -- Perspective and repetition in Thomas Bernhard's Woodcutters (1984) -- Destructive negativity: Thomas Bernhard and Extinction (1986) -- Part Two: Mythification -- Between theory and literature: Roland Barthes' Mythologies (1957) -- Elfriede Jelinek's Mythic Lust (1989) -- Viennese paradigms in Elfriede Jelinek's The Piano Teacher (1983) -- Part Three: Citation -- From stage to page: Judith Butler and Gender Trouble (1990) -- Performing theory in literature: Thomas Meinecke's Tomboy (1998) -- Infinite Paradise of the Infinite Text: Thomas Meinecke's Music (2004) -- Conclusion: Satire after Satire.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 3110386844; 9783110386844
    Schriftenreihe: Paradigms ; 2
    Schlagworte: Satire, German; German literature; German literature; Satire, German; Tysk satir ; historia; Criticism, interpretation, etc; Languages & Literatures; Germanic Literature
    Umfang: 1 Online-Ressource (vii, 231 pages), illustrations
    Bemerkung(en):

    Includes bibliographical references (pages 217-226) and index