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  1. China in the German enlightenment
    Autor*in:
    Erschienen: [2016]
    Verlag:  University of Toronto Press, Toronto

    "Over the course of the eighteenth century, European intellectuals shifted from admiring China as a utopian place of wonder to despising it as a backwards and despotic state. That transformation had little to do with changes in China itself, and... mehr

     

    "Over the course of the eighteenth century, European intellectuals shifted from admiring China as a utopian place of wonder to despising it as a backwards and despotic state. That transformation had little to do with changes in China itself, and everything to do with Enlightenment conceptions of political identity and Europe's own burgeoning global power. China in the German Enlightenment considers the place of German philosophy, particularly the work of Leibniz, Goethe, Herder, and Hegel, in this development. Beginning with the first English translation of Walter Demel's classic essay "How the Chinese Became Yellow," the collection's essays examine the connections between eighteenth-century philosophy, German Orientalism, and the origins of modern race theory."--(Provided by publisher.)

     

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  2. E.T.A. Hoffmann's Orient
    romantic aesthetics and the German imagination
    Erschienen: 2016
    Verlag:  Legenda, Cambridge

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781909662988; 1909662984
    Schriftenreihe: Germanic literatures ; 11
    Schlagworte: Orientbild
    Weitere Schlagworte: Hoffmann, E. T. A. (1776-1822); (lcsh)Hoffmann, E. T. A.--(Ernst Theodor Amadeus), 1776-1822--Criticism and interpretation; (fast)Hoffmann, E. T. A.--(Ernst Theodor Amadeus), 1776-1822; (lcsh)Orientalism in literature; (lcsh)Orientalism in music; (fast)Orientalism in literature; (fast)Orientalism in music; (fast)Criticism, interpretation, etc.
    Umfang: 157 Seiten, 25 cm
    Bemerkung(en):

    Includes bibliographical references (pages 147-154) and index