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  1. Embodied Cognition and Cinema
    Autor*in:
    Erschienen: 2015
    Verlag:  Leuven University Press, Leuven

    The embodied cognition thesis claims that cognitive functions cannot be understood without making reference to the interactions between the brain, the body, and the environment. The meaning of abstract concepts is grounded in concrete experiences.... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    1 A 963970
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Gemeinsamer Bibliotheksverbund (GBV)

    Standort:
    Staats- und Universitätsbibliothek Bremen
    Signatur:
    a tea 803.6/500
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Gemeinsamer Bibliotheksverbund (GBV)

    Standort:
    Klassik Stiftung Weimar / Herzogin Anna Amalia Bibliothek
    Signatur:
    AP 45100 C672
    Fernleihe:
    keine Fernleihe
    Link zum Verbundkatalog:
    Gemeinsamer Bibliotheksverbund (GBV)

     

    The embodied cognition thesis claims that cognitive functions cannot be understood without making reference to the interactions between the brain, the body, and the environment. The meaning of abstract concepts is grounded in concrete experiences. This book is the first edited volume to explore the impact of the embodied cognition thesis on the scientific study of film. A team of scholars analyse the main aspects of film (narrative, style, music, sound, time, the viewer, emotion, perception, ethics, the frame, etc.) from an embodied perspective. By combining insights from various disciplines such as cognitive film theory, conceptual metaphor theory, and cognitive neuroscience, they show how the process of meaning-making in film is embodied and how empathy and embodied simulation play a role in understanding the way in which the viewer interacts with the film Film narrative and embodied cognition: the impact of image schemas on narrative form / Miklós Kiss -- Embodied visual meaning in film / Maarten Coëgnarts and Peter Kravanja -- Film music as embodiment / Juan Chattah -- The floating world: film narrative and viewer diakrisis / Hannah Chapelle Wojciehowski -- Modes of action at the movies, or re-thinking film style from the embodies perspective / Michele Guerra -- Art in noise: an embodied simulation account of cinematic sound design / Mark S. Ward -- The character's body and the viewer: cinematic empathy and embodied simulation in the film experience / Adriano D'Aloia -- Films and embodied metaphors of emotion / María J. Ortiz -- Embodied cinematic subjectivity: metaphorical and metonymical modes of character perception in film / Maarten Coëgnarts and Peter Kravanja -- Embodied ethics and cinema: moral attitudes facilitated by character perception / Maarten Coëgnarts and Peter Kravanja -- Cognitive semiotics revisited: reframing the frame / Warren Buckland

     
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    Quelle: Herzogin Anna Amalia Bibliothek
    Beteiligt: Coëgnarts, Maarten; Kravanja, Peter
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9462700281; 9789462700284
    RVK Klassifikation: AP 45100
    Schlagworte: Motion pictures; Cognitive psychology; Motion pictures; Motion pictures; Cognition; Motion Pictures as Topic
    Umfang: 381 S, Ill., graph. Darst., Notenbeisp.