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  1. Literarischer Antisemitismus bei Knut Hamsun und Henrik Pontoppidan: zwei Varianten mit unterschiedlicher Tendenz
    Autor*in: von Schnurbein, Stefanie
    Erschienen: 2014
    Verlag:  Humboldt-Universität zu Berlin, Berlin

    Up until now, Scandinavianist criticism has barely touched the question of a specific literary function of anti-Semitic stereotypes. This paper starts with a discussion of an older but persistent critical controversy about anti-Semitic tendencies in... mehr

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    Up until now, Scandinavianist criticism has barely touched the question of a specific literary function of anti-Semitic stereotypes. This paper starts with a discussion of an older but persistent critical controversy about anti-Semitic tendencies in Knut Hamsun’s work. It then focuses on two novels, Siste kapitel (1923) by Knut Hamsun and Lykke Per (1898–1904) by Henrik Pontoppidan. Both depict “the Jew” as the incarnation of capitalist modernity, however arrive at quite different conclusions. This article defends the thesis that Siste kapitel uses a well calculated play by constructing the character Fru Ruben as possibly but indeterminably Jewish. It thus has the potential to activate anti-Semitic pre-dispositions in the reader. Lykke Per on the other hand, depicts stereotypical Jews in a clearly anti-Semitic manner. However, it can be shown that these depictions are used to unveil both the narrator’s, his contemporary society’s and thus potentially also the reader’s own prejudice. Peer Reviewed

     
    Export in Literaturverwaltung   RIS-Format
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    Volltext (kostenfrei)
    Quelle: Verbundkataloge
    Sprache: Deutsch
    Medientyp: Aufsatz aus einer Zeitschrift
    ISSN: 2191-9399
    Weitere Identifier:
    Übergeordneter Titel: European journal of Scandinavian studies; Boston ; New York, NY : De Gruyter; 44,2014,1, Seiten 90-102
    Weitere Schlagworte: Antisemitismus; Knut Hamsun; Henrik Pontoppidan; Andere germanische Sprachen
    Umfang: 1 Online-Ressource (13 Seiten)
    Bemerkung(en):

    Dieser Beitrag ist mit Zustimmung des Rechteinhabers aufgrund einer (DFG-geförderten) Allianz- bzw. Nationallizenz frei zugänglich.
  2. „At Orientaleren skal tale som Orientaler…“
    Zur Problematik von Form und Funktion „Jüdischen Sprechens“ in M. A. Goldschmidts En Jøde (1845/52)
    Autor*in: Brandenburg, Florian
    Erschienen: 2014
    Verlag:  Humboldt-Universität zu Berlin, Berlin

    This article examines the intricate functions of Jewish speech in Meïr Goldschmidt’s novel En Jøde. Starting out with an analysis of literary antisemitism, differences between the representation of Jewish figures in specific genre conventions are... mehr

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    This article examines the intricate functions of Jewish speech in Meïr Goldschmidt’s novel En Jøde. Starting out with an analysis of literary antisemitism, differences between the representation of Jewish figures in specific genre conventions are highlighted. It can be shown that in Danish literature until 1845 Jewish speech is presented in narrative and dramatic texts in very different ways. It is argued that in En Jøde diverse representational conventions of Jewish speech are made use of. Contrary to non-jewish fiction writers, Goldschmidt gives his Jewish characters a voice that is diverging from the Danish norm. Their particular language is not artificial like in contemporary plays but aims at showing genuine Jewish speech. This turns En Jøde into the first novel of a Jewish author that tries to present the speech of its Jewish characters as authentic. Mainly in the last chapter, Goldschmidt also implements the speech of the “comic stage Jew”, which serves several functions. First, its use points at the connection between this kind of representation on stage and anti-Semitic attitudes in Danish society. Second, it establishes an ultimate alternative draft to the failed protagonist. Third, it alienates the readers’ trust in literary representations of Jewish figures and unmasks them as fictitious. Focusing on its use of Jewish figural vocabulary, this essay offers a new perspective on Goldschmidt’s most famous novel. Peer Reviewed

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (kostenfrei)
    Quelle: Verbundkataloge
    Sprache: Deutsch
    Medientyp: Aufsatz aus einer Zeitschrift
    ISSN: 2191-9399
    Weitere Identifier:
    Übergeordneter Titel: European journal of Scandinavian studies; Boston ; New York, NY : De Gruyter; 44,2014,1, Seiten 103-126
    Weitere Schlagworte: Andere germanische Sprachen; Literaturen germanischer Sprachen; Deutsche Literatur
    Umfang: 1 Online-Ressource (24 Seiten)
    Bemerkung(en):

    Dieser Beitrag ist mit Zustimmung des Rechteinhabers aufgrund einer (DFG-geförderten) Allianz- bzw. Nationallizenz frei zugänglich.