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‘Yearning for the sweet beckoning sound’: Musical longings and the unsayable in medievalist fantasy fiction
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Nostalgia, medievalism and the Vínland voyages
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The nostalgic moment and the sense of history
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‘That suck’d the honey of his music vows’: Disability studies in early modern musicological research
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The disabled body in the fabliaux
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Networks of exchange in The Franklin's Tale
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Queer relics: Martyrological time and the eroto-aesthetics of suffering in Bertha Harris’ Lover
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Drug overdose, disability and male friendship in fifteenth-century Mamluk Cairo
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Monstrous Mongols
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Mediating meanings: conservation of the Staffordshire Hoard
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The grins of others: Figuring ethnic difference in medieval facial expressions
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Reading faces: how did late medieval Europeans interpret emotions in faces?
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Gower’s blushing bird, Philomela’s transforming face
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Mirthful faces in The Name of the Rose
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The redemptive power of the face: from Beatrice (Portinari) to Bérénice (Bejo)
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Emotions in history and literature
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Facing Up to the History of Emotions
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About the Cover
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Introducing the winners of the first biennial Michael Camille essay prize
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Play and display: al-Ṣafadī’s Invention of Absurdity
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Lions and Latour litanies in The Sketchbook of Villard de Honnecourt
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Anticipatory plagiarism and the ex post facto–garde
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Carmen et Error
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Fumblr: The academic failblog
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Recycling topology as topos in music and narrative: Machaut, Bach, Möbius, Coetzee, Josipovici, and composition