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Before and after plants
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Fruit and rot: Vegetal theology in Perceforest
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The sacrificial herb: Gathering prayers in medieval pharmacy
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‘Farewel my bok’: Paying attention to flowers in Chaucer’s prologues to The Legend of Good Women
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About the Cover
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About the Cover
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Critical confessions now
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I can’t love this the way you want me to: Archival blackness
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Chronic denial: When making change means saying the whole truth
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The sign you must not touch: Lyric obscurity and trans confession
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Race, labour, and the future of the past: King Lear’s ‘true blank’
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Confessions of the half-caste, or wheeling strangers of here and everywhere
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Queer and working class while reading The Second Shepherds’ Play
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The unbearable whiteness of being (in) Shakespeare
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The Aleph and the space of Shakespeare
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Mourner-confessors: The masala intercommunity of women in Rudaali and Hamlet
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The embarrassments of confession: Reading Margery Kempe today
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The speaking wound: Gower’s Confessio Amantis and the ethics of listening in the #metoo era
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Confessing in Old English: The Life of Saint Mary of Egypt and the problem with penance
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How to corner a poem (and watch it thrive): A timely confession
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Finding Old Nubian, or, why we should divest from Western tongues
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Confession, counter-conduct, critique
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The gift of shame
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A Game of Thrones: Power structures in medievalisms, manuscripts, and the museum
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Premodern race studies in academic country clubs